I Keep My Long Hair for You, and Let It Down While I Wait for You to Tie It Up (Female-Dominated World) 2

After reading it in two days, let me talk about my feelings. The male characters are all brilliantly created. Although they have different personalities, they are kind-hearted. Their thoughts are tied to the heroine but they have their own opinions. The characters are not flat and have their own complete growth curve. At the beginning of the article, the author liked Ning Xuanling the most. This person's growth and changes seemed to be the most reasonable and comfortable. The water-burning grass-ash snake line is buried for a long time. I really like this kind of ambiguity. The character Li Fengming was very likable when I first read it, but at the end I felt very sad. I think he is the reflection of a standard model of a good wife and loving mother in a patriarchal society, in a female-oriented novel. They grew up with a good upbringing, and may seem to have a good life, but in fact they have been living in poverty all their lives. Their family has trained them to consolidate their family status with the help of in-laws at the right time, and to consolidate the family into a monolith. Their true happiness is not of concern. Whether they are a princess of a country or a noble daughter of a noble family, whether they are a high-ranking lady or a flat-headed woman, they spend their whole lives stabilizing the borders of their country and stabilizing their homes for their families. Whether they are the rulers or their parents, the original design for them does not include themselves, only dedication, and there is no material repayment. There are empty praises after death, generals who die in their home and country can seal wolves as cowards and drink from the vast sea of horses, and civil servants who enter the court can seal borders and pay homage to the prime minister and discuss government affairs. However, they are the four words in the history books, "the princess in marriage". Therefore, Li Fengming's character background was basically perfect from the beginning. He had a noble family background, everyone's demeanor, and his advancement and retreat were in harmony. He put the care of the master's family first in everything, stabilized the house, and coordinated the servants. His character changes in the later period were only within this framework, becoming more perfect and more in line with the image of the "perfect spouse" in the minds of the superior and the first. Compared with other male characters, he has no self, only others. Shui Ran has concerns about family and country, Ruge has thoughts about shops, Jinghong has worries about shadow palace, Xuan Ling has worries about his master. I think his salvation is not the heroine, but Xuan Ling, and the servants in the backyard. The meaning of human existence is not only to feel love but also to feel value. I saw him, with little and almost pitiable freedom, wandering around in a house, protecting the poor men in this house, and getting a complete character construction and a reshaping of the value of life. He went from loving the heroine at the beginning to loving this family and all the people in this family. He used a little pitiful power to protect them, and they used themselves to fulfill the value of this person. But even so, he has only become a more decent "gentleman". The wife is satisfied with the mother-in-law, the father is satisfied with the emperor, and the queen is satisfied with the gentleman. The result of his struggle under structural oppression is not only broken, but also becoming more in line with the beauty of "primary" values. But this result is already the best result. Think about the women whose names are hidden in the vast history, the women whose life's blood and tears were covered up by such-and-such wife and such-and-such wife of so-and-so clan. Their achievements in life are nothing more than this. This is the tragic background of Li Fengming, and it has also shed tears in the lives of millions of women over thousands of years. I couldn't sleep after reading it. A little thought may not be consistent with the author's character conception, but good works always have unexpected readers' expectations. Sometimes I feel that I am abusing myself by reading about female heroes. I can always see the pain of real women in them. After reading it in two days, let me talk about my feelings. The male characters are all brilliantly created. Although they have different personalities, they are kind-hearted. Their thoughts are tied to the heroine but they have their own opinions. The characters are not flat and have their own complete growth curve. At the beginning of the article, the author liked Ning Xuanling the most. This person's growth and changes seemed to be the most reasonable and comfortable. The water-burning grass-ash snake line is buried for a long time. I really like this kind of ambiguity. The character Li Fengming was very likable when I first read it, but at the end I felt very sad. I think he is the reflection of a standard model of a good wife and loving mother in a patriarchal society, in a female-oriented novel. They grew up with a good upbringing, and may seem to have a good life, but in fact they have been living in poverty all their lives. Their family has trained them to consolidate their family status with the help of in-laws at the right time, and to consolidate the family into a monolith. Their true happiness is not of concern. Whether they are a princess of a country or a noble daughter of a noble family, whether they are a high-ranking lady or a flat-headed woman, they spend their whole lives stabilizing the borders of their country and stabilizing their homes for their families. Whether they are the rulers or their parents, the original design for them does not include themselves, only dedication, and there is no material repayment. There are empty praises after death, generals who die in their home and country can seal wolves as cowards and drink from the vast sea of horses, and civil servants who enter the court can seal borders and pay homage to the prime minister and discuss government affairs. However, they are the four words in the history books, "the princess in marriage". Therefore, Li Fengming's character background was basically perfect from the beginning. He had a noble family background, everyone's demeanor, and his advancement and retreat were in harmony. He put the care of the master's family first in everything, stabilized the house, and coordinated the servants. His character changes in the later period were only within this framework, becoming more perfect and more in line with the image of the "perfect spouse" in the minds of the superior and the first. Compared with other male characters, he has no self, only others. Shui Ran has concerns about family and country, Ruge has thoughts about shops, Jinghong has worries about shadow palace, Xuan Ling has worries about his master. I think his salvation is not the heroine, but Xuan Ling, and the servants in the backyard. The meaning of human existence is not only to feel love but also to feel value. I saw him, with little and almost pitiable freedom, wandering around in a house, protecting the poor men in this house, and getting a complete character construction and a reshaping of the value of life. He went from loving the heroine at the beginning to loving this family and all the people in this family. He used a little pitiful power to protect them, and they used themselves to fulfill the value of this person. But even so, he has only become a more decent "gentleman". The wife is satisfied with the mother-in-law, the father is satisfied with the emperor, and the queen is satisfied with the gentleman. The result of his struggle under structural oppression is not only broken, but also becoming more in line with the beauty of "primary" values. But this result is already the best result. Think about the women whose names are hidden in the vast history, the women whose life's blood and tears were covered up by such-and-such wife and such-and-such wife of so-and-so clan. Their achievements in life are nothing more than this. This is the tragic background of Li Fengming, and it has also shed tears in the lives of millions of women over thousands of years. I couldn't sleep after reading it. A little thought may not be consistent with the author's character conception, but good works always have unexpected readers' expectations. Sometimes I feel that I am abusing myself by reading about female heroes. I can always see the pain of real women in them.

Is there a group? I want to join the group to watch the deleted ones

Is this a new update? That's great.

Has this started the update? That's great.

One year has passed, and my heart feels numb for the male protagonist. Why doesn't Han Da come back to abuse the female protagonist? I beg to be abused~

It's been a long time and there's still no update?

If you can't see the growth of the heroine, she's just like a child, making random decisions and then overturning them. She can't be responsible for her own actions, and she can't conquer the hero with her personality charm. She regrets it at every turn and relies on coaxing to win the hero's heart. One or two can do it, but if you continue later, you won't be able to convince readers that such a person is worthy of love. You can only rely on the author's golden finger. Can't the heroine be a little more mature? Can we pursue it without relying on coaxing or backing? Design some meaningful plots to let the heroine shine more. Don't always be led by men and look aggrieved. Be strong. Don't use soft-hearted and emotional catalysts. Take responsibility for your own actions. If you abuse, you will abuse. As long as you make the right decision, how can you be the head of the house if you are afraid of attracting hatred?

Let's wait for the big article~ I read a few chapters of the recommended author and there are too many "references"_(:зゝ∠)_

It's been updated, I'm really looking forward to the plot of Ruge