Ye Fan is thirty-three years old, an editor, can draw, and works hard. When he came, he thought that as long as the layout was done well, life would be better. What he doesn't know is that in this building, it doesn't matter whether the page is good or not, what matters is who you are.
Director Ji Dongsheng, 36 years old, graduated from a technical secondary school and went to the UK to get a diploma with the money from demolition. There was only one book on her bookshelf, "Houhei Xue", and he said he read it three times. In the first year, he was kind-hearted and smiled at everyone; after a year, he stopped smiling and began to force others to take sides.
In the past few years, the capable ones have left, the honest ones have left, the hot-tempered ones have left, and the too-serious ones have also left. The reason for leaving was always the same: "Personal reasons."
There is a rule here: one carrot, one hole. Only when the pit is there can the carrot survive. Once the pit is gone, the carrot has to go. But after a few years, Ye Fan discovered that some pits were still there, but the carrots were gone; some carrots were still there, but the pits were no longer the original pits.
The unit is still the same unit. The one who lives longest is never the most capable carrot, but the one who knows how to take advantage of others.
The sky outside the window is very blue and the clouds are very white. Ye Fan is still working on his layout. Halfway through, the pictures haven't been put up yet, and the text hasn't been arranged yet. It's empty, like a blank piece of paper that hasn't been started yet.
He didn't know when the paper would be finished. I don't know who to show it to after the painting is finished.
But he knew that there were many people like him in this building, sitting in front of this white paper, waiting for the next chapter. The following never comes. What comes is the next carrot, the next pit.
Purpose: workplace