The Blitz: Ye Xuan

This Mary Suven is real. . . . . .

I really like Yuan Lang, and if I missed it with Gao Cheng, I would have to miss it. I always feel that the heroine and Gao Chengxiang are siblings, and only when they are with Yuan Lang can the heroine's abilities be brought into full play. The skills and superpowers of the heroine's previous life are not mentioned much, so I feel that the heroine is just a fool.

This chapter can barely explain it. . . . 55555555 Reluctantly accepts this childhood sweetheart match. . . . 5555555 I still feel that the company commander is not worthy of the heroine. . . . .

Remember what I said in the first few chapters, the heroine's character and pride prevent her from falling in love with Gao Cheng anymore~turning love into family affection~brother! ! ! ! Has it changed now? ? ? ?

Gao Cheng is the male protagonist? O()o Oh I'm still more optimistic about Yuan Lang! Gao Cheng has already hurt Ye Xuan's heart, so let him regret it for the rest of his life!

I beg you, the author, the entire original article has been extended to this day. I am not against the author borrowing the original text and using the original text, but you have to figure out what the main tone of this article is. I know you want to write a complete soldier fanfic, but this does not mean that you have to use the complete "Soldier Assault" to fill in the scenes where Michelle Ye does not appear in your article. Do you understand? For example, in many previous chapters, Xuan Ye's name does not even appear, so why would you copy the entire text? We all know these plots, so we can use some side narratives or simple character exchanges to bring them over. What you write should be a complete character journey, not exactly the same situational dialogue. What's more, I even feel that the heroine of this article is not even a soy sauce... I don't know if you've noticed that when it comes to the plot about Michelle Ye, your articles are almost always composed of whole paragraphs connected together, and there is rarely an enter between two paragraphs. But where there is no Michelle Ye, they are almost always typed in alternate lines... Also, the last sentence of this chapter, ahem, is the first sentence of Chapter 14 of the original article, and it's messed up. I saw Xingchen's comments before, and I believe you must have read them carefully and thought about it. In fact, you yourself said that you were too strict with the original work, but why not change the way you write it? What is your main line? It's not Xu Sanduo, it's not Gao Cheng, it's not Gang Seventh Company, it's Ye Xuan! It's your heroine, so you had no problem reading the original work when you were writing it. But finished writing a new paragraph? Delete, cross, and cut out the words and sentences in the original work. Don't leave even a single punctuation mark that is unnecessary. Don't be stingy with the number of words. The number of words is what is written and has nothing to do with whether or not the original work is used. In fact, in this way, an original character was forced into the lines of the original work, and when this character did not even have a plot, it was no longer important whether there was this person. She made me feel strange, and even more choked and awkward, because the original work did not leave any place for this person, a woman, to settle down. Not even a trace of territory the size of a fingernail could be found. Having said all that, I understand what the author means - a world with a complete process of Soldier Assault, but I also hope that the author can understand my idea - a brand new world developed on the basis of the original work, which may be related to everyone and everything in the soldiers, but has nothing to do with "Soldier Assault"...

Hahaha, I like Gao Cheng, and I specifically looked for this article. In the end, I actually felt that Yuan Lang is more suitable for Michelle Ye.

It looks good????? But it's a little lacking???? It would be better if there were more, like it?

Yuan Lang: "There is no GPS, everyone has a compass." If I remember Yuan Lang's original words here correctly, he should be: There is no GPS, and everyone has an old-fashioned compass.

5555 Still feels that the heroine's pride cannot allow her to choose to accept her childhood sweetheart who once went astray