I, the Emperor, Am in Perfect Health

The previous descriptions of Liu Ling's efforts before becoming emperor, his growth after becoming emperor, the members of Jiu Ge, and the court ministers are all very well written, very exciting, relatively logical, emotionally rich, and fascinating. Later, when Qin Ming appeared, the struggle for equipment in the institute, parallel time and space, etc., They began to be mechanically written in order to justify themselves. Many times the characters became very stereotyped and no longer a flesh-and-blood and emotional person, making it impossible for people to empathize. It's really a bit of a rush at the end. Eh(

Many comments make people confused. If Yao Ji is immortal, she is not worthy of enjoying the love of the emperor's life? Isn't it perfect to send off your loved ones in the most beautiful way and keep their beautiful memories and move on? Does it mean that both of us have to die hand in hand, with chicken skin, white hair, leaking urine, and hunchbacks to be considered true love?

I am a man who read the pirated article and bought it all (one chapter is locked and cannot be purchased). It's hard to find a good novel these days. At least this article is considered a masterpiece in terms of concept, plot, characters, and useful information. As for the relationship between the male protagonist and the female protagonist, I personally think that the male protagonist's love is deeper and more pure. Of course, this purity There is even a hint of madness in Cuili. When he was young and desperate, he was saved by a smile and a word from a fairy. After that, this warmth accompanied him through every ups and downs in life, and then he finally reached the ecstasy. Throughout the process, the male protagonist's feelings increased step by step. Sublimation, it is okay to say that the male protagonist is half a believer of the female protagonist, but to the female protagonist, the male protagonist is more like a cultivated little brother. Even though he is attracted by the other person's personality charm (I, a man, must say that this male protagonist is amazing), the female protagonist is still very rational, and all kinds of gains and losses are worth it. I have considered it very clearly. Of course, it does not mean that I am not rational. I just feel that if I want to sublimate my liking into love, a touch of madness is actually very important. In other words, any kind of pure and seemingly unreal feelings are probably somewhat crazy and irrational (personal opinion).

After watching the ending, I felt empty

What I like most is the struggle of the prince and the growth history of the young emperor in the front and middle. Every supporting character has a soul, but it doesn't feel very good towards the end.

I feel bad for 60. What I want to see is that this child has gone through all kinds of hardships to get a woman who is willing to bear children for him and give him the unreserved family love he has been longing for in his life. This woman may not be beautiful, or she may not be knowledgeable or talented in predicting the future. There is no such thing as immortality. As long as you feel sorry for him a little bit and think about him a little more, that's enough. Why did such a good boy who sacrificed his life for others get nothing in the end? And because of some unknown prophecy of Zen position, he died alone. Sorry, I really didn't see him convinced at the end. There is only so much feeling that it is hard to calm down. 17 This fake fairy is not worthy of this good man of flesh and blood, affection and righteousness.

Extra stories, people want to watch extra stories, want to see the follow-up of Taoist, and the follow-up of Goddess Fu.

It's over. I feel empty inside. I've promised a sequel.

I think the ending is not good. Maybe I feel regretful. Whether it is Emperor Zhao's hundred years or Yao Ji's immortality, this ending does not look like it. Yao Ji is not a true god, and people have a certain fear of the unknown. Because it is from the perspective of the male protagonist, the significance of the female protagonist may be denied subjectively. However, in fact, the female protagonist is also one of the male protagonist's enlightenment teachers. During the period of listening to politics behind the curtain, the female protagonist is obviously closer to politicians. The real ability is to understand and apply it to reality, rather than just talking on paper based on history. The male protagonist has sacrificed a lot to become the heir to the throne, so why not the female protagonist? I think it is possible to say that the heroine is selfish. After all, the heroine is a human, not a god, and not all gods are selfless. As a woman, I think most people want to be a mother. The heroine also gave up her children for the uncertain factors of the future. If I had to make a comparison, I think the heroine sacrificed more. You were born before I was born, and I was born before you were old. I thought about this sentence and it also applies to Emperor Zhao and Yao Ji. But it is undeniable that this is a good-looking novel, and it made me reflect a lot on myself.

I have no problem with the heroine's final choice. People don't have to give up everything for love. But I like any concubine more than the heroine. She is not very outstanding, her appearance is acquired, her identity as a fairy was given by others, and her seemingly profound knowledge is based on knowing that history has already happened. So I felt that she was really not worthy of her subsequent status. Emm, I think it would have been better if they didn't have a love scene. Without the bonus of appearance and immortal status, she really wasn't worthy of a good emperor like Liu Ling giving up his three palaces, six courtyards, and heirs for her. It is enough for her to be a historian all the time. I prefer her to witness the story and then return to her own world, or to always be a ghost behind the scenes, instead of coming to this country forcefully as a supreme being.