Chasing the Moon / Song of the Moon

Flying to the Moon is truly a rare work. The gods, demons and demons all have their own responsibilities. Because of their responsibilities, the protagonists cannot always do as they please. There are always misunderstandings and there are always injuries. But it is also because of their responsibilities that their images are three-dimensional. There is no love or hate for no reason, nor resentment that cannot be let go and unsolved. When it becomes complicated, this work becomes very three-dimensional. After watching Flying to the Moon, I went to watch Chong Zi. In contrast, Shu Ke made great breakthroughs in character creation, plot foreshadowing, etc. In the final analysis, Chongzi also protects the common people in the world, but in the final analysis, it is a righteousness, which feels more illusory; the creation of the demon clan is relatively flat, the ambition of Tian Zhixie and the plan of pushing the Six Realm Monument to the dead moon, and later Chongzi gave up summoning the demons of the virtual sky. It feels a bit like being lifted up and put down gently. Chongzi's world view is more about romance. But Ben Yue is completely different. In terms of character creation, Yue, who seems to love Liu Shao infinitely, is actually burdened with millions of years of guilt and responsibility; Liu Shao'er, who is headstrong and afraid of death but is willing to sacrifice for the future of the demon clan; Luo Ge, who protects the common people justly and righteously but is willing to give up killing the heart-eating demon to save one person; Luo Ning, who is smart and kind but dares to plan for the common people to complete the mission of succeeding his brother... From the protagonist to the supporting roles in Ben Yue, they are all vivid and full. Immortals have feelings, and demons also have feelings, righteousness, and regrets. No one is unforgivable, but each has its own position and responsibility. It is even more sad and exciting to read. No one is a bad person, but it causes many tragedies.

When I read it before, I was so mad at Liu Yue that I thought they should have a happy ending, but I don't think so now. I feel that be is the most suitable. In the main text, I felt that Yue didn't fall in love with Liu Shao, but felt more affection and guilt for her. The extra story suddenly said that he and Liu Shao were in love, which was actually a bit disconnected. His split soul Lu Li is more suitable for Liu Shao than him, as well as Luo Ge and He Na. However, I now find that my ideas will indeed change over time. After a while, I may have new opinions.

Some thoughts on the "unclean" male protagonist of "To the Moon?" Today's book review talks about Liu Shao and Lu Li finally entering into a completely exclusive one-on-one intimate relationship. Before, girls' laughter always came from Lu Li's yard. I would like to analyze this further. I don't know what the atmosphere was like on female videos when the book "To the Moon?" Was serialized, but considering the current political correctness, "unclean" protagonists like Yue are not popular. Therefore, when I recommended the book to a group on Douban, I mentioned in advance that Yue had emotional and sexual experiences before confirming his relationship with the heroine, and was ridiculed and attacked. This is the reason why I now spend almost half a day every day writing a review of "To the Moon?": I want to do my best to let everyone who likes "To the Moon?" And the protagonist with sexual experience have the right to recommend the novel on the Internet without having to endure arrogant ridicule. The atmosphere of female channels loving girls is a good thing, and everyone benefits. I have no intention of becoming a stumbling block to feminism. I support criticism of misogynistic works, including the unconscious misogynistic content of the author in "To the Moon?". I will also write about it in my long review. "To the Moon?", This book needs to be criticized from a feminist perspective, but it is not because its male protagonist is "unclean". The expression "unclean" itself is an objectification of people. I understand that most works on female channels are about male and female virgins, which can cause readers to have a rebellious mentality, but we should fight for the right of the female protagonist to be as "unclean" as the male protagonist, instead of allowing the male protagonist to be as "clean" as the female protagonist. This is not a good trend. I respect readers who only read virgins, but if a protagonist has had sexual experiences with characters other than his official partner, I think this is normal. It shouldn't happen that if you share a novel with a non-virgin protagonist in a group, the author will be torn into pieces. So what kind of character is Yue, who was ridiculed and ridiculed in the group? His appearance is closer to the Western God of Death or a wizard, and his character is closer to modern Western values. Yue is very concerned about the quality of his life. In a sense, he may be a villain. He is burdened with the future of a race, but he does not do things out of bitterness and hatred. On the contrary, he loves wine and music. Likewise, he also enjoys sex. In this novel where all living beings suffer, Yue's fate is also very unfortunate. However, his attitude has always been that of success. He is careless. When the plan changes, he just thinks "things are getting interesting." This is a typical villain mentality. I can't imagine what it would be like for Yue Zhen to live a serious and down-to-earth life. Maybe it's because his fate is so bitter that if he were serious, he wouldn't be able to laugh. "Yue is the ceiling of strength in the world set by Shu Ke Xian Xia. He is hundreds of thousands of years old. It is unrealistic for such a person to have no emotional experience in his life." This sentence made the hot comments on my book recommendations mock me for looking for reality in fantasy novels, saying that I was "washing" the "unclean" male protagonist. I want to say, don't look for reality in novels, right? Okay, how about creating a male protagonist whose tongue can be extended infinitely and used directly as a shoehorn, and whose arms can be accurately extended to the inn to pick up express delivery without leaving home. Is it okay to have such an unrealistic male protagonist? So is it necessary to at least maintain the shape of a human being? If he has lived for hundreds of thousands of years and has never liked anyone else and no one is willing to have sex with him, then such a man is not normal. This is my simple judgment. There is no oppression, no disrespect for women, and no harm between Yue and other girls. He does not use his physical strength to force girls to submit, nor does what he does exacerbate the inequality between men and women in the world of the book. He and those girls had a consensual, mutually satisfying, and free relationship. Finally, I agree that paper people have no human rights, but I do not agree that paper people have no sexual desires. Those who have no sexual desires are paper dummies. It's unrealistic (I'll say it no matter what, and I'll say it loudly and everywhere). "To the Moon?" Is an excellent fantasy novel, and it should not be disqualified from being discussed because of such a ridiculous reason as the protagonist being "unclean".

It's a pity that I am no longer a little girl like Liu Shao. I can't be so willful in love and have such a clear sense of love and hate, so I probably won't like a male protagonist like Yue. But this novel is indeed unique and unique. The author has a unique ingenuity. Although the description is not detailed and relatively implicit, I can still empathize with the characters in the novel who can't help themselves and are helpless and sad. However, I think the female characters in the novel are still too love-minded and cannot fully reflect the charm of women.

After reading the whole novel, I felt very depressed. I felt sorry for the heroine who was approached by everyone with purpose, but they also gave corresponding compensation and also had some subtle feelings for the heroine. How can I put it, I felt that the heroine was very pitiful, but she was punished in the end, and I still felt sorry for him. The biggest insight is that you will lose what you gain, just like everyone's transaction with the heroine, bartering, it seems fair but the proposer never suffers.

I received the physical copy of "To the Moon" today. It's a good opportunity to write a long review! In fact, I originally wrote a recommendation in a certain group on Douban, but I received some unfriendly replies. A fragile person like me couldn't bear it immediately. Now I feel very regretful. Sure enough, it makes sense to share things you like with your peers! This is the beginning of my long review! I have never written a long review, so I feel like I should start with the tone of this book. However, it's hard for me to describe it. Like most sisters, I think it's a sadistic book. I can't deny it. But my feeling is that the setting of this book is that all living beings are suffering. There is no character who easily becomes a winner in life or who naturally falls in love with me. It's a bit like "the greater the ability, the greater the responsibility." The protagonists have powers that are different from ordinary people, but they also have heavy responsibilities. It is more difficult for them to succeed in getting what they want than ordinary people. Liu Shao's experience is very sad: what you didn't get as a child, you won't get when you grow up, because no one has the obligation to love you. Yue's experience was also very cruel: he couldn't protect what he created, the responsibility was too heavy but he was too powerless. The supporting characters also have their own tragedies and helplessness. But I gained aesthetic experience by reading the fate of the characters in the book. These things are beautiful, so I want to share them. Let's talk about my cuteness first: 1. The protagonist/supporting characters are all really lovable, and they are all in my cuteness. The heroine Liu Shao is my other person in this world. Seeing her is like seeing my childhood XD Liu Shao is a very typical anxious attachment personality. Liu Shao's childhood experience and behavioral style are in line with the laws of psychology. When she was a child, her parents doted on her but ignored her needs, which caused her to be emotionally anxious, dependent, insecure, emotionally unstable, and extremely difficult to get along with as an adult. So the most rare thing is that she has a sense of child rights. She repeatedly said "As long as you love me, I will do everything for you" to beg the male protagonist, but she also has the awareness that she will not give birth for love, which is rare. It's hard to find a child-centered protagonist in romance novels (thanks to the author if parents don't compete with their children for favor). Liu Shao can be obsessed with men and die for them. She is a complete love brain, very stupid, but she said she would not give birth to a child for the man she loves most. Because she is the sister who had a younger brother and was sacrificed by her parents. Liu Shao has ten thousand shortcomings, but I really like her. She is my sister, my daughter, and myself. The male protagonist Yue has a very special identity and incredible abilities. He has opened countless cheats but none of them can be used. Due to the rules, he can only use the loopholes in the rules to complete his plan. His plan is to use the heroine to gain her destiny. Without giving away any spoilers, let me tell you some of the things I think are cute: silver hair (I am a white-haired person), loves music, is very smart, gentle and mysterious, and has a sense of humor. Maybe in the eyes of sisters with awakened feminist consciousness, Yue has a fatal flaw, but I think it is an ancient novel after all, and I personally can give the male protagonist a passing score of 6 points. And although the setting is that the male is strong and the female is weak, I always feel that Yue is the weaker one. Emotionally, she is not as willing to love and hate as Liu Shao. In terms of career, she is in vain, and she is helplessly watching the tragedy happen. It's very sad, I like it. The number one male supporting character, Hana, has a male-female appearance and a gentle personality. When the female protagonist said, "You don't look like a demon king, be the demon queen for me," it made me cute. The second male supporting role, Luo Ge, is a gentleman and has feelings for the heroine but not necessarily love. The number one female supporting role, Luo Ning, is very good with the heroine! The heroine has high strength and low intelligence (ordinary), while Luo Ning has high intelligence and almost no strength. After Luo Ning drank a potion, he would forget the person he cared about most. Me: That must be Liu Shao (Randomly) The second female supporting role, Zhuo Qiuxian, is a very, very interesting character. She has a very straightforward temperament. It is a pity that she and her partner are very good. I think the author failed to write her well. The general idea is that her lover sacrificed for the fairy world, and as a woman, she would have complaints. It's such a shame that the author can write a child-centered heroine without even realizing it, but still has such a stereotype about women. It's such a shame. If this sentence is deleted, the character creation will be successful. There are other characters that I won't introduce one by one here (I don't want to write about a guy like Ah Fu who is well-shaped but too unscrupulous), and they are all well-shaped. The author is particularly good at describing dialogue. 2. The fantasy theme is very special This is not a romance disguised as fantasy, but a real fantasy novel. The settings are all self-explanatory, and the descriptions of some scenery feel like I'm actually there, as if I'm riding the wind, overlooking the fairy sea and the desert! It's majestic and the fighting scenes are also very exciting. Do you know the energy of our Eastern mythology? I'm at a loss for words. I really need to read the book to understand. The heroine has high strength but little wisdom and impulsiveness. Every time she fights, we both die together. It's very exciting! Very cool! It really feels like watching a movie and punching the flesh! It is also very romantic to turn a spell into a moon and give it to you, or to pick a star and give it to you! Ah, that's great. 3. The subtle but real interaction between the male and female protagonists is very enjoyable. There are almost no direct descriptions in the whole text of the male protagonist's direct confession of love, holding his arms around the waist and kissing her, or looking at a certain part of the heroine's body. They are all made secretly, but they are very tasty. It was only after watching some of the dialogues for the second time that I realized, Oh, that's what it meant! If you've never been a fangirl before, you'll be at a loss if you read this book XD The one who loves the female protagonist most is probably Hana, and the male protagonist also loves her, but it is not about the love and desire between men and women, so it is difficult to define. The heroine does things for emotion, and everything she does is either for repayment or revenge. The heroine's life is actually a bit like the life of the rejected Songzi, who just wants to be loved. Little willow shoot, no one has taught her to love herself. Talking about the main lines of the story, I think there are two: Yue's plan/catching the inner demon. Link by link, it is full of suspense and fascinating, and the overall readability is very high. Next is what I think is a fly in the ointment: In addition to Zhuo Qiuxian's sentence "Because she is a woman, she has complaints" mentioned earlier, when introducing Chongzi in the book, Luo Ge said this: the wife of the venerable. Chongzi is also a legendary figure of the generation. He saved the common people, but his name has been lost in the mouths of future generations. He only has the identity of so-and-so's wife. This really shouldn't be the case. If the author can see it, I suggest paying attention to this issue in the future. Finally, I'll post some notes I wrote before reading the novel. I once again expressed my feelings that the author is really good at writing dialogues: "Lu Li's life is only worth a hundred taels of silver like mine?" Liu Shao asked angrily. Firstly, she believed that Lu Li's life was more important than anything else, so she stopped being a human for any reason and risked everything to get revenge. Secondly, although Liu Shao killed many people in the world, exchanged cups with immortals in the fairy world, and acted tyrannically in the devil's palace, she has never forgotten the trauma of her childhood, and the damage caused to her by her original family has never healed. So what she meant by this was, "My life was sold by my parents for money. Even the life and death of the person I love is insignificant." How could she not hate it at this moment? So how much is Lu Li's life worth? It's a pity that it is worthless, because it is something that does not exist at all. It is almost like asking how much a unicorn costs. Lu Li's existence and death are all conspiracy. Throughout his life, Liu Shao has been filled with blood and tears in order to pick the flowers in the mirror and hold the moon in the water. ? This paragraph was written in the memo immediately after seeing that it was really difficult to calm down emotionally. I received the physical book today. I will write some thoughts like this on the corners of the book. If I am still in school, I can take it to school and lend it to other friends to read. By the way, I can share my reading notes XD. Unfortunately, I don't have such book friends now, so I can only post it online! I really hope I can find like-minded people to discuss this book with me! (Holds your hand and shakes it vigorously)

I really... Couldn't stand the ending. I think the real protagonist of this article should be the male protagonist. All the benefits belong to the male protagonist. The female protagonist deserves to be destroyed and treated like a doll? The male protagonist did not love her from the beginning to the end. When I was not looking for the extra story, I admired the female protagonist in my heart. However, after watching the extra story, I felt that the female protagonist was forcibly raped by the author and died once. I also saw clearly the male protagonist's control over her and his superiority. She was still threatened by the male protagonist's finger ( If you leave and don't come back), you can no longer take a step forward. The female protagonist is set up to be a special tool. Does the so-called growth just mean that she becomes no longer willful? Is it just more adaptable or even compromising to the male context? Does she never really grow up and have the right and ability to be independent? Or does the author really think that women are such one-sided, unreasonable, and only follow love? This article is very strange. All women are basically love-minded, and men are focused on their careers. Men can give up women for the great cause, but women can only love men and sacrifice for them, and then become victims of the great cause. What a story from a male perspective. Someone said before that the author is misogynistic. I still don't believe it. After reading it, I have to say that what they said makes sense.

A bunch of men hunting for men! How many benefits have everyone gained from the willow branches! !

I read this novel when I was in middle school. After all these years, I still can't forget Liu Shaoer. She is not perfect, but she is extremely vivid.

Men are all stupid, Liu Shao is happier living alone, we Liu Shao are too miserable [changed]