The Supporting Female Character Called to Threaten the Author Again!

In the future, don't adjust your writing ideas just because of comments, as this will affect the overall situation. . . (So ​​you still have to stick to your original intention

That's the feeling... I don't quite feel that the female protagonist can be evenly matched with the male protagonist based on her current strength. From the moment she appeared until now, she has always been the weak one in every confrontation, and she always seems to be inexplicably shrinking when facing the male protagonist. I would venture to guess that the author might want to write about the feeling of fear? However, the problem is that the male protagonist has actually done nothing. Now, his aura and descriptions in the book alone have overwhelmed the female protagonist, making her feel a little weak. It's not like "He did that kind of thing in private and everyone boasts that it's so dangerous" because of real events, but like "This person is the villain Boss in the book and I may not be able to play him and I'm a little scared"... Written like this, it seems that the heroine is superstitious about the original work and does not seem to be able to think independently. And it turns out that the female protagonist really can't beat the male protagonist - like in this chapter, she was caught doing something bad, and then she was threatened, and then she had to give in... First of all, as a female villain, I think she must have the minimum mentality of "every time she does bad things, check her surroundings." If the male protagonist already knows that she is poisoning and arresting her, it doesn't make much difference... Then I think she was a bit stupid and bad when she was provoked by the male protagonist from the beginning and successfully told him that she was poisoning the time-travelers. You said that you have read the original work and know that this person is the villain Boss. How can you still tell others everything you have done? This is not how alliances are formed. To form an alliance with such a person, you must first be evenly matched with him (just like the author planned), and one of the secrets of being evenly matched is not to let the other party see through you easily. After being seen through, he will not take you seriously anymore, and he will probably just use you as a stepping stone to pave the way for his own revenge... = = Just look at it now. In just a few words, the male protagonist revealed that she was poisoning the time-travelers, and that the poetry collection was leaked from her to expose the time-travelers for plagiarism. If he followed the villain Boss's thinking completely, the male protagonist would know the attitude of the superiors just by seeing that the insiders above had no intention of pursuing the time-travelers (and he would conclude that the execution of the heroine's plan was not smooth - her planning was not thorough enough - the idea was still too simple). He can even deliberately reveal these things to the time traveler and pretend to have a good relationship with the other person. After becoming a good brother, can he stab him as much as he wants based on his scheming? With the time-traveler's IQ and his low estimation of the ancients, it is very likely that he was stabbed by the male protagonist and is still complaining about it. Now the heroine has all the control in the hands of the hero. If this habit of giving in when threatened continues, her little understanding of the original work will probably be turned upside down by the hero in a short time. Unless the male protagonist is merciful - I really think his most likely choice is to use the female protagonist as a stepping stone = = Because he has no reason to be merciful now (except that we all know that she is the female protagonist and sooner or later he will look at her differently - the so-called female protagonist's halo). After all, the heroine is obviously not on the same level as him in terms of IQ and intelligence, so maybe one day she will be caught and become a pig teammate (I don't think the poisoning thing is very reliable. The kitchen is considered a semi-public place where people come and go, what if someone sees it one day? It is also a bit strange to run to the kitchen all the time. She usually doesn't put effort into creating a foodie persona, which doesn't make sense – if the author has other settings about why the kitchen is always unattended, it would be best to add additional explanations). Taking revenge on the heroine is obviously the safest choice for the hero. Forming an alliance is somewhat optional for him. What's more, the heroine is also hesitant in forming alliances, which doesn't look very reliable. This really gives no hope of the two of them competing... It's a situation where the female protagonist can't do anything to the male protagonist even if she uses all her cards. On the contrary, the male protagonist kept secret what cards he had, and the female protagonist had absolutely no power to fight back against him. Not to mention that I don't really like falling in love and killing each other or being happy with enemies. Even if I do, at least two people must be in an equal position. This type of relationship, which relies on quarrels and strife to maintain the relationship, pays more attention to balance than ordinary relationships. In the beginning, Ye Qiuyan and her male protagonist were not quite equal, and she would easily appear weak when meeting him. But she fought the last battle beautifully, and the relationship between the two was in a peaceful mode, and they could still live happily even if it was slightly unbalanced. But Shen Qixian and Lu Jinhuan... They really don't get along well. But I was wrong last time. The problem of bad compatibility is not with the male protagonist but with the female protagonist. After reading it now, I feel that the most fundamental problem is that Shen Qixian's character design does not seem to completely deviate from the template of Ye Qiuhan in the previous article. It always reads a bit silly, and the methods used do not seem very clever. But Ye Qiuyan's original character was an ignorant lady with no scheming ideas, so there was no problem. However, this article wants to create a vicious female supporting character with considerable skills, and her personal qualities must be able to stand up to the villainous Boss. This template is a bit inadequate in terms of IQ and wealth. She couldn't even bear the princess' bad temper! But in the original story, didn't she also know the secret of the time traveler and endure it until later to take revenge? So it's not like he's an intolerant person. If he is really so skillful and his desire for revenge is so strong, why can't he endure his nausea like the male protagonist and do what he wants? If you want to please, please do it thoroughly! At the beginning, I put on ugly makeup and tried to hold up the princess like a green leaf. If I got into trouble, I might push the princess out to carry a bag (after all, with the princess's IQ...), I first used the cosmetics to fish and then made up a scary story. I don't know if it can scare away the opponent. Putting aside the fact (what if the princess is so pampered that she actually finds a way to get the blood of a close relative? Judging from her poor character, she may still have the ability to frame a maid for the sake of lip service), the key point is that the heroine does not know whether the princess will take revenge if she fails to get what she wants. If the princess really wants revenge, and the two of them are not together every day, just creating a few sensational rumors for the heroine is enough to slander her behind her back (but with the princess's IQ, I can actually understand = =). Finally, I feel that the line about the bottom line is not very appropriate. The female protagonist poisoned the time traveler herself, and the male protagonist so far has only weakened the time traveler's connections by making friends with other people, but the female protagonist says that the male protagonist has no bottom line? Of course, I strongly believe that the male protagonist is definitely not a kind person. If the time traveler cannot be more successful than him, he will probably die miserably. Weakening connections may be just the first step in preparation for execution. But the problem is that the male protagonist has not yet made any such vicious plans known to the female protagonist, and has not yet done any substantive behavior that harms the person of the time traveler. So when the heroine is poisoning people (substantial physical harm), there is no bottom line for saying that a person who has neither seen the other person doing serious bad things nor is not sure what the other person will do in the future has no bottom line. I feel that it makes a little bit of sense. I said a lot of things just to find fault, but actually I still love you. Otherwise, why would I write so much? Looking back, I saw the dense crowd... It's really not good, the chatterbox disease has returned = =

I feel a little embarrassed after receiving the big red envelope.

According to the current personalities of the male and female protagonists, if they get together, they will become feuding couples = =Both of these two are too strong, and neither of them is willing to bow their heads and give in. And how can I put it, strength is engraved in the bones. Even if you temporarily bow your head because you fall in love with someone, you will feel unwilling to do so many times. It will produce an unbalanced mentality of "Why do I have to give in every time?" "Why are you crazy?" The inexplicable feeling, but you don't know that the other party has been giving in before (you know, when you have the advantage in a relationship, you will not feel that you have taken advantage. Human nature is like this, remember to fight but not to eat. You will remember all the trivial things you have paid, but you may not be able to see the other party's bigger concessions). But if everyone is stubborn and refuses to give in, on the premise that two people love each other, it will be a living sadistic drama of hurting each other. This is not a two-dimensional understatement like "falling in love and killing each other is also cute". In the second dimension, you can treat it lightly, but if you look at reality, if enemies cannot learn to get along well, sooner or later they will have to break up with bruises all over their bodies. I don't know which direction the author's outline has changed, but I feel that given the heroine's character, this male protagonist is not very suitable for her. It's hard for me to imagine how they can get along with each other on a daily basis... A very important criterion for me to evaluate the compatibility of a couple is whether I can outline in my mind the scenes of the two getting along on a daily basis. Although some male and female protagonists are arguing, you can see similarities in their characters. But now the heroine and the hero don't seem to have this sense of compatibility, which makes people feel that this CP is not feasible. And to be honest, I don't think Lu Jinhuan is a good match. He is too scheming and doesn't seem to care about anyone around him (the only thing he seems to care about is how to defeat the time traveler?). This kind of person is actually quite scary. I always feel that he is the kind of scum who can sell his wife and children for certain purposes even if he is married and has children. I hope you can clear him up, otherwise the heroine will be in trouble.

Looking forward to making friends with Lu Jinhuan

It's okay if you write it like this. The heroine's medicine on the time traveler has taken effect, and then the poor little boy has more time to return to his body. So the hero also returns to his normal position, and then thinks of a way to let the time traveler enter someone else's body and become completely black.

There is a girl in the junior high school class who has always been isolated. There is something wrong with the child's family. He may have been isolated since he was a child, and his intelligence seems to have been affected by this. She usually couldn't complete her homework at all. When doing homework, she just copied the questions, and there were typos in them... She was also very timid and timid. She was afraid of cars parked on the roadside and the fans at home, and she stayed away from them and didn't dare to get close. But I heard it was normal when she was in kindergarten. So I think the person involved cannot really be blamed for this kind of thing. All the people who took the initiative to isolate her and bully her and who saw it but did not act are the culprits. Because I was quite a jerk at that time, I have always been a little bit worried about this matter. Children are very afraid of not being accepted by the group. There is a causal relationship between "isolation" and "weak character" to a certain extent.

Come on! Take good care of you!!!!

Why hasn't it been updated????

What the hell is that Qilin? Is it the heroine's nickname? (?ω?)