"Boom!" A bolt of lightning flashed across the sky. In the blue sky and white sun, the new gate that had just been built by the Chixiao Sect on the top of the mountain fell down in the next second. It was struck by lightning and turned into a lump of coke, snapping into two pieces. When the sect leader Ye Lingchu heard the sound and rushed out of the door wearing a tattered cassock, his face was so anxious that his eyes were splitting. "What's wrong with the sect? What's wrong? This time, it was struck by lightning again!" Because he was running in a hurry, he was carrying a large package that had just been tied with a knot, and it became loose. Half of the package of cakes rolled down and appeared, and it was about to fly out completely... "Pingpian... Flew away! Master!" Nian Nian raised her little head and looked up, shouting in a childish voice.
A modern Taoist supernatural novel. The heroine is both a demon star and an exorcist. She can catch ghosts and exterminate them in minutes. The writing style is natural and smooth, focusing on daily life. It has been completed.
Story setting, metaphysics to catch ghosts and solve crimes. A new book has just been released. It's a slightly scary, slightly funny, and somewhat ambiguous love story about how the heroine fools ghosts and how to defeat them. If you like it, speed up the bookshelf and wait for a follow-up.
As a senior lover of supernatural literature, I must say: these three novels really "scared" me! It's not the superficial kind of jump scare, but the kind of chill that penetrates deeply and oozes from the text, making you unable to help but look back after reading it - this kind of experience has been around for a long time! The first book: "The Immortal Realm's Most Powerful Daughter of Gold" - Under the way of heaven, people's hearts are terrible. Do you think this is just a slap in the face? Wrong. The birthday banquet at the beginning of the chapter breaks up, and the blood on the fingertips leads not to family reconciliation, but to the purple thunder that tears the sky. The terror at that moment was not from ghosts, but from the ruthlessness of heaven. But what really sent chills down the spine were her later live broadcasts - during the Bixian game, you had clearly closed all the doors and windows, but the bloody words on the paper began to move on their own; during the haunted house search, the old-fashioned radio suddenly squeaked, transmitting the last cries of the victims of the murder case decades ago; on the corpse driving road in western Hunan, a "living person" who should not exist was mixed into the corpse team under the moonlight... The most terrifying thing is: you know that these are all true. And she is the only one who can face all this head-on and still say calmly, "The live broadcast ends here tonight." Reading this book is like sitting on a safety seat on a roller coaster and experiencing the most exciting dive - you know you will be fine, but your heart still rises in your throat every time you fall. The second book: "Xantong Edict" - the aesthetics and trembling of Chinese horror. If you are tired of Western-style plasma horror, this book will tell you: the real horror is silence, blank space, and the part you make up in your own mind. Imagine: you just took a shortcut and stepped into an ancient bluestone street that will never end. The paper-making shops on both sides are lit up with faint red lanterns, and the paper man smiles at you - the curvature of the corners of his mouth is exactly the same. A scarlet sedan slid past silently, with the curtain slightly lifted. You couldn't see clearly what was inside, but you could feel "it" looking at you. This is the horror aesthetics of "Xantong Edict". The author does not directly write about how scary ghosts are, but writes: how the fog slowly submerges the ankles, how the light of the lantern lengthens and twists the shadows, and why those "pedestrians" make no sound when walking... Until the ghost emperor's cold fingers touch your chin and say "it smells delicious" - the chill at that moment comes from the bone marrow. But! When the heroine grabbed his wrist with her backhand and said with a smile that she wanted to "transcend", the subversive feeling of relief made people's blood boil again. This kind of experience of "being extremely scared and then being extremely happy" is really too awesome. The third book: "The Master of the Spiritual Realm: The Horror Short Drama System Binds to the Start" - When the horror comes not only from the copy, but also from "reality". The most ingenious design of this book is that it breaks the "fourth wall". In the system's horror short dramas, abandoned hospitals, haunted campuses, old corpses in mountain villages... Although these copies are scary, you know "this is a game, and the heroine can pass it." The real chill comes from outside the dungeon - that Buddha who is worshiped by thousands of people in a famous temple in Kyoto. Why does the Buddha statue behind him crack open facing "you" outside the screen (or in other words, facing the direction of the heroine)? When he smiled pitifully and said, "Fellow Taoist Star Painter, we meet again," you suddenly realized: the terrifying copy given by the system was just the Novice Village, and the real big BOSS has been waiting for her in "reality". This sense of fate of "being spied on," "locked in," and "having nowhere to escape" brings about a slowly permeating psychological fear. Every time the heroine returns to reality from the dungeon, you can't help but think: What is that Buddha doing now? Is he one step closer to her? Written at the end These three books have redefined my understanding of "supernatural horror literature" from three dimensions: · "The Top of the Fairyland" tells you: The greatest terror is the indifference of your human heart and the irreversible way of heaven · "Xuantong Edict" tells you: the deepest chill comes from the folk memory in your own cultural genes · "The Master of the Spiritual Realm: The Horror Short Drama System Binding the Start" tells you: the most lasting fear is the psychological oppression that breaks the boundary between reality and reality and follows you like a shadow. They are not content to just "scare you", but to create an immersive and long-lasting horror atmosphere. You can't help but imagine "if it were me", and then... You can't help but read page after page, wanting to see how she breaks the situation and how she walks out of this terrifying whirlpool. Warning: Please make sure when reading - 1. You are not alone late at night 2. There is a wall behind you 3. There is enough light source 4. There is a pillow that you can grab at any time Then, welcome to the world of fear and headache. With these three books, I bet you won't be able to stop once you start.
Then you must read this book. The heroine is an ancestor of the Taoist sect. She can catch ghosts, tell fortunes, and perform physiognomy. It is very interesting, especially the process of catching ghosts. It is so enjoyable that you can finish reading it [I understand]
I recommend this very down-to-earth Tianshi novel. In order to survive and have food and clothing, the heroine works hard to take orders and exorcise evil spirits to make money. The props used by the heroine to exorcise evil spirits are also unique and "local materials are used, which is quite pragmatic."