For the backstory, see the author’s column, Can You Become Emperor by Picking Up Trash?
The realm was unified, and the Phoenix Pavilion and Luan Terrace drafted the abdication terms for Emperor Xian.
To be on the safe side, Marquis Huai, Sun Mo, first asked the Han dynasty’s veteran officials what they thought.
The old officials glared with tiger eyes and slammed the table. “Even if this old man has to bash his head against that pillar or jump from that city wall, I will never accept Marquis Huai abusing her power to ascend the throne!”
Sun Mo nodded in agreement and added a note: They strongly insist on following the proper procedure: three refusals and three humble requests.
She made a point of sounding out Xun Yu.
Xun Yu, gentle as jade, said, “Now that the realm is at peace, the Mandate of Heaven will naturally come to you. You will have no choice but to accept it, yet you must not seize it before it does.”
Sun Mo tilted her head, pondering his words, but got nowhere. So she grabbed Jia Xu, who looked like he’d rather vanish on the spot.
Forced to do his job, Jia Xu said, “My lord, you’ll understand what Wen Ruo means if you just look outside.”
Outside, the people of Great Han were dancing with wild enthusiasm:
“The boundless horizon is where my love lies; a phoenix comes atop the endless green mountains. What season makes us most, most eager? What kind of sweet rain can wash the dust away, ”
“The golden robes are the hopes of all under heaven; standing all the way at the summit is the freest way to be.”
Sun Mo was silent for a long while.
A dramatization isn’t the same as making things up, and an adaptation isn’t the same as changing things at random.
How did this song get past the censors?
Wen Ji, you’ve made my life so hard!
Tips:
1. My own take on a struggle for supremacy, with plenty of creative liberties.
2. There’s a System. For the backstory, see the author’s column, Can You Become Emperor by Picking Up Trash?
Coming soon: You Call This Talisman Cultivation?!
On the Canglan Continent, terror has descended and civilization has crumbled. The only hope of survival lies in clearing one instance after another.
The righteous cultivators step up without hesitation, entering the instances in search of a way to save the world.
Sword cultivators cleave the sky with a single strike, spell cultivators move mountains and fill seas, and healer cultivators save lives and heal the wounded.
Only talisman cultivators have a style all their own.
They draw, draw, and draw some more.
The enemy’s right in front of you! Why are you still drawing?
You draw a tiger’s back and a bear’s waist, but what’s the point of drawing a useless chest?
The Mountain-Crossing Seal isn’t a pig’s trotter!
(╯‵□′)╯︵┻━┻
Everyone ends up despising them.
Ding Lan, who transmigrated into this world: ...
Before she died of thirst, she tried writing the character for “water” on a talisman
The heavens and earth shook, ghosts and gods were stunned. Across ten thousand miles of Canglan, the floods swallowed the sky and drenched the sun.
The moment that character appeared, a reclusive ancestor emerged from seclusion in the middle of the night. “This character may be our hope of saving the world!”
Ding Lan, drenched to the bone: “...”
Sorry, I’ve mastered three thousand five hundred commonly used characters.
Theme: My own take on a struggle for supremacy.
Guo Jia: (Trying to be a hero to save Beauty, but was punched away by Beauty [vomiting blood]) I hate you for being a piece of wood [angry]
The plot is really good. Don't say anything else. The plot is really good. The key is that you are too short.
This smell of climbing. . . . Suddenly I feel that there are too few plots for other female characters in the second film.
No, don't do assassinations when the fight starts. The assassination was only carried out after everyone had surrendered. What if there is a massacre on the opposite side?
The story begins with the storyteller's look back, interweaving the perspective of future generations with the current battlefield, and immediately foreshadows a heavy sense of fate. Sun Mo didn't simply rely on her golden fingers to crush the heroes. She was brave. She carried a three-stone bow to kill the enemy generals in the chaos. She used a magic whistle to disrupt the enemy's ambush. The cavalry came and went like the wind, and they maneuvered in the mountains and fields. She was also strategic. She knew that the red rabbit was too conspicuous, so she deliberately concealed the edge of the BMW, sized up the situation, and knew how to gain a breathing window for her own side.
The confrontation between the counselors in Wenli is particularly exciting. Guo Jia's calculating strategy is matched by Jia Xu's cunning and cunning. The game between the top wise men is not a sword-playing game, but is always weighed by people's hearts. The battle between the wild kings, the reversal of the ambush, the estrangement of letters, Zhang Yang's suspicion, Guo Jia's insight, and the pull of many parties progressed layer by layer, and each step controlled the direction of the situation. As for the scene where the ghost genius and the poisonous master meet in the tent, with only a few strokes, the atmosphere of the meeting of masters is immediately filled.
The characters are vivid and interesting. Zhang Fei was angry and unwilling to submit to a woman, but immediately changed his mind when he saw the real official position and courtesy, and his rough and straight temperament appeared on the page; Xu Huang was dissatisfied with Liu Guanzhang in his heart, but was slowly moved by a reception banquet; There are no flat good guys or bad guys. Everyone has a stance and character given by the times, with arrogance, selfishness, and a desire for ideals and knowledge in troubled times.
The writing style is relaxed and moderate, with many humorous passages interspersed between the chillingness of war and the tenseness of the game of counselors. The Aztec death whistle section is even more wonderful. The tragic battlefield is mixed with a little joke, and the relaxation is moderate, so that the reading is not depressing or heavy.
The most rare thing is the core of the heroine Sun Mo. Living in the troubled times of the late Han Dynasty, she was not trapped by the shackles of gender. She was thirsty for talents, gathered Guo Jia, treated the down-and-out Liu Guanzhang with courtesy, and won the recognition of the heroes with her strength and magnanimity. The story is not only about fighting on the battlefield, but also about the surrender of people's hearts and the ambitions and ups and downs of a group of people in troubled times.
There is a war going on for thousands of miles, and the world is vying for the throne. It turns out that there can be such a woman who will move forward step by step in the troubled times and will eventually become the emperor of the ages.
The overall rhythm is smooth, with a balance of machinations, martial arts, and group portraits. It is a very innovative spin-off of the Three Kingdoms and is worth reading. [Red heart][red heart][red heart]
The last two sentences are the finishing touch [Like]
No harm to Wen and his special skills are activated!
She is a destined person, everything that happens is beneficial to her
Wow, boss you are resurrected😯
Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh, author, don't you update?
Guo Jia: (Trying to be a hero to save Beauty, but was punched away by Beauty [vomiting blood]) I hate you for being a piece of wood [angry]
The plot is really good. Don't say anything else. The plot is really good. The key is that you are too short.
This smell of climbing. . . . Suddenly I feel that there are too few plots for other female characters in the second film.
No, don't do assassinations when the fight starts. The assassination was only carried out after everyone had surrendered. What if there is a massacre on the opposite side?
The story begins with the storyteller's look back, interweaving the perspective of future generations with the current battlefield, and immediately foreshadows a heavy sense of fate. Sun Mo didn't simply rely on her golden fingers to crush the heroes. She was brave. She carried a three-stone bow to kill the enemy generals in the chaos. She used a magic whistle to disrupt the enemy's ambush. The cavalry came and went like the wind, and they maneuvered in the mountains and fields. She was also strategic. She knew that the red rabbit was too conspicuous, so she deliberately concealed the edge of the BMW, sized up the situation, and knew how to gain a breathing window for her own side. The confrontation between the counselors in Wenli is particularly exciting. Guo Jia's calculating strategy is matched by Jia Xu's cunning and cunning. The game between the top wise men is not a sword-playing game, but is always weighed by people's hearts. The battle between the wild kings, the reversal of the ambush, the estrangement of letters, Zhang Yang's suspicion, Guo Jia's insight, and the pull of many parties progressed layer by layer, and each step controlled the direction of the situation. As for the scene where the ghost genius and the poisonous master meet in the tent, with only a few strokes, the atmosphere of the meeting of masters is immediately filled. The characters are vivid and interesting. Zhang Fei was angry and unwilling to submit to a woman, but immediately changed his mind when he saw the real official position and courtesy, and his rough and straight temperament appeared on the page; Xu Huang was dissatisfied with Liu Guanzhang in his heart, but was slowly moved by a reception banquet; There are no flat good guys or bad guys. Everyone has a stance and character given by the times, with arrogance, selfishness, and a desire for ideals and knowledge in troubled times. The writing style is relaxed and moderate, with many humorous passages interspersed between the chillingness of war and the tenseness of the game of counselors. The Aztec death whistle section is even more wonderful. The tragic battlefield is mixed with a little joke, and the relaxation is moderate, so that the reading is not depressing or heavy. The most rare thing is the core of the heroine Sun Mo. Living in the troubled times of the late Han Dynasty, she was not trapped by the shackles of gender. She was thirsty for talents, gathered Guo Jia, treated the down-and-out Liu Guanzhang with courtesy, and won the recognition of the heroes with her strength and magnanimity. The story is not only about fighting on the battlefield, but also about the surrender of people's hearts and the ambitions and ups and downs of a group of people in troubled times. There is a war going on for thousands of miles, and the world is vying for the throne. It turns out that there can be such a woman who will move forward step by step in the troubled times and will eventually become the emperor of the ages. The overall rhythm is smooth, with a balance of machinations, martial arts, and group portraits. It is a very innovative spin-off of the Three Kingdoms and is worth reading. [Red heart][red heart][red heart]
The last two sentences are the finishing touch [Like]
No harm to Wen and his special skills are activated!
She is a destined person, everything that happens is beneficial to her
Wow, boss you are resurrected😯
Ahhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh, author, don't you update?