He is the young emperor of Yun Wen and Wu, and he is full of talents;
She is the daughter of an important minister with beauty and talent, and her smile captivates the nation.
When they met, they were supposed to be a perfect and admirable couple——
If he is not an emperor with empty titles and power;
And she didn't come from the family that robbed him of everything.
But fate makes them enemies and quarrels with each other, but it also brings them together;
When hate becomes natural, love is so powerless.
And in this kind of love that is both close and distant,
His anger and her resentful songs,
In the end, they all fell into dust in front of the steps and turned into eternal regrets in time.
※※※※※※※※※※※※※※※※※※※※※※※※※
Description:
The book "Songs of Resentment and Songs of Sorrow" published this time,
It combines "The Song of Resentment" and "The Song of Sadness" into one book and publishes it.
The book is divided into two parts: "This Life: Songs of Resentment" and "The Next Life: Songs of Sorrow".
The original text is basically maintained without any deletions or other changes.
Thank you all JM for your continued support and encouragement. ^^
Intention: To imitate love without any trace of emotion, and to offer the beauty of Jiangnan.
Reader comments
By chance, I reread "How Many Years in the Country" again, and I still really liked it.
This was the first physical Danmei I read that year. I sat on the floor of the bookstore and read it all in one afternoon. I loved it so much that I wanted to buy it and take it home even after watching it.
Dafeng has always said that there are flaws in her writing, and the reason is probably on the emotional line. When I was a child, I was too young and didn't notice it at all. Now it seems that it is really not very clear, but I think it is harmless.
The first time I read it was the simplified Chinese version, which was the ending of Liu Yao. To be honest, whether I watch it back then or now, I feel it was completely within my expectations.
There is a feeling that the two of them should be together.
Investigating the reason, I don't think it's completely preconceived, and it's not because of the one-sided bamboo horse label. After all, I actually eat more CP from the Tiansheng series.
Analysis from Gu Xiaoyao's perspective:
Cheng Xiaoliu and Gu Xiaoyao's feelings, relationship, and mode of getting along are more nourishing to Gu Xiaoyao himself.
Gu Xiaoyao himself, in fact, doesn't like feeling insecure. It can be seen from the fact that he has always been more delicate and was said by Song and Liu to be more thorough than Cheng Xiaoliu. He is relatively a person who makes decisions before acting. He hopes to master more information and make more plans to avoid bad results and avoid fluctuations in life.
Even when he picked up Hengshang and later hoped to take care of him and protect him, he hoped to feel and confirm his own strength through such behavior. This may be because of the subconscious pursuit of safety and security caused by the tight life and wandering around.
Taleb expressed in "Antifragility" that those who pursue stability and certainty the most are the most fragile, because stability is an illusion and chaos is reality. Therefore, what is unafraid and can proactively adjust and benefit from the chaos of uncertainty and volatility is antifragility.
Xiao Liu is a person with relatively high antifragility. In comparison, he is less afraid of volatility and is better at finding a way out or self-adjustment amid uncertainty. His idleness and lack of stinginess are manifestations of this antifragility.
Therefore, Gu Xiaoyao felt natural and safe to follow his heart in everything in front of Cheng Xiaoliu.
The emotional energy between the two of them, whether good or bad, can be exported in this relationship, and the aggression of both of them can be released and flow relatively freely. Not all "attacks" are bad things. There must be heterogeneity between any two subjects that cannot be understood by each other. And a deep relationship will definitely come into contact with the existence of such heterogeneity, and there will inevitably be conflicts, contradictions, and aggression.
How to deal with the conflicts in the relationship, how to deal with the aggression shown in oneself and the other party, and the heterogeneity that can hurt oneself, this is the practice of a person in a deep relationship. In interactions and dealings, seeing oneself also maintains relationships.
The two of them neither worry that their aggression needs to be frequently curbed in this relationship, nor do they worry that their aggression will hurt each other. Therefore, they both give each other a feeling of "the world is ready to catch my overwhelming instincts." This is where the sense of security and so-called confidence comes from.
When getting along with Cheng Xiaoliu, Gu Xiaoyao is always influenced by his anti-fragile tendency to move forward no matter what.
And Heng Shang and Gu Xiaoyao are both relatively fragile people (maybe more fragile! It's better to be weak). In this regard, getting along with Hengshang does not give Gu Xiaoyao any reference in the face of volatility, and the identity situation that cannot be ignored in this relationship also makes it difficult for Gu Xiaoyao to completely gain a sense of security.
At the end, Gu Xiaoyao and Cheng Xiaoliu lamented that they were also pawns in Prince Rui's hands, which made them feel a little sad. This proves that he does not accept being instrumentalized well in important relationships and will feel insecure and uncomfortable as a result. But such emotions were not presented and dealt with in the ending of Fifteen Years Old. I believe that if the plot does not change, such feelings will definitely exist in Gu Xiaoyao's heart no matter which ending direction, but in the ending of Fifteenth Yao, it was covered up by more urgent situations and emotions.
Secondly, putting aside the slightly utilitarian topic of so-called personal growth, analyzing it solely from the perspective of relationship and love is really not a good match.
Because neither of them seems to have ever really seen each other.
In his relationship with Shi Shi, Gu Xiaoyao always first saw the identity of the prince hanging over Heng Shang; Heng Shang always stared at Gu Xiaoyao in the past.
There was always a sense of dreaming between the two of them that objectified and symbolized each other. Gu Kuang would feel chilled when he saw Heng Shang "taking advantage" of him. Heng Shang always felt that Cheng Shi was far worse than Gu Kuang, but he didn't realize that Gu Kuang also had the same differences between him and Gu Kuang. The emotional lines between them are often "beautiful" and their interactions have an inexplicable sense of ritual. Maybe this is the reason why the editor tried to change the CP back then, because it is really beautiful, very beautiful, and has the sense of sight of the exquisite landscape required in commercial activities. To a certain extent, it cannot be said that this choice is wrong, but it does not make sense from a logical point of view. After all, love is interaction, not dreaming. It is not about loving a person's flawlessness, but loving his flaws without covering up his flaws.
After all, we don't really see each other's good, bad, tall, short, brave, dedicated, despicable, and dark through the "skin". Then all the "goodness" to the other person is not really love, but a kindness.
Even in the fifteen-year-old version, I didn't find that the two of them "seeed" each other, and anyone with a discerning eye could still detect it, and the sticky atmosphere in it was obvious. In this relationship, the two people's focus and reluctance were on the "relationship" and "feelings in the relationship" rather than the other person himself. In the ending, the reluctance and epiphany caused by the other party's suicide are more like the cherishment and stress of the relationship. In the end, they were unable to peel off the layers of identities to see the other party and release their relatively authentic selves. It seems that if AB is replaced, these interactions are still beautiful, and they don't have to be Heng Shang and Gu Xiaoyao
Of course, this does not mean that only when two personalities are extremely well developed can we enter into love and relationships. People get along with each other while taking care of themselves and improving themselves. But the fifteen-year-old relationship and mode of getting along make it really difficult for me to see this hope. On the contrary, the probability of them consuming each other is greater.
When Liu Yao and Liu Yao interacted, it was more about the interaction between "subject" and "subject", with no identity or distance. It may also be because they have been together for too long, and even if they want to dream, it is difficult to use any "mask" to face each other. Over the long years, they have looked at each other and accompanied each other, the good, the bad, the edges, and the ravages. Liuyao and Liu Yao really see and care about each other as a person. It is not that there is no inertia between them from years of getting along, but this inertia will not overshadow each other. You cannot replace A and B casually, because you will be asked who AB is? What kind of person.
Cheng Xiaoliu and Gu Xiaoyao are more "not to deal with" than brothers, less "taken" than family members, more intolerable than enemies, and less clingy than lovers, because they never have a fixed identity and relationship that can script the way they get along, so they have no choice but to feel and look at each other in every collision and interaction.
But it's too close to see clearly. There is something unclear, chaotic and pure about being in this mountain, "Why did we break up? Just break up with King Rui, there is no past relationship with him to cause embarrassment. How come we broke up with this kid? How can I break up with him? Because we understand Ming is..." It's a brother, it's an enemy, it's a family, it's a "feud", it's love, it's you, it's me, it's us. As soon as I met you, I was forced to put down my airs, withdraw from all kinds of abstract emotions and identities, and become concrete and vivid again.
Only when someone interfered was he forced to look away from a micro perspective and look at the other person and the relationship between the two as a whole.
What's more, the ending of becoming an official feels more uncomfortable for Xiao Yao. He is better at coordinating things, not being an official. Being an official cannot nourish him. The more he becomes an official, the less he can give himself strength. The higher the environment, the more dangerous he becomes and the more "he can't live without" King Rui; the environment is more unsafe, and there is no volatile relationship for him to grow and interact with.
But Qilian Villa is different. He gives full play to his coordinating skills and pre-case work ability. The better he does, the more he nourishes himself. And from many details, it can actually be seen that Gu Xiaoyao appreciates or does not deny Cheng Xiaoliu's "antifragility".
The entanglement between the three people is so entangled that no one cares about it.
The one who rarely shows careful consideration is a sweet-tempered person who is not good at getting into trouble; the one who is most inquisitive is covered by the identity of a prince who least needs to ask; the one who needs to be asked the most is a "nice gentleman" who does not give the answer until the end.
Fortunately, Gu Kuang did not lose to his good instincts and his habitual attachment to a relationship in the end. Instead, he clarified the choice he ultimately wanted by asking and thinking about himself.
Cheng Xiaoliu asked, "Except for the reasons listed above, isn't there any reason why you prefer Cheng Xiaoliu to Hengshang?"
Gu Xiaoyao didn't give an answer to this question, but I think that at least one thing is certain. The person Gu Xiaoyao gets along with without hallucinations must be Cheng Xiaoliu.
In fact, when you watch it as an adult, you can really feel that the rhythm of the plot is not very comfortable, and the emotions of the characters also have a three-dimensional sense of confusion because of the plot structure. On the contrary, there is really a feeling that the little characters who want to express in the plot are forced by the situation to be "uncontrollable".
It's just a pity to come to Hengshang again. It's not that Xiaoyao chose him in the end, but that he seemed to be trapped.
Because the body is trapped in the identity and the deep palace, the spirit wants to escape even more. Without growing up and thinking clearly, it can only use the past escape experience as a base. The spirit is trapped in the past, unable to find its own way and strength.
But destiny is like this. More or less, everyone always seems to have their own gains and losses in the end. The more certain a person is in the structure, the less he can make choices based on his own self. On the contrary, it is the little people in the shadows, in the cracks, and under the stage. Because they are least scrutinized, they have the most human feelings and feedback that belong to the individual self.
This is also what I like most about this book besides the writing style of strong winds and flowing water.
The heroic view of history is an illusion. You sing and I come on stage. The people's view of history is the real power.
The common people are no longer regarded as careless, foils, ignorant people, and the ones to be saved. Instead, they are not only freed from the ignorance and viciousness of the poor and the rich and the conscience, but also freed from the passive role of kindness and weakness. The common people are the ones who have to work hard to earn a living, and they are the ones who have to work hard to give an explanation for their own lives. They are the real productivity and the force that truly drives the times forward.
"No matter how hard he is as an official, or whose surname the country is, we can just live comfortably on our own."
How many years in Jiangshan is actually the life of two young men in Jiangshan who have always been together and entangled in each other.
After watching it, I felt that the plot was too delayed, the romance was heavy but not deep, and it was a bit unclear. Why.
You are really good at writing sadistic articles, wow, wow, wow.
How intoxicating and heartbreaking it is to finally pick up the fragments of life and death in "The Song of Resentment". However, the figures of him and her in his mind gradually became farther and farther away, until they disappeared at the end of the infinitely wide and infinitely distant earth. I hope everything goes well for them in the next life.
－＿－! ! I have always said it very kindly! It's just that there's a little problem with my eyes! So, I don't want to either! 5555555555555555555555555555~~~~I will update it!
C'est tres beaux... J'adore...
I agree with Jun Mopan. I also reluctantly finished reading it. It's strange that such an article can be published in a book, haha~~~~~`
Well written, with depth and detail, a great book
Although I thought the heroine's performance was a bit abrupt, I still had tears streaming down my face at the end.
Please forgive my laziness!
Seeing him cheating to death again... It's really scumbag - -
They also said that the child was angry... The father was also angry!
My daughter is still very proud!
It's really sad. We obviously love each other but we can't help ourselves.
By chance, I reread "How Many Years in the Country" again, and I still really liked it. This was the first physical Danmei I read that year. I sat on the floor of the bookstore and read it all in one afternoon. I loved it so much that I wanted to buy it and take it home even after watching it. Dafeng has always said that there are flaws in her writing, and the reason is probably on the emotional line. When I was a child, I was too young and didn't notice it at all. Now it seems that it is really not very clear, but I think it is harmless. The first time I read it was the simplified Chinese version, which was the ending of Liu Yao. To be honest, whether I watch it back then or now, I feel it was completely within my expectations. There is a feeling that the two of them should be together. Investigating the reason, I don't think it's completely preconceived, and it's not because of the one-sided bamboo horse label. After all, I actually eat more CP from the Tiansheng series. Analysis from Gu Xiaoyao's perspective: Cheng Xiaoliu and Gu Xiaoyao's feelings, relationship, and mode of getting along are more nourishing to Gu Xiaoyao himself. Gu Xiaoyao himself, in fact, doesn't like feeling insecure. It can be seen from the fact that he has always been more delicate and was said by Song and Liu to be more thorough than Cheng Xiaoliu. He is relatively a person who makes decisions before acting. He hopes to master more information and make more plans to avoid bad results and avoid fluctuations in life. Even when he picked up Hengshang and later hoped to take care of him and protect him, he hoped to feel and confirm his own strength through such behavior. This may be because of the subconscious pursuit of safety and security caused by the tight life and wandering around. Taleb expressed in "Antifragility" that those who pursue stability and certainty the most are the most fragile, because stability is an illusion and chaos is reality. Therefore, what is unafraid and can proactively adjust and benefit from the chaos of uncertainty and volatility is antifragility. Xiao Liu is a person with relatively high antifragility. In comparison, he is less afraid of volatility and is better at finding a way out or self-adjustment amid uncertainty. His idleness and lack of stinginess are manifestations of this antifragility. Therefore, Gu Xiaoyao felt natural and safe to follow his heart in everything in front of Cheng Xiaoliu. The emotional energy between the two of them, whether good or bad, can be exported in this relationship, and the aggression of both of them can be released and flow relatively freely. Not all "attacks" are bad things. There must be heterogeneity between any two subjects that cannot be understood by each other. And a deep relationship will definitely come into contact with the existence of such heterogeneity, and there will inevitably be conflicts, contradictions, and aggression. How to deal with the conflicts in the relationship, how to deal with the aggression shown in oneself and the other party, and the heterogeneity that can hurt oneself, this is the practice of a person in a deep relationship. In interactions and dealings, seeing oneself also maintains relationships. The two of them neither worry that their aggression needs to be frequently curbed in this relationship, nor do they worry that their aggression will hurt each other. Therefore, they both give each other a feeling of "the world is ready to catch my overwhelming instincts." This is where the sense of security and so-called confidence comes from. When getting along with Cheng Xiaoliu, Gu Xiaoyao is always influenced by his anti-fragile tendency to move forward no matter what. And Heng Shang and Gu Xiaoyao are both relatively fragile people (maybe more fragile! It's better to be weak). In this regard, getting along with Hengshang does not give Gu Xiaoyao any reference in the face of volatility, and the identity situation that cannot be ignored in this relationship also makes it difficult for Gu Xiaoyao to completely gain a sense of security. At the end, Gu Xiaoyao and Cheng Xiaoliu lamented that they were also pawns in Prince Rui's hands, which made them feel a little sad. This proves that he does not accept being instrumentalized well in important relationships and will feel insecure and uncomfortable as a result. But such emotions were not presented and dealt with in the ending of Fifteen Years Old. I believe that if the plot does not change, such feelings will definitely exist in Gu Xiaoyao's heart no matter which ending direction, but in the ending of Fifteenth Yao, it was covered up by more urgent situations and emotions. Secondly, putting aside the slightly utilitarian topic of so-called personal growth, analyzing it solely from the perspective of relationship and love is really not a good match. Because neither of them seems to have ever really seen each other. In his relationship with Shi Shi, Gu Xiaoyao always first saw the identity of the prince hanging over Heng Shang; Heng Shang always stared at Gu Xiaoyao in the past. There was always a sense of dreaming between the two of them that objectified and symbolized each other. Gu Kuang would feel chilled when he saw Heng Shang "taking advantage" of him. Heng Shang always felt that Cheng Shi was far worse than Gu Kuang, but he didn't realize that Gu Kuang also had the same differences between him and Gu Kuang. The emotional lines between them are often "beautiful" and their interactions have an inexplicable sense of ritual. Maybe this is the reason why the editor tried to change the CP back then, because it is really beautiful, very beautiful, and has the sense of sight of the exquisite landscape required in commercial activities. To a certain extent, it cannot be said that this choice is wrong, but it does not make sense from a logical point of view. After all, love is interaction, not dreaming. It is not about loving a person's flawlessness, but loving his flaws without covering up his flaws. After all, we don't really see each other's good, bad, tall, short, brave, dedicated, despicable, and dark through the "skin". Then all the "goodness" to the other person is not really love, but a kindness. Even in the fifteen-year-old version, I didn't find that the two of them "seeed" each other, and anyone with a discerning eye could still detect it, and the sticky atmosphere in it was obvious. In this relationship, the two people's focus and reluctance were on the "relationship" and "feelings in the relationship" rather than the other person himself. In the ending, the reluctance and epiphany caused by the other party's suicide are more like the cherishment and stress of the relationship. In the end, they were unable to peel off the layers of identities to see the other party and release their relatively authentic selves. It seems that if AB is replaced, these interactions are still beautiful, and they don't have to be Heng Shang and Gu Xiaoyao Of course, this does not mean that only when two personalities are extremely well developed can we enter into love and relationships. People get along with each other while taking care of themselves and improving themselves. But the fifteen-year-old relationship and mode of getting along make it really difficult for me to see this hope. On the contrary, the probability of them consuming each other is greater. When Liu Yao and Liu Yao interacted, it was more about the interaction between "subject" and "subject", with no identity or distance. It may also be because they have been together for too long, and even if they want to dream, it is difficult to use any "mask" to face each other. Over the long years, they have looked at each other and accompanied each other, the good, the bad, the edges, and the ravages. Liuyao and Liu Yao really see and care about each other as a person. It is not that there is no inertia between them from years of getting along, but this inertia will not overshadow each other. You cannot replace A and B casually, because you will be asked who AB is? What kind of person. Cheng Xiaoliu and Gu Xiaoyao are more "not to deal with" than brothers, less "taken" than family members, more intolerable than enemies, and less clingy than lovers, because they never have a fixed identity and relationship that can script the way they get along, so they have no choice but to feel and look at each other in every collision and interaction. But it's too close to see clearly. There is something unclear, chaotic and pure about being in this mountain, "Why did we break up? Just break up with King Rui, there is no past relationship with him to cause embarrassment. How come we broke up with this kid? How can I break up with him? Because we understand Ming is..." It's a brother, it's an enemy, it's a family, it's a "feud", it's love, it's you, it's me, it's us. As soon as I met you, I was forced to put down my airs, withdraw from all kinds of abstract emotions and identities, and become concrete and vivid again. Only when someone interfered was he forced to look away from a micro perspective and look at the other person and the relationship between the two as a whole. What's more, the ending of becoming an official feels more uncomfortable for Xiao Yao. He is better at coordinating things, not being an official. Being an official cannot nourish him. The more he becomes an official, the less he can give himself strength. The higher the environment, the more dangerous he becomes and the more "he can't live without" King Rui; the environment is more unsafe, and there is no volatile relationship for him to grow and interact with. But Qilian Villa is different. He gives full play to his coordinating skills and pre-case work ability. The better he does, the more he nourishes himself. And from many details, it can actually be seen that Gu Xiaoyao appreciates or does not deny Cheng Xiaoliu's "antifragility". The entanglement between the three people is so entangled that no one cares about it. The one who rarely shows careful consideration is a sweet-tempered person who is not good at getting into trouble; the one who is most inquisitive is covered by the identity of a prince who least needs to ask; the one who needs to be asked the most is a "nice gentleman" who does not give the answer until the end. Fortunately, Gu Kuang did not lose to his good instincts and his habitual attachment to a relationship in the end. Instead, he clarified the choice he ultimately wanted by asking and thinking about himself. Cheng Xiaoliu asked, "Except for the reasons listed above, isn't there any reason why you prefer Cheng Xiaoliu to Hengshang?" Gu Xiaoyao didn't give an answer to this question, but I think that at least one thing is certain. The person Gu Xiaoyao gets along with without hallucinations must be Cheng Xiaoliu. In fact, when you watch it as an adult, you can really feel that the rhythm of the plot is not very comfortable, and the emotions of the characters also have a three-dimensional sense of confusion because of the plot structure. On the contrary, there is really a feeling that the little characters who want to express in the plot are forced by the situation to be "uncontrollable". It's just a pity to come to Hengshang again. It's not that Xiaoyao chose him in the end, but that he seemed to be trapped. Because the body is trapped in the identity and the deep palace, the spirit wants to escape even more. Without growing up and thinking clearly, it can only use the past escape experience as a base. The spirit is trapped in the past, unable to find its own way and strength. But destiny is like this. More or less, everyone always seems to have their own gains and losses in the end. The more certain a person is in the structure, the less he can make choices based on his own self. On the contrary, it is the little people in the shadows, in the cracks, and under the stage. Because they are least scrutinized, they have the most human feelings and feedback that belong to the individual self. This is also what I like most about this book besides the writing style of strong winds and flowing water. The heroic view of history is an illusion. You sing and I come on stage. The people's view of history is the real power. The common people are no longer regarded as careless, foils, ignorant people, and the ones to be saved. Instead, they are not only freed from the ignorance and viciousness of the poor and the rich and the conscience, but also freed from the passive role of kindness and weakness. The common people are the ones who have to work hard to earn a living, and they are the ones who have to work hard to give an explanation for their own lives. They are the real productivity and the force that truly drives the times forward. "No matter how hard he is as an official, or whose surname the country is, we can just live comfortably on our own." How many years in Jiangshan is actually the life of two young men in Jiangshan who have always been together and entangled in each other.
After watching it, I felt that the plot was too delayed, the romance was heavy but not deep, and it was a bit unclear. Why.
You are really good at writing sadistic articles, wow, wow, wow.
How intoxicating and heartbreaking it is to finally pick up the fragments of life and death in "The Song of Resentment". However, the figures of him and her in his mind gradually became farther and farther away, until they disappeared at the end of the infinitely wide and infinitely distant earth. I hope everything goes well for them in the next life.
－＿－! ! I have always said it very kindly! It's just that there's a little problem with my eyes! So, I don't want to either! 5555555555555555555555555555~~~~I will update it!
C'est tres beaux... J'adore...
I agree with Jun Mopan. I also reluctantly finished reading it. It's strange that such an article can be published in a book, haha~~~~~`
Well written, with depth and detail, a great book
Although I thought the heroine's performance was a bit abrupt, I still had tears streaming down my face at the end.
Please forgive my laziness!
Seeing him cheating to death again... It's really scumbag - - They also said that the child was angry... The father was also angry! My daughter is still very proud!
It's really sad. We obviously love each other but we can't help ourselves.
Supplementary points~~~~~~~~Scattered flowers~~~~~~~~~
It's a very sad novel, but I just like it. Isn't that considered masochistic~~~~~