The Siheyuan Crossing the Silly Pillar written by me has rigorous logic, warmth, and the pleasure of revenge. Each chapter is 3,000 words. You can add it to your bookshelf to gain weight and read it again. The original title of the book (Siheyuan: I became a Silly Pillar but I am not stupid)
Two very nice books! In order to find his daughter, he fought all the way from Siheyuan to Xiangjiang. The protagonist is Lao Mo, the number one killer in Jinghai. He is extremely arrogant and cold-hearted. He is ruthless and doesn't say much, but he kills without blinking an eye. The beasts were killed until they heard the news, and their expressions changed in silence. People who have read it say it is so satisfying. If you don't believe it, you can read the book reviews first before jumping in.
The historical data is detailed and there is no hunting or fishing. The two-million-word serialization refuses routine writing. The IQs of all the staff are online, the writing style is humorous, the book is clean, there is no shit, and the logic of a hard-core industrial power has been rigorous since 1953. The protagonist, the golden-dressed sixth man, has no bad temper. He initially thought he was a saint, but later he found out that he was plotting against everyone around him. It is neither black nor witty, and breaks out of the black-and-white stereotype. The protagonist has a grand structure, cares about his family and country, has a clear goal, and uses knowledge beyond the times to make silent contributions. The dispute in the courtyard is just a background.
The male protagonist without any shortcomings, are you kidnapping me morally? Sorry, I am a descendant of martyrs, the most outstanding young man in Tongluoguxiang (later an outstanding middle-aged man [laughing evilly]), and his backing is beyond your imagination.
"Siheyuan: After Being Struck by Lightning, I Can Travel Between Two Worlds" breaks out of the "house fighting" framework of traditional Siheyuan novels, and takes "travel between two worlds + resource plunder" as the core excitement, allowing the protagonist Wang Yu to freely switch between the 1959 Siheyuan and the mysterious other world, using modern thinking and resources from the other world to play with the special era, and staged a hard-core counterattack of "freedom to eat meat + crushing with force". The beginning of time travel: lightning strikes awakens the two gates, and the food desert turns into paradise. The protagonist Wang Yu encounters "survival hell" when he travels through time: In 1959, the courtyard house was experiencing a food shortage, and the seven members of the family relied on wild vegetables to satisfy their hunger. The Jia Zhang family next door was still thinking about eating meat. But a lightning strike accidentally activates the "Light Gate" in his mind, connecting him to a different world in the virgin forest, instantly reversing the situation. During his first time travel, he hunted the one-horned rabbit and brought back 30 kilograms of barbecued meat, giving his family a long-lost taste of meat. The author uses details such as "the smell of barbecue makes the neighbors jealous" and "Jia Zhang's family scolding the street and begging for food" to strongly contrast the hunger of the era with the protagonist's sense of satisfaction, especially the panic of the mother Chen Chunhua who mistakenly believes that the meat is "stolen", which further highlights the reality of human nature under the scarcity of resources. Different world setting: The primeval forest hides mysteries, and the time difference allows for "resource plug-ins". The different world is shaped into a "treasury of primitive creatures": a one-horned rabbit the size of a wolf dog, a spur bird with a wingspan of more than ten meters, a three-meter-long pig-headed griffin, and even a giant snake entrenched in a big tree. Danger and opportunity coexist. The "time difference" setting of the Light Gate (4 hours in another world = 20 minutes in reality) is a stroke of genius, allowing Wang Yu to "work during the day and hunt beasts at night" and accumulate resources efficiently. He used the powerful power of Bajiquan to hunt exotic beasts, wrapped meat in leaves to avoid censorship, and even planned to "get guns" in the black market to increase his combat power, and used the "resources from another world - realizing reality" routine to become a success. Group Portraits of the Siheyuan: Warmth and Calculation in the Fireworks. The novel's depiction of the Siheyuan is full of the texture of the times: the eldest brother Yi Zhonghai is fair in dealing with things but hides moral kidnapping; the third eldest brother Yan Bu Guai loves to take advantage of others; Jia and Zhang's "shrew-style survival" is astonishing; while the Wang family's "low-key martial arts training + unity to protect food" has become a breath of fresh air. The author uses plots such as "the entire hospital meets to buy food" and "black market trading secret codes" to show the delicate balance between neighbors in a special era - they both hold together for warmth, but also make their own calculations. Wang Yu's family has a good relationship with Uncle Zhou's traditional Chinese medicine family, and their "tacit understanding of martial arts" with Sha Zhu adds a touch of warmth to the cold competition for survival. Plot rhythm: Seamless switching between combat, development, and daily life. The author is good at switching between "intense hunting" and "daily survival": in the first chapter, Wang Yu climbed a tree to roast rabbits and avoid giant snakes in a different world. In the next chapter, he returned to the courtyard to deal with Jia Zhang's unreasonable troubles; he had just used force to scare Xiaoxiao in the black market, and he had to learn welding technology from his father in the factory. This kind of "combining dynamic and static" narrative not only satisfies readers' expectations for "adventure in another world", but also retains the pyrotechnics of life in the courtyard theme. In particular, Wang Yu uses meat from another world to "reverse poverty alleviation" in his hometown in the countryside, which not only echoes the historical background, but also lays the groundwork for the "expansion of family power" for the subsequent plot. The core of the theme: using "plug-ins" to deconstruct dilemmas, hiding a gentle deconstruction of the times. On the surface, this is a cool article about "relying on system cheats to counterattack", but in fact it hides a profound insight into a special era. The essence of Wang Yu's shuttle between the two worlds is to use "surreal means" to solve "realistic dilemmas" - when food rationing and the ticket system restrict survival, the other world becomes a "green channel" to break the rules; when neighbor calculations and moral kidnapping are everywhere, Bajiquan and the resources of the other world become the strongest voice. This setting not only makes readers feel happy, but also implicitly pays tribute to "survival in desperate situations" - as Wang Yu's father Wang Bao said: "In these days, what you can get to eat is your ability." "Siheyuan: After I was struck by lightning, I can travel between two worlds" redefines the Siheyuan novel with "imaginative setting + hard-core survival", allowing readers to feel the thrill of traveling between two worlds while also getting a glimpse of the tenacity and wisdom of ordinary people in special times. If you are tired of the "intrigue" of traditional courtyard houses and want to see how the protagonist uses "other world resources" to overcome the predicament of the times, this work will definitely refresh your mind - after all, when others are still worrying about half a catty of food, Wang Yu's barbecue grill is already standing up. This is the real "dimensionality reduction strike"!