Copywriting:
After the death of her master, there were only two people left in Wen Yanci's life: one was her senior brother Fu Zhibai, whom she hated to the core, and the other was her second senior sister Xie Lanxi, who she relied on wholeheartedly.
In fact, she had never seen Fu Zhibai. She only heard her master often praising the disciple who was recuperating in Yaowang Valley, saying how outstanding he was. After listening to Wen Yanci for more than ten years, his ears became calluses.
But this high-profile senior brother, just a few days after returning to Beijing, the master "committed suicide" inexplicably.
She wanted to find out the truth about her master's death, but Fu Zhibai stopped her at every turn. Fortunately, her senior sister was always able to help her in time.
She grew up with her senior sister and had a deep relationship with her. She would confide her biggest secrets and pains to her senior sister, including how she planned to deal with Fu Zhibai.
But one day she learned that Xie Lanxi and Fu Zhibai were the same person.
Famous scenes:
During the day, the male protagonist used his identity as "Fu Zhibai" to make the female protagonist half angry. At night, he had to put on women's clothes (Xie Lanxi) to listen to the female protagonist scolding him, and he had to comfort her gently...
Character relationships:
· Protagonist & Fu Zhibai: Extreme confrontation on the surface. The protagonist hates him to the core, so in order to maintain his character, Fu Zhibai can only respond with indifference and secretly block him.
· Protagonist & Xie Lanxi: Absolute trust and dependence. He is the only person to whom she can confide all her worries (including her hatred for Fu Zhibai), and is her "white moonlight" and safe haven.
· Fu Zhibai & Xie Lanxi: Two sides of one body. Fu Zhibai endured hatred, and Xie Lanxi gave love.
Notes before entering the pit: This article is a slow-burn suspense, paying attention to details, and is a true reasoning that readers can participate in. This article is a light-flavored version of ancient Chinese sentiment, without heavy-flavored sentimental elements such as scumbags and crematoriums.
[This article is exclusively published in Jinjiang Literature City, and the copyright belongs to the author]
Intention: restrained love, upward love