I watched "Who owes who pays"
To be honest, if it weren't for Qin Fangge, I probably would never have read ghost stories and the emotional entanglements of past and present lives. Because not interested. I feel that although the people who write such stories are smart, they have no sense of responsibility for society, at least they do not use their own thoughts to pay attention to the reality in front of them. However, Qin Fangge appeared next to him, so close. Especially when I look at her grand gesture when arranging a long story - this is something I have always lacked very much. If it's far, that's it. Is there someone much taller than you far away who has a lot to do with you? Not big. But if there is one around you, it will be difficult to take it easy - so pay attention.
Most of Qin Fangge's stories have a beginning but no end. Only one "Red Fox" has been completed. Although the current "This Night" is halfway through, it seems that it will not be completed within the year. Even some novels have a beginning but no tail. He is also a person who is ambitious but has no perseverance.
But no matter what, her novels are getting better and better as she writes them. By the time "Who owes it to whom he owes", the writing and ink have become very concise and steady, and the short length also has a rhythm. Originally, she was suitable for setting up a big show, but when the venue was small, she always felt like she couldn't perform well. However, "Who owes to whom he owes" also moves freely within the medium length.
The first time I had something to do, I left halfway through the movie and didn't finish it. But by this point in the story, I had already guessed the original story and its origin, so I also expected the ending.
The language in the first half is solemn and forceful, and the progression of the story is also obvious and compact. The characters and stories are in-depth layer by layer. It has the effect of a short film, not the usual unrestrained imagination. I even feel that she is going to tell this story into a masterpiece. I'm looking forward to it.
We all know the truth of the story: a middle-aged man kept a girl who was in middle school. In the end, for unknown reasons, the girl killed the man. Realistic stories are always beyond our imagination. In fact, things in reality are often more exaggerated than what writers describe. Therefore, many writers end up looking for materials in reality, and even Qin Fangge, a writer who aims to follow the popular novel route, is no exception.
It took a few days before I had the energy and time to read the second half. Because I had expected the ending, when I continued reading from the middle, I saw the heroine inserting the thin blade into the man's body. It felt like reading, but because I was wary, the peak reading experience formed in the first half of the novel did not come in the second half. It's a pity!
Another shortcoming is that it is a bit messy, just like the second half of "Red Fox", and it falls into her own cliché, writing a past life that is almost unrelated to the original story, about a mother and son who are gamblers.
In short, I personally think that the last 1/2 of this novel is not as well written as the first 1/2.
Some readers also pointed out that her novel has the style of Anne's Baby, and asked if they often read Anne's writing.
In fact, Qin Fangge's inheritance is very complicated. Because of his messy reading, especially his long-term stay on some best-selling works, he inherited nutrition and defects, and there are traces of multiple people. She said herself that she admired Agatha Christine the most, and the two serials "The Night Lasts" and "It's Easy to Kill" both used the same titles as Agatha Christine's novels. But her novel style, including her writing taste, is difficult to tell who she learned from. Imitation, blending, and innovation are the journeys of many young authors, and so is Qin Fangge. From her story about who owes who owes, the tone of Qiong Yao's romance, the decisiveness of Yi Shu's characters, and the sharpness of Li Bihua's writing, they all have a little bit of it. The only thing that is different is the place where the prototype of this story takes place. It is based on real people and real events, but no matter what, it makes people unable to read the intimacy, reality and authenticity of the stories around them. This is very strange, I can't tell, is this her success or failure?
Perhaps it is due to the difference in worldviews. I have always felt that Qin Fangge explained all the emotional entanglements between people as fate and attributed it to the reincarnation of cause and effect. This lack of seriousness and serious thinking is difficult to justify. Maybe she just has a game attitude? But if you play the game in this way this time and do it again next time, you will not only be lazy, but also let the readers down.
In fact, I can't figure out why a young woman riding an electric bike passing by on the street in the sun, carrying a new red backpack from Jiangnan Buyi, must have a cause and effect reincarnation in the story? In old Chinese novels, whether they are Sanyan, Erpai or Liaozhai, stories about cause and effect and reincarnation have become commonplace. I understand that the level of science and technology at that time limited human vision and imagination. But what about Qin Fangge? How can I explain why she did this? Today's Qin Fangge, why should he use his talented pen to repeat those moldy routines? Does she really think reincarnation is going to happen? Or is it because of fashion? Because it's popular? Because there is still a huge market for stories about traveling through time and space?
If you use the perspective of reincarnation to tell stories, to be honest, Qin Fangge's stories are more attractive than the old novels, but in terms of reflecting reality, they are far less valuable than those old novels. After all, those novels are based on real life and play a role in reflecting reality - are they just for fun? Maybe. In many things, this woman who is five years younger than me feels like a different kind of person who is an era younger than me. Who knows what they are thinking about every day?
Qin Fangge must be looking forward to the best-selling of his works. Who among those who are interested in writing has not had the ideal of selling well? It's just that Qin Fangge is more talented than others in terms of qualifications. Therefore, she never paid much attention to the evaluation within a small area. But I don't know if everyone with talent can succeed. This still requires effort and opportunity. As a friend, I hope Qin Fangge can pay more for the genre of serialization. Because there are many people who work quietly in this way and finally get recognition.
I hope Qin Fangge will have such a day, and this day will come as soon as possible. Quoting Zhang Ailing, whom Qin Fangge doesn't like but I have always liked, you have to become famous as early as possible, otherwise even if you come, it won't be that enjoyable. 2006.12.19 Afternoon
After reading the introduction, I downloaded it on my mobile phone and read it slowly~
This kind of story reminds people of the karma mentioned in the book about the retribution of karma in past and future lives, which makes people feel very depressed. I, the Buddha, are compassionate.
I have been chasing big books all over the world, and I accidentally ended up here...
Being independent is very important…
Khan, could it be that Guan is the reincarnation of the wolf?
The ending is too hasty, but I can no longer find the feeling and motivation to rewrite it--just leave it as it is, I will concentrate on this night from now on! ! !
I felt depressed writing this night, so I wanted to write a short article to change my mood——After finishing writing, I found that I was even more depressed! ! ! !
Maybe it turns out that Jiang himself failed Guan in the end.
Boss, you have opened a new pit, and you are going to spread dirt tonight!
I watched "Who owes who pays" To be honest, if it weren't for Qin Fangge, I probably would never have read ghost stories and the emotional entanglements of past and present lives. Because not interested. I feel that although the people who write such stories are smart, they have no sense of responsibility for society, at least they do not use their own thoughts to pay attention to the reality in front of them. However, Qin Fangge appeared next to him, so close. Especially when I look at her grand gesture when arranging a long story - this is something I have always lacked very much. If it's far, that's it. Is there someone much taller than you far away who has a lot to do with you? Not big. But if there is one around you, it will be difficult to take it easy - so pay attention. Most of Qin Fangge's stories have a beginning but no end. Only one "Red Fox" has been completed. Although the current "This Night" is halfway through, it seems that it will not be completed within the year. Even some novels have a beginning but no tail. He is also a person who is ambitious but has no perseverance. But no matter what, her novels are getting better and better as she writes them. By the time "Who owes it to whom he owes", the writing and ink have become very concise and steady, and the short length also has a rhythm. Originally, she was suitable for setting up a big show, but when the venue was small, she always felt like she couldn't perform well. However, "Who owes to whom he owes" also moves freely within the medium length. The first time I had something to do, I left halfway through the movie and didn't finish it. But by this point in the story, I had already guessed the original story and its origin, so I also expected the ending. The language in the first half is solemn and forceful, and the progression of the story is also obvious and compact. The characters and stories are in-depth layer by layer. It has the effect of a short film, not the usual unrestrained imagination. I even feel that she is going to tell this story into a masterpiece. I'm looking forward to it. We all know the truth of the story: a middle-aged man kept a girl who was in middle school. In the end, for unknown reasons, the girl killed the man. Realistic stories are always beyond our imagination. In fact, things in reality are often more exaggerated than what writers describe. Therefore, many writers end up looking for materials in reality, and even Qin Fangge, a writer who aims to follow the popular novel route, is no exception. It took a few days before I had the energy and time to read the second half. Because I had expected the ending, when I continued reading from the middle, I saw the heroine inserting the thin blade into the man's body. It felt like reading, but because I was wary, the peak reading experience formed in the first half of the novel did not come in the second half. It's a pity! Another shortcoming is that it is a bit messy, just like the second half of "Red Fox", and it falls into her own cliché, writing a past life that is almost unrelated to the original story, about a mother and son who are gamblers. In short, I personally think that the last 1/2 of this novel is not as well written as the first 1/2. Some readers also pointed out that her novel has the style of Anne's Baby, and asked if they often read Anne's writing. In fact, Qin Fangge's inheritance is very complicated. Because of his messy reading, especially his long-term stay on some best-selling works, he inherited nutrition and defects, and there are traces of multiple people. She said herself that she admired Agatha Christine the most, and the two serials "The Night Lasts" and "It's Easy to Kill" both used the same titles as Agatha Christine's novels. But her novel style, including her writing taste, is difficult to tell who she learned from. Imitation, blending, and innovation are the journeys of many young authors, and so is Qin Fangge. From her story about who owes who owes, the tone of Qiong Yao's romance, the decisiveness of Yi Shu's characters, and the sharpness of Li Bihua's writing, they all have a little bit of it. The only thing that is different is the place where the prototype of this story takes place. It is based on real people and real events, but no matter what, it makes people unable to read the intimacy, reality and authenticity of the stories around them. This is very strange, I can't tell, is this her success or failure? Perhaps it is due to the difference in worldviews. I have always felt that Qin Fangge explained all the emotional entanglements between people as fate and attributed it to the reincarnation of cause and effect. This lack of seriousness and serious thinking is difficult to justify. Maybe she just has a game attitude? But if you play the game in this way this time and do it again next time, you will not only be lazy, but also let the readers down. In fact, I can't figure out why a young woman riding an electric bike passing by on the street in the sun, carrying a new red backpack from Jiangnan Buyi, must have a cause and effect reincarnation in the story? In old Chinese novels, whether they are Sanyan, Erpai or Liaozhai, stories about cause and effect and reincarnation have become commonplace. I understand that the level of science and technology at that time limited human vision and imagination. But what about Qin Fangge? How can I explain why she did this? Today's Qin Fangge, why should he use his talented pen to repeat those moldy routines? Does she really think reincarnation is going to happen? Or is it because of fashion? Because it's popular? Because there is still a huge market for stories about traveling through time and space? If you use the perspective of reincarnation to tell stories, to be honest, Qin Fangge's stories are more attractive than the old novels, but in terms of reflecting reality, they are far less valuable than those old novels. After all, those novels are based on real life and play a role in reflecting reality - are they just for fun? Maybe. In many things, this woman who is five years younger than me feels like a different kind of person who is an era younger than me. Who knows what they are thinking about every day? Qin Fangge must be looking forward to the best-selling of his works. Who among those who are interested in writing has not had the ideal of selling well? It's just that Qin Fangge is more talented than others in terms of qualifications. Therefore, she never paid much attention to the evaluation within a small area. But I don't know if everyone with talent can succeed. This still requires effort and opportunity. As a friend, I hope Qin Fangge can pay more for the genre of serialization. Because there are many people who work quietly in this way and finally get recognition. I hope Qin Fangge will have such a day, and this day will come as soon as possible. Quoting Zhang Ailing, whom Qin Fangge doesn't like but I have always liked, you have to become famous as early as possible, otherwise even if you come, it won't be that enjoyable. 2006.12.19 Afternoon
After reading the introduction, I downloaded it on my mobile phone and read it slowly~
This kind of story reminds people of the karma mentioned in the book about the retribution of karma in past and future lives, which makes people feel very depressed. I, the Buddha, are compassionate.
I have been chasing big books all over the world, and I accidentally ended up here...
Being independent is very important…
Khan, could it be that Guan is the reincarnation of the wolf?
The ending is too hasty, but I can no longer find the feeling and motivation to rewrite it--just leave it as it is, I will concentrate on this night from now on! ! !
I felt depressed writing this night, so I wanted to write a short article to change my mood——After finishing writing, I found that I was even more depressed! ! ! !
Maybe it turns out that Jiang himself failed Guan in the end.
Boss, you have opened a new pit, and you are going to spread dirt tonight!