Sabbath

[Patient, obsessive, crybaby top × world-weary, beautiful, powerful, tragic incubus bottom]

* Monogamous / mutual feelings / amnesia trope / nontraditional unlimited flow | The “dungeons” mainly revolve around the protagonists

Bounty hunter Mo Chi never misses. His life is so simple it's boring.

Take a job, kill someone, collect the money, then wait to die.

Until he accidentally wandered into another world and met a god who had his face and called himself the Creator. The god gave him two choices:

Save the chosen savior, or die. Mo Chi chose the latter.

He had never lived for anyone, and he had no desire to die for anyone.

But everything began to go off course.

Some people would do anything to take his life. Others looked at him as if he were a lost treasure they'd finally found again.

Zhao An looked at him, his sea-blue eyes saying:

“I can't bring myself to kill you.”

Yet the very next second, he pretended they had never met.

The closer Mo Chi got to the heart of the mystery, the more people began telling him:

They had seen him, known him, waited for him, and even loved him.

Yet Mo Chi's life was like a book torn to shreds.

An erased childhood, a blazing fire, a missing old friend, deaths and resurrections with no explanation... Every clue pointed to the same question:

If memory can lie, then who is he now?

By the time he finally pieced together the whole truth, the choice was no longer in his hands.

The old gods fall; a new god must rise.

A game spanning life, death, and time is drawing to a close.

All living beings are pieces on the board.

Looking into Zhao An's eyes, Mo Chi sometimes wondered: Perhaps that half-circle of sapphire-blue sea was a remedy the world had given him.

Could love and medicine really be powerful enough to save everything?

There had only ever been one ending he wanted.

This time, Mo Chi was seated on the throne of God himself

God said, “Please love me.”

*

The author enjoys studying theology, so the story will include or reference many theological stories and images.

A lot of melodrama. A whole lot. An absolutely ridiculous amount.

The plot will shift toward romance, but the beginning may stay as it is.

Theme: Cherish the present, revere nature, and live facing death.