
[Kuroko's Basketball] Relative Stillness
[黑篮]相对静止
- Status
- Completed
- Length
- 4k Words
- Genre
- Romance
- Era
- Modern Era
- Updated
- 12y ago
- Source
- JJWXC
Synopsis
1Chapters
15Favorites
4.5kClicks per chapter
4Comments
More by this author
[SHINee] You've Worked Hard
[BTS] More Times
[Kuroko's Basketball] The Day Every Story Reached Its End
[Onmyoji] The One Who Cannot Be Healed
[Entertainment Circle] Not Over
[Kuroko's Basketball] I Am...
[Prince of Tennis] The Day of Departure
[Prince of Tennis] The Tenth Day After the Breakup
Let's Tell a Story
[Kuroko's Basketball] A Foot of Starlight
[Kuroko's Basketball] An April Fool's Confession
[Prince of Tennis] The Road to Walking Alone at Last
Reader comments 3
Translated by Google Translate
Hey, actually in philosophy, movement is absolute and stillness is relative w
Regarding the title of the author Sang, I think I seem to understand... Hasegawa Suna's original view of love - only two equally good people can walk side by side, and people who walk side by side can like each other. Like two objects traveling at the same speed in a straight line, they are at rest relative to each other, as if they were in the same world. Suddenly I felt like my physics was okay. For this article, the first person I want to mention is Konano Aoi Noriko, Hasegawa Suna's best friend. The author Sang gave her the setting of an illegitimate daughter, but I don't understand why an illegitimate daughter would be in the spotlight and have no freedom? Isn't it true that the heir is usually faced with many people coveting his position, and is in a dangerous and devoid of freedom state? Illegitimate daughters are women, so they are generally ignored more completely than illegitimate children, right? Then let's talk about the heroine Hasegawa Suna. I think if the author-san didn't hate her, then she is actually a cannon fodder female supporting character in this article. The author-san actually wrote this article from the perspective of a female supporting character, because in the whole article she cannot be a protagonist to support the core of the article. The most conspicuous performance is in the final ending. Akaashi, whom Hasegawa Suna likes, does not like her. There is no sense of pity, but a feeling of relief, making Hasegawa Suna instantly become a dispensable passerby. In fact, the author's concept is very interesting, but the failure lies in the identity setting of Hasegawa Suna. It can be seen that the author Sang is trying hard to show that Hasegawa Suna is a eldest lady and has the arrogance of a eldest lady, but some of her behaviors seem inconsistent with the status of a eldest lady. If Hasegawa Suna is just an ordinary person, she usually likes someone in her own way, but in the end she doesn't get it, and her expression of loss may be more touching than her status as a "eldest lady". It seems that he said a lot of unpleasant things... If the author-san can't accept it, just ignore me. [This review is from our member: Chou Shi] [This review comes from [only] Pingpu]
This comment is waiting for review by the administrator and has been automatically blocked by the system. It will be displayed after passing the review!