[Merlin Fanfiction] Andersen Won't Tell

I don't know if the author understands this reply after so many years. I think the author's writing style is very good! ! ! ! ! I've been crazy about Merlin lately, but I've always been thinking about Arthur's death in my heart (┯_┯)

As far as I know, Andersen has a problem with having sex. It's due to psychological reasons.

It's over. If I hadn't seen it on Tieba, I don't know when I would be able to come back to Jinjiang. The ending arrangement for everyone was very satisfying. The image is very strong, just like the ending of many stories, where all the supporting characters explain their happiness one after another, leaving only the "poor" protagonist waiting and searching. "False hope" is a veritable double-edged sword. You know which side is sharper. From the first Jack Sue Legend I watched - The Legend of the Condor Heroes, to the Millennium Promise in Merlin Legend, I have also gone from being moved to tears to being dejected by the prospect of torture. I used to like natural things. Because those things are unavailable. What others dream of and cannot obtain at great cost, he has at his fingertips. Like Merlin's magic and Arthur's status. Now I like sentences like "I decided...". Just as Merlin decided to wait, Arthur decided to be brave. From a viewing point of view, ten years and one day is really better than ten years of seeing each other. The courage of this "one day" makes me admire and sigh. I have always been confused about cause and effect, always questioning why good people have to suffer so much, but looking back, if I didn't experience those things, how would I know that he is a good person. If something goes wrong in my life in the future, I hope I can tell myself that the time has come to test whether I am a good person or a loser. I hope that by then, I can think of these struggling, kind, and brave people. Merlin knew that Arthur was dead, but he still searched for him for ten years. Maybe it's a bit over-interpreted, I still have uncontrollable fantasies. The necklace can appear in the book, even if it is not his own hand, it is Arthur's instruction. Arthur's message is too obvious - you, stay alive. What Arthur hopes is that Merlin will not be "a widow" because of him. As time goes by, new people and new opportunities will appear in Merlin's life. As long as people live, there will always be life. He doesn't have to forget, he can even miss it, but there will always be other good things that can warm his heart. The game doesn't have to be perfect, it just needs to be effective. The mage watched his king die with his own eyes. I wonder if he would have made the same choice if Roten Dragon had not said, "He will be back." Because of the same over-interpretation, I choose to believe that what made the mage make such a decision was his king telling him, I want you always to be you. The Master's father said something similar, but his father was encouraging, while his king was demanding. When the old mage's figure appeared by the lake, I could only purse my lips. Merlin is Merlin. This kind of care makes Andersen a great fan work in my mind. Thank you again, Xiqiao, for giving me such a pleasant reading experience. I seem to have been moved. Arthur in Andersen is great, but Nishiqiao and I have the opposite opinion. If you didn't mention it, I wouldn't have realized that you deliberately removed Arthur's identity symbol, and this is exactly one of the things I appreciate about Arthur in the play. Do princes and generals like Xiang Ning have the guts? ! This sentence comes from the mouth of a martial artist, which is indeed very heroic. What if it comes from the mouths of princes, generals and ministers? I can't tell if it's because of servility in my bones, but if a person in a high position can understand his responsibilities and work hard to create an equal world, I think he is great. In his position, he seeks his own government. The queen in the novel and Uther in the play were born at the right time. Regarding teachings, I don't know if someone mentioned it in Tieba and Suiyuan before explaining it to you, but I explained it like this specifically because I was worried that you would be criticized. If you are a true believer, you probably won't get involved in this circle. I think of a joke where the teacher explains the difference between Finish and Complete. Combining with the wrong person is called Finish; combining with the right person is called Complete. I got married to the right person and even went out to have an affair. It was called Complete Finish. Andersen is Complete in my heart. Thank you Nishiqiao.

Coming from Sui Yuan, the author's writing style is very clever.

Hey hey hey~ Come here and leave a paw print~~ The Xiqiao Jianglun family is waiting for your new pit, meow

··I was sitting on the subway, and the symphony of violin and piano echoed in my headphones. The sun was shining brightly in Nanjing in March, and I was reading quietly while holding my mobile phone - it seemed that I hadn't read such a soul-stirring work for a long time. Those light sentiments and faint British atmosphere restored a soul that had been eroded by rationality for too long to feel some heartstrings. At that time, I was thinking, Xiqiao, I will definitely write you a long review when I get back to the dormitory, even though I came a little late - the day I downloaded this article was the day it was completed, February 14th. It was only today that I quietly picked up the short article and read it in one go. I don't want to stop, I have to admit that I love it. ··In fact, when I read Ever Lasting Love at home, I didn't have any special feelings. I just finished reading it so simply. I finally found a plum article on JJ and had a drink or something. I am very fond of plum fans, which seems like a necessity. However, when I turned on my phone and read a random fanfic just for entertainment on the subway - Andersen aside, I felt a powerful magic when I read the third chapter. After the A Tale of Two Cities episode, the taste of eighteenth-century England came to my mind: perhaps the music in my ears was too in tune. I seemed to see those dark yellow buildings and brown streets, the bustling wheels in the movie, the gentlemen in tweed trench coats and top hats, and the hurried citizens - my fingers slowly drew across the parchment-colored screen of my mobile phone. Rarely has a novel given me such a strong sense of the image. Then we get into the plot, identity and property, the eternal topics of that era - and the love that dare not name it (well, when I saw the title of my own novel in the article, I even had the urge to hug Xiqiao, and what also made me have this idea was the word "Qingxia" - I think most people who like the same thing always have some common experiences in their hearts. It is these common experiences that connect us and make us have a deep resonance with each other.) Arthur's speech in the court reminded me of Oscar Wilde - Oh, court, what should I say? I remember a gentleman in the department said something like this a year ago: A good theorist must clearly express what you want to express but cannot. I think this statement is also suitable for creation. When we invariably choose the same scene to express our views on one thing, what lengthy expressions do I need to use to prove my appreciation and love for this article! ··I still remember that around the ninth chapter of my story, I carefully read Wilde's trial transcripts, and it was at that time that I decided to title it "The Love That Dare Not Speak Its Name." Perhaps due to literary factors, everyone is too deeply influenced by Victorian England, so when the names of the characters in Merlin appear in that specific era, it gives people a very close feeling - not as remote as the Middle Ages, but not as completely different as the modern atmosphere. The indulgence and repression that coexist in the transitional era make the contradictions in the story seem even more profound. After reading Xiqiao's work, I have been reflecting on myself. The medieval atmosphere, the contradictions of the eighteenth century, and the expression of traditional Chinese tones probably mean that I have too little contact with European literature. I read those poems and those fairy tales - I still remember the detail clearly, that is, the stories Merlin wrote were all sad fairy tales. I feel that now I can no longer write a relationship as beautifully as Xiqiao, Arthur's brave love, Merlin's forbearing love - knowing that more people are always hurt more deeply. I have always found it difficult to control Merlin. Because I am also writing, my feelings are always deeper: after all, words cannot express the magic as well as images, and it is not easy to express Merlin's true strong and tolerant character in a positive way. Xiqiao found a very exciting point: business war and revenge, careful planning, winning the war but losing the relationship. When Romeo and Juliet was performed in the theater, I didn't even realize that this was a beautiful foreshadowing (or symbol?). But after reading the full text and turning to meditation, I have to say, wonderful - Xiqiao, wonderful. ··If the story only stayed at this level, maybe I still wouldn't be so excited. By the time I saw the second half, I had already left the subway on my way back. Back in the dormitory, there was an orange dusk outside the window - my eyes deliberately stopped at chapter twenty-nine. So when I read the postscript that Nishiqiao said that chapter twenty-nine was the most uncomfortable section to write, I once again felt that I had seen something similar. This is also the reason why I decided to leave a long comment below this chapter. The whole chapter is very good, from feelings to discussion - well, I admit that I love discussion. "If you are different from us, you either become like us or die." This is really my deepest feeling in reality recently. People usually like stability. Not only social turmoil, but also ideological (or ethical and moral) turmoil can also make them feel uneasy. Therefore, assimilating heretics is something that all mankind has been doing. Some conflicts are fierce, such as Western religions, and some are subtle, such as ancient Christianity. Many people choose to be assimilated in order to survive, and there are always some lovely people who will do anything for what they insist on. West Bridge turned Arthur into such a lovely person - he chose to fight against the entire society for his true nature. I saw Nishibashi said in the postscript why Arthur couldn't be released on the spot: Of course not - if this paragraph were written by me, I wouldn't even set up a scene where everyone was moved by it. I might let the two groups discuss it and lead to a dispute: Although many people say that I am cruel to my stepmother, I think society is like this. Some people will be moved, and some will always be stubborn to the end. Social stability is due to the majority of stubborn people. When people's thoughts change on a large scale, revolutionary events will occur. ··So, I say that Xiqiao's article involves a relatively profound level. Nishiqiao said that she was writing about love, pure love - this love is really beautiful, and these opinions are also very good. ··I like more profound things, involving society, thought, human nature, and even philosophy. As for whether the plot is too dark or whether it leaves hope, I never care about this, although I still feel like breathing a sigh of relief after seeing a perfect ending. ··Finally, let's talk about the Queen's unlikability: She is a king after all. Regardless of whether it is required by the plot or not, people who are usually likeable rarely become wise kings. The key qualities to become a wise king are iron fist and cold-bloodedness. She must consider the interests of the country and the people, and regardless of her own likes and dislikes, she must "always represent the fundamental interests of the broad masses of the people", otherwise she will be overthrown by the masses - not only in the West with strong democratic concepts, this has also been the case for thousands of years. A wise king can usually grasp "the will of the people", and many children with true temperament have become the masters of the subjugation of the country. The so-called "representing the interests of the people" was not created by any one person in a certain dynasty, and it is not necessarily completely complimentary. As mentioned above, the people need stability, both in their lives and in their thoughts; and as Xiqiao said, the people are accustomed to excluding heretics, and it is either the same or death. From this perspective, the people can indeed create and destroy everything, and the most important thing for a good king or politician is to learn to use the people. ··Thus, the Queen's unpopularity actually shows that she knows how to properly handle social relations, and achieves many benefits at one stroke - I think this is exactly what the Queen should do, and this is where her brilliance lies. I seemed to write very emotionally at the beginning but ended up discussing social issues. I think I can no longer get out of this habit. So that's it for now, give Nishibashi a hug again~~ All plum fans should cheer together Ye Muyu Late night on March 2, 2013

In addition, it seems that there is nothing the author has to say in the download version. . . Did I miss something? ! !

··I was sitting on the subway, and the symphony of violin and piano echoed in my headphones. The sun was shining brightly in Nanjing in March, and I was reading quietly while holding my mobile phone - it seemed that I hadn't read such a soul-stirring work for a long time. Those light sentiments and faint British atmosphere restored a soul that had been eroded by rationality for too long to feel some heartstrings. At that time, I was thinking, Xiqiao, I will definitely write you a long review when I get back to the dormitory, even though I came a little late - the day I downloaded this article was the day it was completed, February 14th. It was only today that I quietly picked up the short article and read it in one go. I don't want to stop, I have to admit that I love it. ··In fact, when I read Ever Lasting Love at home, I didn't have any special feelings. I just finished reading it so simply. I finally found a plum article on JJ and had a drink or something. I am very fond of plum fans, which seems like a necessity. However, when I turned on my phone and read a random fanfic just for entertainment on the subway - Andersen aside, I felt a powerful magic when I read the third chapter. After the A Tale of Two Cities episode, the taste of eighteenth-century England came to my mind: perhaps the music in my ears was too in tune. I seemed to see those dark yellow buildings and brown streets, the bustling wheels in the movie, the gentlemen in tweed trench coats and top hats, and the hurried citizens - my fingers slowly drew across the parchment-colored screen of my mobile phone. Rarely has a novel given me such a strong sense of the image. Then we get into the plot, identity and property, the eternal topics of that era - and the love that dare not name it (well, when I saw the title of my own novel in the article, I even had the urge to hug Xiqiao, and what also made me have this idea was the word "Qingxia" - I think most people who like the same thing always have some common experiences in their hearts. It is these common experiences that connect us and make us have a deep resonance with each other.) Arthur's speech in the court reminded me of Oscar Wilde - Oh, court, what should I say? I remember a gentleman in the department said something like this a year ago: A good theorist must clearly express what you want to express but cannot. I think this statement is also suitable for creation. When we invariably choose the same scene to express our views on one thing, what lengthy expressions do I need to use to prove my appreciation and love for this article! ··I still remember that around the ninth chapter of my story, I carefully read Wilde's trial transcripts, and it was at that time that I decided to title it "The Love That Dare Not Speak Its Name." Perhaps due to literary factors, everyone is too deeply influenced by Victorian England, so when the names of the characters in Merlin appear in that specific era, it gives people a very close feeling - not as remote as the Middle Ages, but not as completely different as the modern atmosphere. The indulgence and repression that coexist in the transitional era make the contradictions in the story seem even more profound. After reading Xiqiao's work, I have been reflecting on myself. The medieval atmosphere, the contradictions of the eighteenth century, and the expression of traditional Chinese tones probably mean that I have too little contact with European literature. I read those poems and those fairy tales - I still remember the detail clearly, that is, the stories Merlin wrote were all sad fairy tales. I feel that now I can no longer write a relationship as beautifully as Xiqiao, Arthur's brave love, Merlin's forbearing love - knowing that more people are always hurt more deeply. I have always found it difficult to control Merlin. Because I am also writing, my feelings are always deeper: after all, words cannot express the magic as well as images, and it is not easy to express Merlin's true strong and tolerant character in a positive way. Xiqiao found a very exciting point: business war and revenge, careful planning, winning the war but losing the relationship. When Romeo and Juliet was performed in the theater, I didn't even realize that this was a beautiful foreshadowing (or symbol?). But after reading the full text and turning to meditation, I have to say, wonderful - Xiqiao, wonderful. ··If the story only stayed at this level, maybe I still wouldn't be so excited. By the time I saw the second half, I had already left the subway on my way back. Back in the dormitory, there was an orange dusk outside the window - my eyes deliberately stopped at chapter twenty-nine. So when I read the postscript that Nishiqiao said that chapter twenty-nine was the most uncomfortable section to write, I once again felt that I had seen something similar. This is also the reason why I decided to leave a long comment below this chapter. The whole chapter is very good, from feelings to discussion - well, I admit that I love discussion. "If you are different from us, you either become like us or die." This is really my deepest feeling in reality recently. People usually like stability. Not only social turmoil, but also ideological (or ethical and moral) turmoil can also make them feel uneasy. Therefore, assimilating heretics is something that all mankind has been doing. Some conflicts are fierce, such as Western religions, and some are subtle, such as ancient Christianity. Many people choose to be assimilated in order to survive, and there are always some lovely people who will do anything for what they insist on. West Bridge turned Arthur into such a lovely person - he chose to fight against the entire society for his true nature. I saw Nishibashi said in the postscript why Arthur couldn't be released on the spot: Of course not - if this paragraph were written by me, I wouldn't even set up a scene where everyone was moved by it. I might let the two groups discuss it and lead to a dispute: Although many people say that I am cruel to my stepmother, I think society is like this. Some people will be moved, and some will always be stubborn to the end. Social stability is due to the majority of stubborn people. When people's thoughts change on a large scale, revolutionary events will occur. ··So, I say that Xiqiao's article involves a relatively profound level. Nishiqiao said that she was writing about love, pure love - this love is really beautiful, and these opinions are also very good. ··I like more profound things, involving society, thought, human nature, and even philosophy. As for whether the plot is too dark or whether it leaves hope, I never care about this, although I still feel like breathing a sigh of relief after seeing a perfect ending. ··Finally, let's talk about the Queen's unlikability: She is a king after all. Regardless of whether it is required by the plot or not, people who are usually likeable rarely become wise kings. The key qualities to become a wise king are iron fist and cold-bloodedness. She must consider the interests of the country and the people, and regardless of her own likes and dislikes, she must "always represent the fundamental interests of the broad masses of the people", otherwise she will be overthrown by the masses - not only in the West with strong democratic concepts, this has also been the case for thousands of years. A wise king can usually grasp "the will of the people", and many children with true temperament have become the masters of the subjugation of the country. The so-called "representing the interests of the people" was not created by any one person in a certain dynasty, and it is not necessarily completely complimentary. As mentioned above, the people need stability, both in their lives and in their thoughts; and as Xiqiao said, the people are accustomed to excluding heretics, and it is either the same or death. From this perspective, the people can indeed create and destroy everything, and the most important thing for a good king or politician is to learn to use the people. ··Thus, the Queen's unpopularity actually shows that she knows how to properly handle social relations, and achieves many benefits at one stroke - I think this is exactly what the Queen should do, and this is where her brilliance lies. I seemed to write very emotionally at the beginning but ended up discussing social issues. I think I can no longer get out of this habit. So that's it for now, give Nishibashi a hug again~~ All plum fans should cheer together Ye Muyu Late night on March 2, 2013

West Bridge~~Congratulations~~ This article was written intermittently for half a year, which is not that long compared to every last loving. It finally came to an end on Valentine's Day. The opening chapter of Andersen and the Victorian Era gave me a wonderful vision of her. Fairy tales have their own unique connotations and seem to represent beauty. I haven't finished reading it yet, but I'm probably halfway through it. You wrote it with great care, allowing me to see Merlin and Arthur alive. Since I haven't finished reading it yet, I won't say too much, as it would be wrong to say more. But I saw Merlin saying "I love you" and Arthur being imprisoned afterwards. Why did Merlin finally say this? I personally think it's because he thought he would never see Arthur again. It was an emotional outburst. Maybe he would never have the chance again, but Merlin really loved Arthur. Merlin was reading fairy tales when he appeared, and he loved to read poetry collections. He had a gentle and soft feeling. This was not weakness, but he was very strong. I saw clips about Merlin's mother and the old house several times. That was the softest place in his heart, his family. In order to defend his loved ones, Merlin could be very strong. He loves his fiancée very much, and as much as he loves her, he hates the person who destroyed her. What makes people strong is love. When the rose blooming from love is broken, hatred grows like a vine, carrying poisonous thorns, and breaks the rose's hand in revenge. Arthur was an accident. Merlin wanted to take advantage of him, but he didn't expect Arthur to be such a person. The sunshine brought warmth to Merlin. He spent a lot of money, but he only paid silently without asking for compensation or taking credit. His silent tenderness was the most beautiful love that Merlin could touch. He was dedicated and protective. Ps: You won't tell me when you finish writing. So sad.

Poor Arthur and Merlin