[Investiture of the Gods] Dragon's Blazing Song

Ah Gu, I also want to take leave... There are still thirty days left before I have to prepare for the exam. I'll come back after I finish the exam (●′∀`●)

I don't know why this chapter looks so happy...

Finally, King Zhou became a god, in heaven

Isn't Di Xin a posthumous title?

Attack! ! It must be an attack! ! ! ! !

Mr. Bai He finally appears! !

I originally regarded Teacher Ge as the BOSS, but now it seems that I misunderstood him?

The prince made me look bloody... Prince, how can you be so cute! ! Simple boyfriend power report (*′`*)

Hey, did you see my pile of comments? I'm so sad that they're gone_(:з∠)__

1. In fact, you can read the early works of Biyou Pianda, especially "The Dead Wood", which has very few scenes and characters, and basically relies on Bianda's humorous dialogues to support the article. Although there are some minor flaws in the emotional processing, the character creation is very successful. You can really learn this. Most of Bianda's novels cleverly express characters' personalities in dialogues, and describe the scenes just right. There isn't much, but it can make people immersed in the scene. A Gu must have quite a lot of humor, judging from your dialogue. But most of the laughs appear in the inner complaints after the dialogue. If this happens multiple times in the same chapter, it will feel cumbersome (anyway, the influence I have on you now is that Wenren has been complaining about Xiao Jiang's death). It seems that the characters have been ruined in order to find laughs. For example, after more than ten chapters of Jiang's father, I feel that he is more like Xiao Jiang's brother than his father, and almost every character has been complained about by the same type of jokes in the same mode... 2. The male god is Fei Tianyexiang. Maybe because he is a man, his characters' emotions are much more straightforward. You can learn from his structure of the world view and the background. You can feel his meticulous thinking by picking any of his articles (not to mention brain-burning articles like Knight of the Stars). After reading these two articles written by A Gu, I think you should also be the kind of person who likes to challenge the big background, but it seems that you haven't mastered them well enough. It's like piling a bunch of steel frames on top of a house after laying the foundation, and it will eventually become an unfinished building. It would be better to think about it carefully.  3. In addition, I would like to recommend an author on the site, Mo Xiang Tong Xiu, who is also a newcomer. Probably because of the first time, the structure of the background and the description of the scenery are also not very rigorous, but her character creation is really great. There are no complicated plots and redundant descriptions, but she successfully achieved "no one in this article can be disliked." You can feel it for yourself. 4. Finally, there is Priest. Do you think her "Qi Ye" and your "Hanzhi Low" actually have similar backgrounds? You can focus on learning from the experience, and P University's grasp of the scenes, plots, and characters are quite exquisite, especially the overall shaping of the writing style, which is really a master level.  Well, having said all this, I don't mean to ask you to move them all. After all, your own writing style is still very important. I believe that A Gu can finally find his own path by exploring on his own. Don't be discouraged, aren't there more and more people reading the article now? We will always support you behind you (●′∀`●)