The long sky has pursued the returning geese until they are gone; the Chu River and Mount Xiao are the same wherever you go. If the snow that remains should remember me in years to come, please ask the spring breeze on my behalf.
The third book in Luo Wan's Ying Tian Chang series. The series is complete.
The story revolves around a swordsman named Luo Wan and Ying Tianchang's young master. Luo Wan is a swordsman who is taciturn and has a nice smile when encountering changes (Ying Tianchang talks), while Ying Tianchang is a bullshit young master who will annoy you to death as long as you can't kill him. The two finally got together after settling their own concerns. To put it simply, it is a story about an old friend becoming a lover, and an extended family friend choosing a date to get married.
This series should be when Sicao first started trying to write original novels, so it was a period when problems broke out intensively, but it was also the sweetest. According to the author, this was because she still believed in love at that time. It is recommended that those who are interested enter the Sicao universe from the Luo Ying trilogy, not only because this is the sweetest one, but also the work that best reveals the background of Sicao. But the sweetness mentioned here is actually a matter of opinion. I personally like the confrontation between Luo and Ying in their relationship and their unknowing ambiguity. However, there are only two sentences that clearly describe the relationship: "You are tempted" at the beginning and the end. Saying it alone will just make people think "Huh?", But put it in a specific context, the touching and unsettling moment of fleeing in embarrassment on the night boat echoes the ultimate connection and satisfaction of the trilogy. Only in this story can this sentence have vitality.
That's a path. Luo Wan suddenly held Ying Tianchang's arm with his backhand and jumped forward. The two stepped onto the first piece of driftwood and used strength to get back up.
"You are tempted." Ying Tianchang said softly. He was so surprised that his mind almost went blank.
Behind him was the noisy sound of arrows. Luo Wan took him into his arms, and then his smooth figure stagnated. They hit the fourth piece of driftwood hard and almost fell. But they still staggered to the other side. Luo Wan was hit by an arrow behind his right shoulder, but they had no time to care and ran wildly.
The moonlight shines on the reeds by the river like floating snow.
Luo Wandao: "It's none of his business, nor yours or Xiao Chenghou's. I'm here for myself."
He looked past Qu Nao-kun again, like he was just a piece of misplaced furniture. Ying Tianchang put a hand on his shoulder and looked at him at a loss. I felt a sticky, throbbing pain in the palm of my hand. Luo Wan suddenly laughed.
"You're tempted."
I have been looking for this article for four years just for these four words. After I lost it and found it, I reread it with the mentality that the gain is worse than the loss, but I like it even more, because I discovered that in addition to the ambiguity of old friends, which is my favorite feature, the story of Si Cao also has a kind of "joking" or "resistance" that goes against the traditional martial arts (I'm talking about you, Xiong Yaohua).
For a long time, the basis of "martial arts" in martial arts-related works comes from the strength of the person who uses martial arts (cheats, skills, weapons, moves...), While "xia" comes from a free and open-minded martial arts spirit. But in the story of Luo Ying, the beginning of the relationship between Luo Ying and Luo Ying was a subversion of the bromance that is highly respected in traditional martial arts, such as "brothers are like brothers" and "love when talking and falling in love at first sight". After the plot of "character crash", Sicao forced the character to redefine his relationship with "power". Take the swordsman Luo Wan as an example. In most chapters, the sword no longer symbolizes strength, achievement or justice, but a kind of hesitation and fear.
"Luo Wan suddenly felt a familiar, nauseating, almost tearing pain... Luo Wan's hand grasped the blade. Blood gathered at the tip of the blade and fell into the dust. The knife that tasted blood for the first time became alive almost instantly, like a beating heart."
The relationship between the knife and the swordsman is not a tool, a status symbol (it used to be), or a spiritual sustenance (it used to be), but a negative and complex emotion. Although I experience this fear and chaos of the power that symbolizes violence every moment, this is the first time I have read it in a story that emphasizes martial arts and chivalry. Looking at the martial arts stories written by men that I have read, and even broader texts, is it possible? Do you encounter this kind of fear in the writings of male writers? This kind of loss of sovereignty is not caused by the inability to control power and is counterattacked by power, but the fear reflected by the identity politics of being unable to escape the harm of power?
Wen Jianjian didn't look at the person opposite, but looked at the shadows of the two people on the screen with fascination. She tilted her head slightly, her steps on the shadow swayed slightly, and the edges of each bead were complicated and meticulous. With all the color gone, they look like immortals playing chess in the sky. The feet under their clothes have never tasted the ground. She reached for another glass of wine.
In addition to Luo, Ying, and Yan, I was most impressed by Wen Jianjian in the Luo Ying trilogy. When I read Qinglan Ji for the first time and read the Huangliang chapter, I was immediately gripped by the disappointment of not knowing what to do. Even though she was already invincible like Wen Jianjian - that was a powerful gesture that had almost left the turmoil in the world with her absolute power - she only got Huang Liang Yi Meng. This is the Jianghu in my mind. Because there are no rules and no constraints, there are no promises, no safety, and no real dreams. People can never get what they really want when they are in it. The tragedy carried in the genes of this world is already very grand, so even if it does not write about Jingkang Shame on You Weixue, it can still shock the readers by just writing about a woman who wants to meet her lover. But I have read too many stories about men who are enemies of the country and hate the sword. (Xiao Tie even transplanted the slogan-shouting Guo Jing into a woman, but in the end he only got a woman who hated marrying the wind. Even if there is a woman's frustration in it, it can only be a footnote to a male legend. There are too few Huangliang dreams like Wen Jianjian.
It's over_(:з∠)_It's a pity that I didn't see Luo Gongfang responding to things well😭
Alas, the last gentleman in the world is gone as soon as he says he is gone. Hahahahahahaha
Master Yan refused your dog food and kicked over your dog bowl 233333 I felt sorry for Master Yan for a second
5555555555555I haven't felt this way for a long time
Woooooooooo it's over!! My wife's writing is so good, it has the flavor of Gu Long's novel.
Can I call you Mrs. Wu Xing Que Fu (the simple prefix "Cao" means)
"You are tempted."!!! These four words are returned to you!
I have read Luo Wanying's Tianchang series countless times, and every time I read it I feel that it is so well written. Finally I couldn't help but comment. Such a good-looking martial arts novel is really a piece of cake. I'm so happy to see that new articles have been published over the years. The author should work harder.
Wow, I've been waiting for the extra episode! Can Luo and Ying really live in seclusion and live freely in the world from now on? No matter whether the young master Zhaoyao will be involved in right and wrong, this moment of staying together is still very good.
The story revolves around a swordsman named Luo Wan and Ying Tianchang's young master. Luo Wan is a swordsman who is taciturn and has a nice smile when encountering changes (Ying Tianchang talks), while Ying Tianchang is a bullshit young master who will annoy you to death as long as you can't kill him. The two finally got together after settling their own concerns. To put it simply, it is a story about an old friend becoming a lover, and an extended family friend choosing a date to get married. This series should be when Sicao first started trying to write original novels, so it was a period when problems broke out intensively, but it was also the sweetest. According to the author, this was because she still believed in love at that time. It is recommended that those who are interested enter the Sicao universe from the Luo Ying trilogy, not only because this is the sweetest one, but also the work that best reveals the background of Sicao. But the sweetness mentioned here is actually a matter of opinion. I personally like the confrontation between Luo and Ying in their relationship and their unknowing ambiguity. However, there are only two sentences that clearly describe the relationship: "You are tempted" at the beginning and the end. Saying it alone will just make people think "Huh?", But put it in a specific context, the touching and unsettling moment of fleeing in embarrassment on the night boat echoes the ultimate connection and satisfaction of the trilogy. Only in this story can this sentence have vitality. That's a path. Luo Wan suddenly held Ying Tianchang's arm with his backhand and jumped forward. The two stepped onto the first piece of driftwood and used strength to get back up. "You are tempted." Ying Tianchang said softly. He was so surprised that his mind almost went blank. Behind him was the noisy sound of arrows. Luo Wan took him into his arms, and then his smooth figure stagnated. They hit the fourth piece of driftwood hard and almost fell. But they still staggered to the other side. Luo Wan was hit by an arrow behind his right shoulder, but they had no time to care and ran wildly. The moonlight shines on the reeds by the river like floating snow. Luo Wandao: "It's none of his business, nor yours or Xiao Chenghou's. I'm here for myself." He looked past Qu Nao-kun again, like he was just a piece of misplaced furniture. Ying Tianchang put a hand on his shoulder and looked at him at a loss. I felt a sticky, throbbing pain in the palm of my hand. Luo Wan suddenly laughed. "You're tempted." I have been looking for this article for four years just for these four words. After I lost it and found it, I reread it with the mentality that the gain is worse than the loss, but I like it even more, because I discovered that in addition to the ambiguity of old friends, which is my favorite feature, the story of Si Cao also has a kind of "joking" or "resistance" that goes against the traditional martial arts (I'm talking about you, Xiong Yaohua). For a long time, the basis of "martial arts" in martial arts-related works comes from the strength of the person who uses martial arts (cheats, skills, weapons, moves...), While "xia" comes from a free and open-minded martial arts spirit. But in the story of Luo Ying, the beginning of the relationship between Luo Ying and Luo Ying was a subversion of the bromance that is highly respected in traditional martial arts, such as "brothers are like brothers" and "love when talking and falling in love at first sight". After the plot of "character crash", Sicao forced the character to redefine his relationship with "power". Take the swordsman Luo Wan as an example. In most chapters, the sword no longer symbolizes strength, achievement or justice, but a kind of hesitation and fear. "Luo Wan suddenly felt a familiar, nauseating, almost tearing pain... Luo Wan's hand grasped the blade. Blood gathered at the tip of the blade and fell into the dust. The knife that tasted blood for the first time became alive almost instantly, like a beating heart." The relationship between the knife and the swordsman is not a tool, a status symbol (it used to be), or a spiritual sustenance (it used to be), but a negative and complex emotion. Although I experience this fear and chaos of the power that symbolizes violence every moment, this is the first time I have read it in a story that emphasizes martial arts and chivalry. Looking at the martial arts stories written by men that I have read, and even broader texts, is it possible? Do you encounter this kind of fear in the writings of male writers? This kind of loss of sovereignty is not caused by the inability to control power and is counterattacked by power, but the fear reflected by the identity politics of being unable to escape the harm of power? Wen Jianjian didn't look at the person opposite, but looked at the shadows of the two people on the screen with fascination. She tilted her head slightly, her steps on the shadow swayed slightly, and the edges of each bead were complicated and meticulous. With all the color gone, they look like immortals playing chess in the sky. The feet under their clothes have never tasted the ground. She reached for another glass of wine. In addition to Luo, Ying, and Yan, I was most impressed by Wen Jianjian in the Luo Ying trilogy. When I read Qinglan Ji for the first time and read the Huangliang chapter, I was immediately gripped by the disappointment of not knowing what to do. Even though she was already invincible like Wen Jianjian - that was a powerful gesture that had almost left the turmoil in the world with her absolute power - she only got Huang Liang Yi Meng. This is the Jianghu in my mind. Because there are no rules and no constraints, there are no promises, no safety, and no real dreams. People can never get what they really want when they are in it. The tragedy carried in the genes of this world is already very grand, so even if it does not write about Jingkang Shame on You Weixue, it can still shock the readers by just writing about a woman who wants to meet her lover. But I have read too many stories about men who are enemies of the country and hate the sword. (Xiao Tie even transplanted the slogan-shouting Guo Jing into a woman, but in the end he only got a woman who hated marrying the wind. Even if there is a woman's frustration in it, it can only be a footnote to a male legend. There are too few Huangliang dreams like Wen Jianjian.
It's over_(:з∠)_It's a pity that I didn't see Luo Gongfang responding to things well😭
Alas, the last gentleman in the world is gone as soon as he says he is gone. Hahahahahahaha
Master Yan refused your dog food and kicked over your dog bowl 233333 I felt sorry for Master Yan for a second
5555555555555I haven't felt this way for a long time
Woooooooooo it's over!! My wife's writing is so good, it has the flavor of Gu Long's novel.
Can I call you Mrs. Wu Xing Que Fu (the simple prefix "Cao" means)
"You are tempted."!!! These four words are returned to you!
I have read Luo Wanying's Tianchang series countless times, and every time I read it I feel that it is so well written. Finally I couldn't help but comment. Such a good-looking martial arts novel is really a piece of cake. I'm so happy to see that new articles have been published over the years. The author should work harder.
Wow, I've been waiting for the extra episode! Can Luo and Ying really live in seclusion and live freely in the world from now on? No matter whether the young master Zhaoyao will be involved in right and wrong, this moment of staying together is still very good.