Flowers Fade, All Under Heaven (GL)

In the end, Ogijin didn't understand Hua Jue

In the end, the less than a thousand words broke my heart, and I couldn't stop crying every time I read it, as if I was immersed in it, drowning uncontrollably in a sea of ​​emotions. . It's a rare experience to read such an emotional book. You don't need too many sad stories. I'm so lucky to have come across this one!

I really like this article, but first of all I have to say that the ending makes me very sad. It's not that I don't like tragedies, but the occurrence of tragedy requires a lot of emotional and plot foreshadowing to appear natural and not feel abrupt and artificial. This article seems to suddenly have a lot of war, political games and other elements appearing in the last few chapters, and it states the facts one after another in a few hasty sentences. If this is just the result of Hua Jue's previous planning, it is reasonable to mention it in such a few strokes, because the focus of the reader's reading here still falls on a few main characters, and it is believed that the development of the story is still dominated by the emotional entanglements and interests between her/them; but it is true that It was at this moment when it was about to end that the section "getting married for the sake of all the people in the world" suddenly appeared. It seemed to have become a curtain wall, blocking the tension and emotion that had accumulated in my heart when I read this. I could only feel the disharmony rushing towards me. This sense of disharmony first comes from the fact that the concept of "all people in the world" is essentially empty in the sudden context. Although countless literary works take themes of family, country, world, and human suffering, it requires too much space to realistically depict the source of this feeling, making it a truly touching historical picture, so that readers can feel the heaviness; of course, if the article is really written like that, my personal feeling is unlikely to be based on the emotions between the two protagonists. However, if we just borrow this concept from that kind of literature and impose it on our heroine, it will be like forcibly splicing two photos with completely different styles together, both of which will lose the artistic beauty. The dissonance I felt during the reading process was that such a plot that led to a tragic ending appeared out of thin air, just like the "God of Rescue" in ancient Greek dramas. Instead, it completely covered up the inner world conflicts that were carefully shaped to advance to this point in the previous article. Hua Jing's feelings for Di Ji were cold and decisive. There was nothing else in her eyes except Di Ji. Even if someone caught her snuggled in Di Ji's arms, she would just look directly at the bored bystander; she rarely spoke, and she rarely said anything to her. I feel that the lack of inner description and psychological description is not omitted, but the heart wrapped under the plain and indifferent face is also beyond language and cannot be described, just like the deep night, the pale moonlight, and the beautiful and alluring purple. Such a proud woman must have no concept other than love, no knowledge of family affection, and no sympathy for those around her. All she cares about is whether the woman next to her is well and happy. Emotions deep in the bone marrow will also become fragile, sensitive and vulnerable. When Di Ji thought about the dilemma of choosing between Hua Jue and her mother, she stopped her from continuing. I prefer to understand that scene as the uneasiness that was deeply suppressed in her heart, pressed into her soul as deep as the sea. Therefore, she will not explain to anyone, but will use step by step actions to pave the way to the throne for the woman next to her, and to ensure that she and she only belong to each other. But Di Ji is far from that pure. Hua Jue is not the only one in her eyes. She can see those relatives and will be sad for their death; even when she needs to make a choice between the two, she hesitates at the beginning. This has a lot of foreshadowing in the previous article, what will happen if Yanran is replaced by the mother concubine, Yanran dies, breaks the promise to Hua Jue at the mother concubine's call, etc. Even if it is small, the looming struggle in her heart has been made clear. Therefore, when the major changes near the end of the article occur, especially when I know that these are more or less caused by her Hua Jue, I personally feel that highlighting the psychological impact of the departure of those relatives on Di Ji is much more real and perceptible than appearing "all people in the world" out of thin air, and is more in line with the character development of the characters, because each of them has been carefully portrayed in the article. Because when I first read the text, I knew it was a tragedy. When I saw it coming to an end, I guessed that the tragedy might end in one of two ways. One was that Di Ji couldn't accept that these disasters indirectly came from Hua Jue after struggling in her heart, and the queen completely ignored Hua Jue, and Hua Jue committed suicide. The other was that Di Ji was unable to free herself from the pain of the death of many relatives and her deep love for Hua Jue, so she committed suicide, and Hua Jue committed suicide. I prefer the latter. Of course, these are the opinions of an ordinary reader, and I naturally respect the author's writing first. I also want to talk about my impression of the image of Hua Jue in particular, because the image's ethereal beauty is the most important reason why I fell in love with this article. However, I think it is better to feel this character with your heart. The author's description is enough. If you continue to comment on it, you will lose the transcendent beauty. I like this image the most: Smiling lightly at Ogijin, Hua Jue reached out to her. I had known her for nearly a thousand days, but I was still tempted by that face and subconsciously reached out to take her hand. Well, January 1, 2016, 00:01, is dedicated to my first day of 2016.

Now, at the beginning of 2015, 8 years apart, I meet you, Hua Jue Tian Xia. This is my first long review, dedicated to the most beautiful you. It has been many years since I read the article. After all, there are too few good articles about gl. There are not many people who agree with you. Therefore, in this lonely winter, you are the first surprise in spring. A good article lies first in words and feelings. After reading Hua Jue Tian Xia, I cried hopelessly, both for Hua Jue and for Di Ji. Hua Jue tried her best and sacrificed a lot in exchange for the throne, but in the end it became an obstacle for the two of them to be together. God's will. Di Ji couldn't ignore the lives of so many people. Even if she comforted Hua Jue and herself over and over again, the self-righteous young man was ultimately unable to save the situation. From being honest with each other at the age of sixteen, what we waited for in the end was not the future we wanted. Di Ji, after all, you can't afford to give Hua Jue what she wants. If we never met at the beginning, we never got entangled. Would everything be better if Di Ji lived her whole life, or if she protected Hua Jue for 20 years? But I would rather not have this if. The moment Di Ji pulled out Hua Jue, her life chart had turned to a corner that no one knew, and the intertwined fates produced consequences that no one knew. Di Ji, in the year of waiting for Liuyi, that night when the moonlight and fog dissipated, Di Ji, your heart and soul were transformed into morning dew at that moment. That naughty little Di Ji is no longer there, because there is no longer a pampering embrace for her in this world, and there is no more Hua Jue who can charm the world with her smile. Then, look at me again, Di Ji, look at me one last time, from now on, we will never see each other again, separated by heaven and earth.

After watching the secret and then watching this, I feel even more heartbroken, I feel sorry for the princess. Why? Is this the predetermined ending? Aren't flowers capable of anything? Di Jin loved flowers, but what she couldn't let go of was the people in the world. She would rather be miserable than live in pain and could not bear to see her people suffer from war again. This is great love, right? The love that has not been spoken in this life must be told to you fiercely in the next life. Remember that in the next life we ​​will exchange eye colors, I will give you black, and you will give me green. I will definitely recognize you and tell you the love of two lives.

Keep it secret is what impressed me the most when I first came into contact with gl literature. It's just that I haven't been able to catch up on the article for a long time. I found Liu Qian's article. I don't know how to read tragedies, so I read it carefully ~ I like Hua Jue very much ~

I once read this article in bed and cried when I saw it Then I was heartbroken for a long time, and even when I mentioned this name, I couldn't help crying. Six thousand you are really! Too! Abuse! Got it!

After reading this work a year ago, I felt that I wanted to write something about it, but it took me a year to finally start writing. Probably because "Flowers Jue the World" was my first GL enlightenment novel, and I didn't know the overall level of GL novels at that time, so I had no way to compare or start writing. In the past year, I have read various masterpieces in Jinjiang, and I can only sigh. The GL literature in Jinjiang is actually very disappointing to me. The following may offend some fans of the author, but I still have to say that it is difficult to live up to its reputation. Liu Wuyan's "Fire" series is well-known. Looking down, there are just a few people playing house there. What is the difference between the so-called boss and the street gangster? Jue Ge has always been popular for its fantasy colors, but compared with □'s fantasy, the characters in her novels are more blatantly cheating; in terms of GL alone, I can only say that the emotions are abrupt and the characters are pale. When I read "Another World", I felt like I was struck by thunder several times (well, the thunder point is indeed low). Therefore, I cannot understand why, with a level of 6,000, only "Secret and Undisclosed" hangs on page 2 of Jinjiang's Baihe ranking list? (By the way, I feel sorry that Master Lin Cuo's "The War of Seraphim" has been lost to everyone.) I would venture to conclude that it is still because Liu Qian's novel lacks commercial color, there is no eighth letter, there is no plaintive "royal sister", and there is no story of the queen and Cinderella. The above somewhat deviates from the main point, but first I would like to pay tribute to authors like Liu Qian and Lin Cuo who wander on the margins and only create text. Then I go back to the novel "Flowers Jue the World" and talk about the shortcomings first. 1. I'm sorry to be presumptuous, but I think it's anticlimactic. Starting from Chapter 33, the whole story reaches its climax, and then it ends abruptly. Although the endings of the main characters are explained, some of the narratives in the previous article are not well used. For example, how could Gongjing stay in the border area so calmly even after the flowers were gone? With his ambition and affection, I can't figure it out. So much foreshadowing was used in the early stage, which made the following three short chapters feel like there is still more to come. 2. Regarding the plot setting (of course, this kind of thing is still decided by the author, the following is a personal YY), Yanran is indeed a very cute character, but her plot is not closely related to the main plot. Since the background of the final ending is set in a war, would it be better if we could make more use of the situation of the Three Kingdoms to make the atmosphere more tense step by step compared to the previous life in the palace? 3. About emotions. Before their sixteenth birthday, Ogi Nishiki and Hana Zetsu still only showed friendship as friends. Although it was added later that they were "destined at first glance", I still felt that the emotional change was not natural enough. This may also be due to personal factors. I still don't quite understand what love feels like and how it differs from friendship. I hope someone can give me some advice... 4. There are some logical problems that I cannot figure out below. According to the setting, Hua Zetsu's true body will be born when Ogishiki is 20 years old, so should Hua Zetsu's soul return to the real body? Does the so-called soul materialization mean that Hua Jue and Liu Yi split into two people? Or maybe it is mentioned in the novel that the birth of the entity will take away half of Hua Jue's power. Is it schizophrenia? How else did she live to be 21? Liu Qian seems to have never been too clear on many issues regarding Hua Jue's existence as a soul, perhaps because I am stupid. "Secret" mentioned that Hua Jue was sealed in a stone after death (personal memory may vary), which means that Hua Jue has a body, but she is a soul. Even if she wants to enter reincarnation again after she materializes, she should still disappear, right? Looking forward to the answer to the above... Having said so much, I actually follow the principle of suppressing first and then promoting. After I finished reading "Flowers Absolutely All Over the World", I was really amazed. The writing, plot, and conception of "Flowers of the World" are not the best I have ever read, but what I admire the most is the change of tone and color in this article. Just look at the first few chapters, Di Jin and Hua Jue are moving and still, Emperor Chi Yi is amiable, Cai Mao is stupid and Gong Jing is dark, the color of the article is quite gorgeous and lively, but in the last few chapters, the blood is flowing in the tragic, the moonlight is gray under the mist, Hua Jue Cui is smiling under the heavy tone, the contrast is strong. However, such a huge contrast between the beginning and the end has been transformed smoothly in the six thousand chapters of the narrative. Liu Qian first drew a colorful painting, then thickened the ink here and darkened it there. Inadvertently, the colorful painting became a mixture of gray and blood red, filled with reluctance and abandonment. Although I said earlier that this article is a bit anticlimactic, it is undeniable that the last two chapters have a strong sense of impact. "Marrying someone who secures the borders of my country will lose the heart on which my soul rests." In this sentence, the image of Dijin is truly plump and sublimated, from a woman with just a kingly spirit to an excellent king, but it is heartbreaking. "If you want me to attend the banquet, then I will appear very happy at the banquet. If you don't let me know, then I don't know. If you want me to accompany you for the rest of your life, then I will create a body to stay with you. However, if there is someone next to you, if the person who can help you is no longer me, if my existence can only make you more painful, if you see me, I will remind you of sadness. So. If you don't give up, I will give up. " This is my favorite text in the whole text, Hua Jue's monologue, the tone is as plain as ever, but it has a bit more decisiveness. While he was talking about giving up, he was clearly nostalgic for it. The seven ifs vividly express Hua Jue's conflicting emotions. At this point, everything truly reaches its climax and the ending. It is in this aftertaste that Hua Jue leaves, Dijin gets married, and the Weihou Temple collapses, but the reader has not yet woken up, and vaguely thinks that this is the end? It's all over? Yes, this is the end, the flowers are extinct in the world, the flowers are extinct in the world. I have to say that the character image of Hua Jue and her language style in this article are very well combined. I have forgotten how many novels I have read, how many people pretended to be indifferent and taciturn, but ended up talking a lot that could rival Xianglin's wife. The author did not deliberately emphasize Hua Jue's iceberg and coldness, but showed Hua Jue's image through concise and concise language descriptions that cherished words as gold. In contrast, in fact, Rumi in "Secret and Undisclosed" did not give the feeling of indifference mentioned in the introduction of the following image. In addition, there are unexpected dialogues in "Hua Jue Tian Xia" and "The Secret". For example, Hua Jue said that Gong Jing was very good, and then Ogi Nishiki asked back, "Ai Mao is not good?" Such language that jumps across characters' thoughts is difficult for readers to anticipate in advance, and it can be described as a highlight. ... Unknowingly, I have talked so much. Although I also write literary reviews on Baidu, I have never been so serious as this time. It turns out that I can be more wordy than I thought. Look at the sky... In fact, I always thought Liuqian was a very cute author XDDDDDDDD... It's a pity that he disappeared. It's been so long and I don't know when I'll come back... I'm going to be a senior in high school now. I really hope that I can see the update of "Secret" when I come back after the college entrance examination... Again, Liu Qian is not the best writer in terms of writing style, plot, and concept, but he has a style of his own, and he is always my favorite author... Amen...

You won't let this tragedy affect your next life, right?

I shouldn't have watched the tragedy. . .