Possessive Takeover | Old-School Angst | Winning Her Back After She Leaves | One-on-One, Both Each Other’s First, Happy Ending
[Resilient, Cunning Transmigrated Woman vs. Mad, Obsessive Hypocrite]
Huai Ying transmigrates into the body of a maid in the First Madam’s residence at the Pe family estate in Jinling.
She handles her duties impeccably, earning the First Madam’s approval. The Madam sends her to serve in the Eldest Master’s residence.
Pei Min is a fourth-rank official, a noble and self-restrained gentleman who observes all propriety. Surely he won’t make things difficult for her.
At last, the day she is to leave the estate arrives. Then she discovers that the First Madam intends to make her the Eldest Master’s concubine.
Huai Ying feels as though she has plunged into an icy abyss.
She looks up to find Pei Min standing deep in the covered corridor, dressed in blue, radiant as a god. He smiles at her warmly.
*
Born into an eminent family, Pei Min enjoys the emperor’s favor and is a man of deep cunning.
He pursues fame and power relentlessly, cares little for the ways of the world, and sees romance as a vulgar burden.
When his term of office ends and he returns home, he finds a beautiful woman sprawled on a couch in his room, with a delicate face, red lips, and a graceful figure.
When she sees him, she neither shies away nor shows restraint. Instead, she behaves with wanton abandon, like a fleeting blossom.
A woman like her is fit to be a concubine, never a wife.
Later, Pei Min falls from a cliff, badly injured and unconscious, but Huai Ying walks away without looking back.
*
[A Little Scene]
Six months after Tan Yu fled, Pei Min comes across a yellowed sheet of paper while sorting through his old things.
It bears just three neat characters: “I have no interest.”
Pei Min’s gaze turns icy. He clenches the paper until his knuckles turn white. What a heartless little liar.
Back then, she had pretended in front of him that she couldn’t read or write. He had patiently taught her to write “the lovers’ longing for each other,” but all she ever did was scrawl nonsense to fool him.
Tan Niang, you’d better pray… that I never find you.
Blurb written on November 10, 2025, and archived with a screenshot.
"Courting the Crown Prince"
Possessive Takeover | Bitter Romance | Fleeing While Pregnant | One-on-One, Both Each Other’s First
Ci Yin is merely a palace maid, plain-looking, honest, and dutiful.
All she hopes for is to leave the palace when she comes of age, taking her elder sister’s ashes with her.
No one wants to take a job in the Eastern Palace, but she thinks the Crown Prince is gentle and approachable, so she accepts.
Yet Ci Yin is only a lowly cleaning maid and has never spoken a single word to the Crown Prince.
On the Crown Prince’s birthday, she gets drunk in the back courtyard.
When she wakes, she finds herself in the Crown Prince’s bed, her body covered in marks from his kisses.
The Crown Prince says he will confer on her the title of Lady Shu.
Ci Yin refuses and runs away.
*
Crown Prince Li Yi was born frail. He has spent years confined to the Eastern Palace and has never won the emperor’s favor.
One day, he is tricked into taking a love potion, and has no choice but to take a palace maid, a woman as insignificant as a blade of grass.
The Crown Prince is known for his benevolence, so he elevates her to Lady Shu and keeps her by his side, growing ever more enamored of her.
He plans to raise her rank once he ascends the throne.
But when he returns one day, she has fled with his child in her belly.
*
[A Little Scene]
Late at night, in the Eastern Palace.
The Crown Prince’s gaze travels slowly up from the woman’s still-flat belly and comes to rest on her sleeping face.
Everyone else dreams of rising up the branches to become a phoenix. She alone wants to be a free little bird.
His eyes darken as he thinks: I’ll break both your wings, no matter what.
Theme: Freedom, independence, and self-reliance
Dad, in the extra chapter, I want to see the male protagonist dress up in modern times, not soul-transportation. Since the hero has no identity in modern times, he can also play around and go back to ancient times. Just play as you like.
I hope that two people can sit down, talk calmly, let go of their knots, and start over.
Author, can the if line be customized? The scene I want to watch is: Back when the male protagonist and his eldest wife arranged for the female protagonist to be his concubine, the female protagonist refused on the spot and took out the jade pendant given by the male lead Wei Heng and said that they were already engaged. What will happen next?
[Orange candy] I got it [Purple candy] kswl, here I come! 🤷🤷🤷
Hello, happy Mid-Autumn Festival. Now I am curious about how the male protagonist appears. The original body has disappeared in ancient times. If he changes his shell, he will no longer have the memory of his previous life and he will be a strange person.
I can't bear to let it go. It's going to end tomorrow. The male protagonist can just go back to modern times with the female protagonist's family. I like sweet love and don't want the two to be separated for a long time. There are so many youths in life. Also, why did you change the title of the book? The original title was unique and easy to remember.
I always feel like I'm in Stockholm. The previous sufferings just ended because of a man's deep self-analysis?
The author can later arrange for the collision of modern and ancient cultures
Author, give me some sweet chapters later
Damn, are you going to update today?