One Hand Covers the Sky, the Other Pounds the Earth

The portrayal of the second male lead is much better than that of the male lead

Ah, I feel like the second half of the article is too bloody.

I really lost my mind. The first thirty or so chapters felt very good, so I wanted to read the ending in advance, and then the ending turned out like this. To be honest, forced separation for 8 years... Speechless... Maybe this is the old story of reunion that was popular many years ago? ? But it really doesn't feel sweet at all... The male and female protagonists have given up on each other. What's the point of having to reunite again? Eight years is enough to change a lot of things. I can't appreciate this kind of forced reunion.

Alas, anyway, this article is just a twist after another. Except for the information that the author added halfway, which was not previously available, I can still guess who the murderer is based on many years of reading experience. Too many reversals too often would be too tiring and too torturous for the reader. I even saw the ending and thought in a funny way, why not let the heroine and her daughter both die in an accident on the way north? Wouldn't it be more reversal? It has been full of reversals and misses, which is really torturous. This article spans a long time, starting in 2011, but the extra chapter ends in 2016 (I don't know if I remember correctly). It can be said that it combines many elements that were popular back then (around 2013): amnesia + grievances between two dynasties + mystery of life experience + stock-buying nature (there must be an affectionate and unrepentant male lead who is in a hostile situation with the female protagonist and dies in the end). But at the end of this article, as some readers said, I think it may be for the sake of film and television. The final open ending of the extra episode is really a bit deliberate, that kind of deliberate sublimation and deliberate sensationalism (I have not watched many TV dramas, and I have watched the endings of Gong Suo Xin Yu and Bu Bu Jing Xin back then, both of which were Open modern reunion, the palace is a little clearer) I believe that the identity of Feng Li and the male protagonist must have been set by the author long ago, but I did not expect that the male and female protagonists would not stay together in the palace in the end (this must be impossible, at that time, novels were generally written this way for the sake of perfection). If it is unrealistic, then it is actually unrealistic for the male protagonist to fake his death and escape after eight years (after all, the prince is only 8 years old, and the prince's biological mother does not seem to be able to assist the government). Since it is already a novel, it is not a bad idea to let the male protagonist dote on the female protagonist alone, but it is deliberately made sensational by making the two of them forget about each other and reunite again. Reading this article actually makes me reminisce about my youth. After all, there is no such thing as the third update after entering v in Jinjiang now, and the popular routines have also changed drastically, not to mention the declining writing style. Although I occasionally feel that the writing style is a little forced to be poetic and sensational, but recalling that it was indeed popular at the time, not to mention the author's writing is not bad. But again, there are too many forced reversals in this article, not to mention the forced open ending at the end, which makes readers very tortured and tired. After reading it, they just want to stop reading (I don't want to suffer this kind of torture again)

Machiavellian suspense articles can be attractive by laying out foreshadowing and throwing out clues for readers to guess. It is okay to write a conspiracy once or twice based on the information difference between the reader and the author, but it is like this every time. It is like this every time, and new characters and settings are forcibly inserted to achieve such a suspenseful effect. It turns out that such a suspenseful effect is really uncomfortable.

It's really, really, really beautiful. I really like the gentle and sinister character of the Prince Consort. Although the first perspective is a bit suspenseful, it's very innovative. I really like my 2024top article.

In the future, it is better not to write in the first person in Machiavellian writings, especially in this kind of writing that can be reversed whenever you want. The third person can also be used to explain the causes and consequences. People who read the first person will be really angry.

I feel like I have been following this book for more than ten years, woo woo woo

This is an old article that I read in pursuit of the author's latest unfinished article. Does the author think the ending is logical? It looks like the second male lead is dead and writing casually, separated for the sake of separation. Xu Fang is such a good heroine that she can't choose him. How can she casually marry another person and run with the ball. The male protagonist is written from a third-person perspective in a vulgar way. How could he still marry a queen and concubine in the last chapter? I didn't find it difficult to write such a sentence suddenly, I just felt strange. There is also the product of the most bloody era of running with the ball. The male protagonist also does not believe in the female protagonist. How could the female protagonist get married casually after experiencing the marriage? Is the plot setting of still forgetting love for love appropriate? The princess and the prince went through all kinds of hardships until the man did not have a concubine in the end. He thought that the heroine was married to someone else and just wanted to forget her love. Wouldn't you think that creating a character like this is very affectionate? !

Open high and go low, with too many reversals, which is very annoying.