The Siheyuan Divine Book Will Not Accept Any Refutation.

48 四 Siheyuan: Many Children and Many Blessings Have Been Invincible Since I Married Chen Xueru! Ruthless Code Word Kun744k Wordscompleted 4.1kReads5.8Score220Shelves

Reader note

Look at each other

49 四 Siheyuan: Shazhu Is Finally Happy Brother Jing1.1M Wordscompleted 25.7kReads8.1Score1.1kShelves

Reader note

The Siheyuan Crossing the Silly Pillar written by me has rigorous logic, warmth, and the pleasure of revenge. Each chapter is 3,000 words. You can add it to your bookshelf to gain weight and read it again. The original title of the book (Siheyuan: I became a Silly Pillar but I am not stupid)

50 四 Siheyuan: Yi Zhonghai Was Torn Apart and Forced to Pay 6,000 Yuan Qingshan Woodcutter720k Wordsongoing 89.6kReads5.1Score5.6kShelves

Reader note

Very good, Siheyuan

51 四 Siheyuan: a Good Life Earned One Meter of Light4.1M Wordsongoing 34.5kReads7.3Score1.9kShelves

Reader note

All of them are Siheyuan cool articles! ! !

52 我 I Live in a Courtyard, and Animals Are Just Vegetables! The Fat Man Who Can't Fly 07082.6M Wordscompleted 28.7kReads7.7Score1.3kShelves

Reader note

All of them are Siheyuan cool articles! ! !

53 四 Siheyuan: My Years in the Security Office All Living Beings Are Written Under the Pen1.9M Wordscompleted 39.8kReads8.3Score2kShelves

Reader note

All of them are Siheyuan cool articles! ! !

54 四 My System in Siheyuan Is Very Powerful Nancheng Xiaomo1.7M Wordscompleted 59.8kReads8.6Score3.3kShelves

Reader note

All of them are Siheyuan cool articles! ! !

55 四 Siheyuan: This Time I, Damao, Am the Protagonist Fly a Big Plane1.0M Wordscompleted 22.7kReads7.1Score1.3kShelves

Reader note

This is not a divine book, but I can still read it.

56 四 Siheyuan: I Loved Fighting Injustices in 1960 Fly a Big Plane1.2M Wordscompleted 27.7kReads8.2Score1.2kShelves

Reader note

This is not a divine book, but I can still read it.

57 四 Siheyuan: the Soul of a Junk Guy Travels Through 60 Years Fly a Big Plane622k Wordscompleted 11.6kReads8.9Score489Shelves

Reader note

This is not a divine book, but I can still read it.

58 四 Siheyuan: I Have a Universe Fly a Big Plane552k Wordscompleted 3.7kReads8.7Score155Shelves

Reader note

This is not a divine book, but I can still read it.

59 四 Siheyuan: the God of Death Arrives Fly a Big Plane1.1M Wordscompleted 10.6kReads8.5Score547Shelves

Reader note

This is not a divine book, but I can still read it.

60 四 Siheyuan: I Don't Want People, I Just Want Lives Fly a Big Plane1.1M Wordscompleted 39.2kReads8.0Score2.1kShelves

Reader note

This is not a divine book, but I can still read it.

61 四 Siheyuan Baibaoshan Enjoys the Hard Times Fly a Big Plane1.2M Wordscompleted 13.3kReads8.6Score538Shelves

Reader note

This is not a divine book, but I can still read it.

62 四 The Dashing Family Heir to the Siheyuan Fly a Big Plane1.1M Wordscompleted 16.8kReads6.9Score656Shelves

Reader note

This is not a divine book, but I can still read it.

63 年 Era: Fight Through the Courtyard at the Beginning and Travel to the Great Northern Wilderness Fly a Big Plane1.1M Wordscompleted 20.6kReads8.8Score1.2kShelves

Reader note

This is not a divine book, but I can still read it.

64 四 Siheyuan: Don't Do It! We Are Serious Doctors! Kumquat Lemon Tea Tea Tea2.5M Wordsongoing 37kReads7.6Score2.4kShelves

Reader note

Very good, I can see my skills in traditional Chinese medicine

65 四 Siheyuan: Revenge Begins from the Mass Graves Flavored Eggplant Stew1.2M Wordscompleted 28.7kReads8.9Score1.5kShelves

Reader note

Readers are welcome to visit, guide and comment [what]

66 四 Siheyuan: Be a Gangster That Everyone Loves Xiangshan Xike1.3M Wordsongoing 32.9kReads8.7Score1.7kShelves

Reader note

Readers are welcome to visit, guide and comment [what]

67 四 Siheyuan: He Yuzhu's Sober Life Author Kung Pao Chicken1.1M Wordsongoing 32.9kReads8.6Score1.7kShelves

Reader note

Readers are welcome to visit, guide and comment [what]

68 四 Siheyuan, Silly Zhu Gets Beaten Every Day After Getting Married The Last Jujube on the Branch in Cold Winter321k Wordscompleted 35.2kReads8.2Score1.6kShelves

Reader note

The clear flow of the courtyard has no limits, no beatings, no letters of understanding,

69 四 The Fool's Dream in the Siheyuan Has Awakened The Last Jujube on the Branch in Cold Winter305k Wordscompleted 19.2kReads8.0Score707Shelves

Reader note

The clear flow of the courtyard has no limits, no beatings, no letters of understanding,

70 四 Siheyuan: Everyone Stands up and Salutes Godfather Ten Years of Lingering Dreams496k Wordscompleted 26.1kReads9.2Score1.2kShelves

Reader note

The male protagonist without any shortcomings, are you kidnapping me morally? Sorry, I am a descendant of martyrs, the most outstanding young man in Tongluoguxiang (later an outstanding middle-aged man [laughing evilly]), and his backing is beyond your imagination.

75 四 In the Beginning of Siheyuan, We Won Director Wang and Director Zhang. Uncle from Hunan School608k Wordsongoing 72.4kReads6.2Score3.9kShelves

Reader note

The most ruthless blockbuster Siheyuan is coming, with more than 100,000 words going straight to more than 300,000 students. Unwilling to fight, he leads 300 tribesmen into Nanluogu Alley at the beginning, overthrows Director Wang and Director Zhang, attacks the Yang faction with all his strength, and gets 200,000 kilograms of food for the whole village in the year of disaster. He attacks violently and ends up dying.

76 四 The Widow and I Are Inseparable from Each Other in the Siheyuan Anxious House Sparrow72k Wordsongoing 839Reads5.8Score—Shelves

Reader note

The protagonist is Silly Zhu, cutting off the pension group at the beginning, not poking fun at people, killing birds and abusing them, no letter of understanding, new, new, new routines

77 四 Siheyuan: Why Bother with Him? He Really Dares to Kill People Spy Fisherman1.3M Wordscompleted 12.7kReads7.8Score725Shelves

Reader note

Two very nice books! In order to find his daughter, he fought all the way from Siheyuan to Xiangjiang. The protagonist is Lao Mo, the number one killer in Jinghai. He is extremely arrogant and cold-hearted. He is ruthless and doesn't say much, but he kills without blinking an eye. The beasts were killed until they heard the news, and their expressions changed in silence. People who have read it say it is so satisfying. If you don't believe it, you can read the book reviews first before jumping in.

78 四 Siheyuan: Kill, Kill, Kill Until All the Birds Are Extinct! Sun Moon Star Rabbit1.2M Wordsongoing 32.3kReads7.6Score2.1kShelves

Reader note

After trying this top article, I have already broken out of the courtyard and reached the steel rolling mill.

79 四 Siheyuan: After Being Struck by Lightning, I Can Travel Between the Two Worlds Swim Forward2.4M Wordscompleted 17.9kReads8.2Score1kShelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

80 重 Rebirth of the Siheyuan: Starting from the Escape from Famine in 1942 Dashan Doesn't Drink Alcohol618k Wordscompleted 30.2kReads8.2Score1kShelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

81 徒 The Disciple Was Too Ambitious and Rebelled Against the Teaching, and He Became the Emperor. Drunken by Wind and SmokeEastern Fantasy1.5M Wordscompleted 27kReads8.9Score2.8kShelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

82 六 60: After Studying Abroad and Returning to China, He Alarmed the Top Management When He Took Action. Inch Awn1.8M Wordscompleted 31.7kReads7.9Score1.8kShelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

83 我 I, Xu Damao, Come from the 21St Century Toad715k Wordscompleted 6.5kReads8.1Score199Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

84 四 Siheyuan: the Happy Life of a Little Chef Xiao Qingqing662k Wordscompleted 14.6kReads8.1Score601Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

85 四 Siheyuan: I Was Forced to Become the Pillar The Tiger Does Not Meow1.1M Wordscompleted 14.3kReads8.1Score626Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

86 四 Siheyuan: Yan Jiecheng from the Security Department Don't Eat Even a Morsel of Fat407k Wordscompleted 3.1kReads8.2Score112Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

87 四 Siheyuan: Why Should I Marry a Widow? Bachelor of China741k Wordscompleted 12.2kReads8.1Score380Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

88 四 Siheyuan: Flowers and Beautiful Families, Thinking About the Passing Years Nothing to Say576k Wordscompleted 8.3kReads7.9Score343Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

89 四 The Li Family in the Siheyuan Lu Yier875k Wordscompleted 12.6kReads8.2Score517Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

90 四 Siheyuan: Damao and I Are In-Laws Eagle Flies in September406k Wordscompleted 1.8kReads8.3Score—Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

91 四 Siheyuan: I Have a Small Courtyard Next Door Jujube Tree on the Cliff760k Wordscompleted 23.2kReads8.2Score730Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

92 四 Siheyuan Struggled in Hard Times The Breeze Is Coming Slowly233k Wordscompleted 3.2kReads8.1Score104Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

93 四 Siheyuan: Outstanding Young Man Li Changsheng Don't Eat Even a Morsel of Fat671k Wordscompleted 17.6kReads8.2Score580Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

94 四 Qin Huairu in the Siheyuan Is Loved to the Heavens by Me Heifer Internet376k Wordscompleted 2.4kReads8.2Score101Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

95 四 Siheyuan: a Song of Loyalty to the Country Shocked the Whole Factory Wang Laoman339k Wordscompleted 2.4kReads8.3Score117Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

96 四 Siheyuan: at the Beginning, He Was Framed and Sent to the Countryside. Square Meets Triangle350k Wordscompleted 11.6kReads8.4Score290Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!

97 四 Siheyuan: Renovating Life Smile South595k Wordscompleted 3kReads8.3Score—Shelves

Reader note

"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!