[The blurb writer is long-winded]:
At the end of the Great Yan dynasty, the imperial house changes hands, and a newborn princess is secretly sent out of the palace. Fifteen years later, a lowly girl in the Minister's household raises one hand to block a fierce slap aimed at her by the Minister's daughter.
If peace is impossible in a prosperous age, then let chaos engulf the world.
Across thousands of miles of mountains, amid blades of wind and frost, the sword points straight toward a struggle for dominion over the realm.
Those they encounter each lay their own chessboard and secretly set up intricate traps. Who will lose in love and in the choices they make?
"I humbly congratulate Your Highness on your wedding. Please honor us by draining this cup, the wine of our parting."
In this world of splendor and gilded halls, who will rise with the phoenix...
This is not a fluffy story. It has a happy ending, with a strong male lead and a strong female lead. It's not an innocent romance. The chapters are already written and guaranteed to update daily while featured.
[My other works:]
Ah... The school has changed to a Monday again, but it's not as good as a fortnight. It takes 3 hours to go back and forth... And there are only three days left for the National Day holiday... The school is unscrupulous
We actually have to go home once every two weeks in the new semester... It's miserable... I just saw the update now, so I can make up for the points~
I always regret that this body is not mine, don't blame the east wind and just sigh to yourself - the story of the princess who has subjugated her country
Author, you are writing about a very lucky princess who has lost her country. Although she has become a slave, she has the ability to protect herself. She can even freely preserve herself and conceive of the restoration of her country. How lucky she is compared to many other princesses who have no control over their country.
When reading the first chapter of the text, the appearance of the heroine is very surprising. In the past, the nobles of Tianhuang are now slaves. Doesn't it remind people of the old story in "A Sorrow for Kings and Grandsons": "The poor kings and grandsons cried in the corner and refused to give their names when asked, but they died of poverty and begged to be slaves.", But later the heroine died. But she is very tolerant and has great ambitions, but her scheming is a little strange. It seems that she doesn't understand the art of struggle very much after learning martial arts. She was framed for poisoning or something. To be honest, if she had been in the palace before, she would have been killed for being so naive. Maybe her adoptive mother made some mistakes in her upbringing. There must be a reason why she lurked in this mansion, and that was to get the evidence of bribery. It's just that I don't think that as a small handyman, I will get too much information. If I did, it would be Rongguo Mansion, and the management would be very lax. Personally, I think the heroine can try to climb up, and then she can get more information. Climbing up does not mean sacrificing her appearance or anything. As long as she is decent-looking, not too ugly, and does things neatly and properly, she can still be reused. After all, everything is the same. She was a slave who sold herself, and then entered the study. The heroine may not be a servant and cannot enter the outer study, but the inner study can always be said, so that she can talk about it and get evidence. Otherwise, it would be really difficult for the servant who can't even enter the second door to find such important evidence. This is a bug I found out from reading the article.
The thing that puzzles me the most is that she, a subjugated princess, has launched several anti-aggression wars in her own country without thinking about how to restore her country. What is she doing in neighboring countries? Borrowing troops? It didn't look like it, but she was engaged in anti-corruption work there, looking for evidence of bribery by high-ranking officials. Does she still want to collect this evidence to threaten those officials to help her persuade the king to send troops to help her restore the country? This is something I don't understand, but I always feel that this is very inappropriate. Instead of worrying about threatening people, don't think about how to bribe people. Fei Zhong, Bo Chu, etc. Should be available in every country. Looking back later, the heroine ordered people to light fires everywhere. Maybe she wanted to create a chaotic world and then use the chaos to restore the country? The idea is beautiful and the project is grand. And seeing that the heroine finally provoked the war between Xiliang and the Central Plains, to be honest, my impression of her suddenly dropped. I thought of Wu Hu Luan Hua, Yangzhou Ten Days, and Jiading Three Massacres. I am a standard Chinese fan, so I was a little dissatisfied with the heroine's actions. In fact, I am dissatisfied with many clear-cut novels.
After the failure of the anti-corruption campaign, the heroine started to seize power through the imperial examination. The speed of promotion was enviable. The second-level Jinshi entered the Hanlin Academy and became a concubine, about seven grades. The supervisory censor and other officials can be said to be not big, but it is estimated that it will take a while to get into the censorship. She didn't even have to leave the palace to join the censorship and was sent out to serve as a supervisory army, that is, to supervise the censor. It was quite powerful. It would probably take her decades to reach the position of a powerful minister. Well, it would be difficult for a woman to disguise herself as a man for that long, right?
Having said so much, to put it bluntly, I have always been very vague about what the heroine wants to do. It seems that I understand every step she takes, just to strengthen herself, but I don't understand what she is doing in total. Does the restoration of the country require a princess to do it herself? Wouldn't it be enough to be a mascot in the army? As for what to do if Cao Cao appears again after the restoration of the country is successful? The way of the emperor lies in checks and balances. If the heroine has the ability to raise such an army, her methods should not be bad. Or, doesn't the heroine want to restore the country? The princess who lost her country can no longer return to her country. She can just find a remote place and become a rich man. Is it necessary to go through so much trouble?
After watching the heroine, I looked at Nanzhu. When Nanzhu appeared, I remembered a sentence: "Only Yu Lang is the youngest. The spring robe is rustic, and the tender color is suitable for photographing." It is indeed a sentence of absolute elegance, but his title suddenly made me shocked. Does the wild king have such a title? It can be said that this kind of magical title has never existed in China for five thousand years. It's a pity that Nanzhu has relatively few appearances. I have no other feeling except that he fits the image of an ordinary prince.
Another thing is that the author is very literate, but there is no need to be so eager to show that he is literate. When I saw the long description in the wedge, the first impression was that it was very gorgeous. However, upon closer inspection, it felt strange. Well, the author used too many rhetorical words.
It's like this paragraph: "The cold is on the glazed jade green tiles, which are smashed into thin mist by the ice rain. The entire imperial city is shrouded in the biting cold, and in the rain curtain, this ancient palace outlines a deep shadow. In the past, the palace lanterns under the royal family are no longer there, and the warm fragrance is hard to find in the green gauze cupboard. The shadows of those old and strange whirling trees are clinging to the palace wall, so soaked that they can no longer grasp the foundation of the imperial court."
There are divisions in "Human Ci Hua": separation and non-separation; "The cold waves are rising lightly, and the birds are flying all the time." The scene is described like this, which means there is no separation, and "Counting the peaks is pure and bitter, Shang Lue is raining at dusk" is separation. The so-called "looking at flowers in the mist, finally there is a layer of separation". The author uses so many rhetorical methods, and almost all of them are anthropomorphic. The method of separation is used too much. It gave me a headache and aesthetic fatigue. And it is very difficult to imagine the image that the author wants to portray from so many rhetorical figures at one time. It would also be good if the author could replace half of them with line drawings. If the author is not of this level, I would be too lazy to say so much, so just don't bother me.
The author's writing is still very good, and the language is beautiful and smooth. It doesn't matter if you take it slow, as some people will eventually like it. That's all.
Cheer and update for Huahua, the author GN
Isn't it possible that Wen Xin is also the male protagonist?
I like Jun Beiruo...
Haha. There are disgusting people everywhere
That young lady actually dared to be so confident. She turned around and beat someone to death, haha
For love, scatter flowers.
Ah... The school has changed to a Monday again, but it's not as good as a fortnight. It takes 3 hours to go back and forth... And there are only three days left for the National Day holiday... The school is unscrupulous
We actually have to go home once every two weeks in the new semester... It's miserable... I just saw the update now, so I can make up for the points~
I always regret that this body is not mine, don't blame the east wind and just sigh to yourself - the story of the princess who has subjugated her country Author, you are writing about a very lucky princess who has lost her country. Although she has become a slave, she has the ability to protect herself. She can even freely preserve herself and conceive of the restoration of her country. How lucky she is compared to many other princesses who have no control over their country. When reading the first chapter of the text, the appearance of the heroine is very surprising. In the past, the nobles of Tianhuang are now slaves. Doesn't it remind people of the old story in "A Sorrow for Kings and Grandsons": "The poor kings and grandsons cried in the corner and refused to give their names when asked, but they died of poverty and begged to be slaves.", But later the heroine died. But she is very tolerant and has great ambitions, but her scheming is a little strange. It seems that she doesn't understand the art of struggle very much after learning martial arts. She was framed for poisoning or something. To be honest, if she had been in the palace before, she would have been killed for being so naive. Maybe her adoptive mother made some mistakes in her upbringing. There must be a reason why she lurked in this mansion, and that was to get the evidence of bribery. It's just that I don't think that as a small handyman, I will get too much information. If I did, it would be Rongguo Mansion, and the management would be very lax. Personally, I think the heroine can try to climb up, and then she can get more information. Climbing up does not mean sacrificing her appearance or anything. As long as she is decent-looking, not too ugly, and does things neatly and properly, she can still be reused. After all, everything is the same. She was a slave who sold herself, and then entered the study. The heroine may not be a servant and cannot enter the outer study, but the inner study can always be said, so that she can talk about it and get evidence. Otherwise, it would be really difficult for the servant who can't even enter the second door to find such important evidence. This is a bug I found out from reading the article. The thing that puzzles me the most is that she, a subjugated princess, has launched several anti-aggression wars in her own country without thinking about how to restore her country. What is she doing in neighboring countries? Borrowing troops? It didn't look like it, but she was engaged in anti-corruption work there, looking for evidence of bribery by high-ranking officials. Does she still want to collect this evidence to threaten those officials to help her persuade the king to send troops to help her restore the country? This is something I don't understand, but I always feel that this is very inappropriate. Instead of worrying about threatening people, don't think about how to bribe people. Fei Zhong, Bo Chu, etc. Should be available in every country. Looking back later, the heroine ordered people to light fires everywhere. Maybe she wanted to create a chaotic world and then use the chaos to restore the country? The idea is beautiful and the project is grand. And seeing that the heroine finally provoked the war between Xiliang and the Central Plains, to be honest, my impression of her suddenly dropped. I thought of Wu Hu Luan Hua, Yangzhou Ten Days, and Jiading Three Massacres. I am a standard Chinese fan, so I was a little dissatisfied with the heroine's actions. In fact, I am dissatisfied with many clear-cut novels. After the failure of the anti-corruption campaign, the heroine started to seize power through the imperial examination. The speed of promotion was enviable. The second-level Jinshi entered the Hanlin Academy and became a concubine, about seven grades. The supervisory censor and other officials can be said to be not big, but it is estimated that it will take a while to get into the censorship. She didn't even have to leave the palace to join the censorship and was sent out to serve as a supervisory army, that is, to supervise the censor. It was quite powerful. It would probably take her decades to reach the position of a powerful minister. Well, it would be difficult for a woman to disguise herself as a man for that long, right? Having said so much, to put it bluntly, I have always been very vague about what the heroine wants to do. It seems that I understand every step she takes, just to strengthen herself, but I don't understand what she is doing in total. Does the restoration of the country require a princess to do it herself? Wouldn't it be enough to be a mascot in the army? As for what to do if Cao Cao appears again after the restoration of the country is successful? The way of the emperor lies in checks and balances. If the heroine has the ability to raise such an army, her methods should not be bad. Or, doesn't the heroine want to restore the country? The princess who lost her country can no longer return to her country. She can just find a remote place and become a rich man. Is it necessary to go through so much trouble? After watching the heroine, I looked at Nanzhu. When Nanzhu appeared, I remembered a sentence: "Only Yu Lang is the youngest. The spring robe is rustic, and the tender color is suitable for photographing." It is indeed a sentence of absolute elegance, but his title suddenly made me shocked. Does the wild king have such a title? It can be said that this kind of magical title has never existed in China for five thousand years. It's a pity that Nanzhu has relatively few appearances. I have no other feeling except that he fits the image of an ordinary prince. Another thing is that the author is very literate, but there is no need to be so eager to show that he is literate. When I saw the long description in the wedge, the first impression was that it was very gorgeous. However, upon closer inspection, it felt strange. Well, the author used too many rhetorical words. It's like this paragraph: "The cold is on the glazed jade green tiles, which are smashed into thin mist by the ice rain. The entire imperial city is shrouded in the biting cold, and in the rain curtain, this ancient palace outlines a deep shadow. In the past, the palace lanterns under the royal family are no longer there, and the warm fragrance is hard to find in the green gauze cupboard. The shadows of those old and strange whirling trees are clinging to the palace wall, so soaked that they can no longer grasp the foundation of the imperial court." There are divisions in "Human Ci Hua": separation and non-separation; "The cold waves are rising lightly, and the birds are flying all the time." The scene is described like this, which means there is no separation, and "Counting the peaks is pure and bitter, Shang Lue is raining at dusk" is separation. The so-called "looking at flowers in the mist, finally there is a layer of separation". The author uses so many rhetorical methods, and almost all of them are anthropomorphic. The method of separation is used too much. It gave me a headache and aesthetic fatigue. And it is very difficult to imagine the image that the author wants to portray from so many rhetorical figures at one time. It would also be good if the author could replace half of them with line drawings. If the author is not of this level, I would be too lazy to say so much, so just don't bother me. The author's writing is still very good, and the language is beautiful and smooth. It doesn't matter if you take it slow, as some people will eventually like it. That's all.
Cheer and update for Huahua, the author GN
Isn't it possible that Wen Xin is also the male protagonist?
I like Jun Beiruo...
Haha. There are disgusting people everywhere
That young lady actually dared to be so confident. She turned around and beat someone to death, haha
That man was wronged... It was all in vain