[Comments on individual chapters are open. Please add it to your reading lists, leave comments, and support the author. Thank you!]
Yun Zhi was an ordinary 23-year-old student. Just after graduating from college, she got a job at a company on her way to look for work. Her role was to play background characters in scripts, including but not limited to beggars, servants, young ladies, and classmates.
Yun Zhi looked at the unfamiliar ruined temple and her own filthy appearance, her mind going blank... Huh? Wait, where the heck am I?
Scene One: All-Round Hopeless Romantic Beggar Girl x Discarded White Moonlight Heroine (Historical)
Little beggar Yun Zhi was dazzled by the moonlight. She said to the System, "System, is that the heroine? No wonder she's the white moonlight."
"Yes, Host," the System replied.
Shen Li's hand froze as she handed out a steamed bun. "Who's talking...?"
Shen Li discreetly studied her surroundings, but saw no one. Her face instantly turned pale. "A... a ghost!"
"Aren't you afraid of ghosts?"
"You're different."
"To you, I'm just a character in a story. There'll be another one after me."
"You're different."
In the end, Yun Zhi fell into a nest called Shen Li's. She didn't want Shen Li to follow the heroine's fate, so she killed the male lead and helped the heroine. She did everything a background character wasn't supposed to do.
White Moonlight: "It doesn't matter if you're a ghost. My yin energy is strong, so you can absorb as much as you like. Just stay by my side."
Scene Two: Good-for-nothing Servant with Five Spiritual Roots x Male Lead's Portable "Golden Finger" (Cultivation)
A good-for-nothing background character who joined the sect alongside the male lead, meant to show off his talent, snatched the male lead's portable "golden finger."
The male lead spat blood. "That's my golden finger!"
Yun Zhi killed the male lead with one sword strike and said, "What's yours or mine? She's my wife!"
Golden Finger Big Sister: "I don't know! That little servant hugged me as soon as she showed up and said I could absorb all her cultivation, and that she'd even give me a new body. Who could refuse that?"
Scene Three: Magicless Young Lady x Phoenix from the Slums (Magic)
Young Lady Yun Zhi declared: "So what if I can't use magic? I can cultivate immortality!" She sent the knight male lead off to mine and took meticulous care of the Phoenix, making sure the male lead wouldn't fool her with a few small favors.
Phoenix: "She's so nice to me. She must like me! My charm really is incredible. Oh, well, turning her down would hurt her feelings, wouldn't it? I'll just have to accept her, even if it's a little inconvenient."
Scene Four: Average Student Who Goes Unnoticed x Sweet White Flower Transfer Student (School)
One day, the class's invisible girl met a sweet white-flower transfer student. What sparks will fly between them? Stay tuned!
The school bully male lead: "Hey, isn't Shen Li my heroine? Why am I being left out?"
Sweet White Flower: "How could Zhizhi be invisible? I can only see her. Though Zhizhi does have one little hobby: she often says things like, 'Woman, you started this fire, so put it out yourself,' and 'Woman, you're so beautiful it's criminal.' I don't really understand it."
Scene Five: ...
This is my first time writing a novel, so please give me lots of pointers. Thank you.
Theme: The road of life is long and arduous. Having someone by your side is a blessing.
I have been reading the author's works for so long, and I have found a small problem, which is that the character creation is a bit lacking. When writing a systematic novel, the character creation must be precise and quickly deepen the reader's impression. I have been reading the first story for a long time, and I have forgotten the plot. Let's not talk about it. As for the characters who appear in the new chapter, I don't have much memory, because I can't tell everyone apart. They all seem to have a more out-of-the-box and playful personality. (I'm not picking on that, it's my own feeling.) Let me give you an example. Outness is not necessarily reflected in words and actions. It can be reflected in the way you dress, like a butterfly, a peacock, or a strange beast (with a beautiful appearance) made up by the author. Then compare it to For example, if an alchemist takes a long time to refine elixirs, there must be a scent of medicine. Before the person arrives, the scent comes first, and you can recognize the person by smelling the scent. Another example, take the old woman as an example. If you want to show depth and experience, you must make eye contact to make the protagonist feel pressure, so that readers can feel the pressure. At this point, we have to talk about the bond between the two protagonists. Yun can sense the soul. I think there is nothing wrong with this setting, but the problem is that readers don't have this feeling. They feel that two people get together too easily. There is no pulling. The writing must be pulling and there must be a climax. Yun can sense the soul, but if the next world is out of order, we have to use other methods to recognize it. Can she still recognize it? That's what I mean. Writing is very flexible, don't stick to one formula, you must recognize each other, I don't need to rely on my ability to still recognize it, because my heart is getting closer to you. This is to give my personal opinion to the author. If it offends me, I apologize in advance [shut up] 🤗
Oh my God! My God! Heavenly Mother! Oh my God! Oh my god girl!
My readers are so silent 🙏
Boss, you look good, come on 🤩 😚
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Come on
Punch in, Punch in, Punch in, Punch in, Punch in, Punch in, Punch in, Punch in, Punch in, Punch in, Punch in
Punch in, Punch in, Punch in, Punch in, Punch in, Punch in, Punch in, Punch in, Punch in, Punch in, Punch in