Your Majesty, Turn Off the TV and Do Your Homework Already

I want to see the extra QAQ about the director and Bagua Finished with flowers~

I cried, I cried, I cried! I should obviously go to evening study, but I can't stop watching! To be honest... I have never hated Bi Han from the beginning. When I saw this, I really couldn't control my emotions.

Happiness comes so fast, my heart hurts

Damn, my heart hurts!!!!!!!! Why?!!! The end?!!!! Damn it?!!!!

So Bi Han raped Han Ming many times and then made Ming Shou commit suicide??? Slag attack, scum attack>_<

Xiao Gong is a sinister person!!!

?(●˙—˙●)?

OMG! Why are the latest comments from a year ago!!!

What the hell is adding a piece of wood to the trance and trance?

After reading this article from beginning to end very carefully, I can finally write a long review happily. Let's make a complaint first: Damn it, you, the extra-special god, are trying to torture me to death with your last-ditch hit?! When I read the copy and then read the article, I actually didn't expect that the writing style would be so upright. I thought it would be fun. As a result, there was a certain section in the second chapter that made me cry... As expected, my tear level was too low QAQ. Thank you for not being intentionally abusive. Ah Shan's writing style is quite special. Just as the copy says, it is both fun and drama. As soon as it switches to Han Feiming's memories of his past life, the writing style starts to become heavy. When it comes to the interaction between Han Feiming and Bi Xia, the gags make the article look very happy. When I first read the text, I imagined it would be a simple modern story. Han Feiming was reborn in modern times after his death and met Bi Han from his previous life. As his tutor, the two got to know each other. So all the things in the past life were written off and no longer brought up or pursued, and we could fall in love in this life. But I found that I was wrong... From the beginning, the story of the monarchs and ministers in the previous life seems to be the main thread running through the whole text. The past life and this life are the overlapping and recurring of fate. The past life was a knot that Han Feiming could never get over. So starting from the first chapter, he went through various psychological changes, and he had to think carefully about every step he took. When he was close, he felt that he could no longer be stupid, he could not fall, he could not make the same mistakes again. When he was far away, he was afraid of hurting Bi Xia's young girl's heart. Ah Shan, you really have the potential to write about the years between father and son. Bi Xia is not as innocent as Han Feiming and the readers think, which can be seen from the small details at the beginning of the article. His occasional sneers, contemptuous smiles, and those inexplicable phone calls. At first I thought he might really be a scumbag, but now I think... He's not a scumbag at all. A pretty good kid. Speaking of which, you have said several times that this is a scumbag article, but Bi Xia didn't see the scumbag, and Han Feiming is really not a scumbag either. Even after watching the extras, Bi Han didn't feel like a scumbag, and looked even sadder than Han Feiming. However, the text also has an obvious weakness, which is the expression and development of emotions. It's not blunt, but basically non-existent. Halfway through the movie, Shou's memories of his previous life were still scattered, just a vague outline - a loyal minister and the emperor who caused his death for some reason. I didn't see what Han Feiming's feelings for Bi Han were. There must be love. If it was just anger and resentment, he would not be so tired in this life, nor would he be so obsessed with Bi Han's order to kill him. His love may come from every detail of his upbringing, or it may come from watching him grow step by step and finally ascend to the throne of God. But this kind of love was not written. In the extra chapter, Bi Han's feelings for Han Ming are clearly written, very delicate and reasonable. The beginning of the two people in this life is also abrupt and unexpected. It seems that Ah Shan has all the branches and main lines in his hands, but only reveals a little bit each time. Without understanding what happened in his previous life, I looked at Han Feiming's every psychological struggle, but... It was a bit difficult to put it into perspective? In fact, what I mean is that there is no need to be secretive, just explain the past life at once and quickly enter the modern scene. After all, modern talent is what you write about, isn't it? As for modern times, it is the same problem. Rather than Han Feiming treating Bi Xia as the reincarnation of Bi Han and treating Bi Xia specially, I would rather see the two people become familiar from being unfamiliar. The changes in Han Feiming's feelings for Bi Xia, and the changes in Bi Xia's feelings for Han Feiming, are somewhat lacking and lack of transition. And don't you think that reincarnation and previous life are actually two different people? Han Feiming should not treat it with covered memories, including the same attitude towards Luo Gong. Then there is the explanation of the branch plot. Han Feiming will always only deal with the entanglement of his past life, the conversation with the Bagua Immortal, and the explanation of the task. Various memory killings (•̀∀•́). But why did Mao Yao not explain everything in one breath? If we don't finish explaining, we won't be able to have a deeper understanding of his helplessness and the source of his deep feelings. Bishop's extended line was just calling all the time... I mean, it was too slow at first. It would be better to explain clearly what Bi Xia is doing directly through Bi Xia's perspective, and why he is so special to Han Feiming. What is the connection between Han Feiming and the Luo family? After more than ten chapters, these are still vague and a bit delayed. Moreover, I really still don't understand why the Bi family chose Han Feiming as their tutor in the first place. Why did Bi Xia trust him so much and tell all his life story? Didn't he know that Han Feiming was Luo Gong's ex-boyfriend? Doge face There are also two bugs in the story. The first one is when Han Feiming first entered the Bi family as a tutor, Bi's father and Bi's mother said that they had to go on a business trip and wanted to leave him at home with Bi Xia. This is not very logical. Is it really okay to let a newly hired tutor stay at home with his children... Besides, he's not on a business trip for a week, why won't he come back? The second bug is the first meeting between Luo Gong and Bi Xia in front of Han Feiming. Luo Gong said he was second brother and second sister-in-law, and Bi Xia called him second brother. Shouldn't Han Feiming really be suspicious? Forget it if you don't have any doubts, what kind of trouble will you make if you are so calm? I always feel like it's a bit unreasonable, and I seem to have written less orz The Bagua Immortal is probably a systematic existence? This character seems to have nothing to say? QAQ However, Bagua Xianren As for the next plot development, I still hope to fill out the CP line. I feel that there is still some love and so on. After all, I feel that Han Feiming is a little bit unclear to him, and I feel that he doesn't seem to love anyone. Eh, how can I do HE in this case? There is also Han Feiming who wants to help Bi Xia return to the Luo family, and this also needs to be explained. There is also the task of the Department of Enmity. After all, Han Feiming only has three years of Yangshou? So it's up to you what to do next =w= I'll wait and see. The fairy line and so on can be launched after the modern explanation here is completed, right? Finally, I can honestly say that your writing style, Ah Shan, is really upright and conscientious (•̀∀•́). I like it very much. Han Feiming's psychological description of the subject and his memory of the killing are really delicate and wonderful to read. Moreover, Luo Gong is also reincarnated and so on. Like, praise, praise! After looking at other ancient and modern novels, it seems that the protagonist's personal descriptions lack that ancient accent. It seems weird. But A-Shan, your Han Feiming's literary style is not easy to stick to from the beginning to the end. Like it! Han Ming is indeed a bitter person, and he was miserable throughout the whole process... It's really great =3=. I originally thought the copywriting would be a little bit naive... That's all, please don't dislike it, I've been writing it carefully for a long time.