In the beginning, Silly Zhu deceived Xu Damao's sister to go to a small hotel, and tricked the little girl into coming back to get her household registration book and secretly get her marriage certificate. Xu Damao knew that his sister was raped, so he transformed into Ma Chao, a traitor, a villain, you and I are incompatible, and we are fighting... Damao, I am not only attracted to your sister, but I also care about your wife! ! ! !
In the beginning, Silly Zhu deceived Xu Damao's sister to go to a small hotel, and then tricked the little girl into coming back to get her household registration book and secretly get her marriage certificate. Xu Damao knew that his sister was raped, so he transformed into Ma Chao, a traitor, a villain, you and I are incompatible, and we are fighting... Damao, I am not only attracted to your sister, but I also care about your wife! ! ! !
This book has just been scored, so the score is relatively low. It has little to do with the Siheyuan. The protagonist lives in the East Crossing Courtyard and the background is Tongtian. Concentrating on scientific research to strengthen the country, there are very few short chapters in The Patriarch of the Siheyuan, but every time it is absolutely powerful. Yi Zhonghai was made a national model for persecuting women, Jia Zhang was forced to put the barrel of a gun in his mouth by a guard because he acted inappropriately to the protagonist, and was sent to a labor camp later on. The deaf old lady was taken south to Frog Island and called her son back for dinner every day. Generally speaking, it is a cool article that deals with industrial technology.
This is the first Siheyuan book I have read in 25 years! I like literary people who wear the guise of a courtyard but pursue their own careers, and ignore all the dirty things in the courtyard.
These books look pretty good. In the one about Uncle Silly Zhu, I feel that the protagonist is a normal person, but not a normal time traveler. Please take your time and read your own opinions.
Recommended with a high score of 8.5 Or above. The first book is ε٩(๑<)۶з. The second book is O(∩_∩)O. The third book is *^O^*. The other books are o>_<o. These are the books that I have read and thought were okay. The bookshelf has 46 categories with a total of 600 books. If you are interested, you can go to my bookshelf to browse again.
"Liu Dazhuang Chuanshu" stands out for its unique setting and realistic style. This completed work, with a length of 537,000 words, tells the story of Liu Dazhuang, a modern bachelor who traveled to the courtyard house of Peking in 1941 and lived a different life in the changing times by relying on the space of an ancient bracelet and his kung fu. The score of 8.4 Confirms its importance in the hearts of readers, and the positioning of "Fei Shuangwen" makes it unique among similar works. The beginning of time travel: The macho man takes the artifact and takes root in the courtyard. The beginning of the story is quite dramatic: Liu Dazhuang, an old bachelor, died in a car accident in 2020, but his soul possessed the body of a ten-year-old boy with the same name in 1941. The bracelet given by his grandma on his wrist activates after absorbing blood. It not only gives him the "waist training skill" of flying over walls and walls, but also opens up a space where all things can be stored. This opening setting cleverly integrates elements such as time travel and golden fingers, and establishes a realistic style with the tone of "not a cool novel" - Liu Dazhuang did not kill everyone immediately, but first adapted to the times and depended on his father Liu Qingquan. The author's depiction of the details of the era is very good. From 1944, when Liu Dazhuang learned to read with the village chief, to 1947, when he became the "dream object" of the village girls, and then to 1948, when his father arranged to marry Qin Huairu, the timeline progressed naturally and smoothly, outlining a picture of life in the war-torn years. When Liu Dazhuang found himself transported to the world of "Love-filled Siheyuan", readers also began to look forward to: How will this strong man with space deal with "birds" such as Yi Zhonghai and Yan Bugui? Character creation: The relationship between a macho man and a "bird". Liu Dazhuang's character design is very contrasting and cute. He has both the thinking of a modern soul and the strong physique developed after time travel - he grew to 1.78 Meters tall at the age of 16, can carry a cupboard back with one hand, and is labeled "not to be messed with" by the people in the yard. Facing the "birds" in the courtyard, he is neither humble nor arrogant: to the abacus master Yan Bugui, he complained in his heart that "he has not yet become invulnerable to fire and water"; to the hypocritical Yi Zhonghai, he coldly observed "how shameless he is." But at the same time, he is full of tenderness towards his wife Qin Huairu - when they first met, he felt that she was "different from the White Lotus in the TV series". When they got married, he deliberately gave more betrothal gifts to "make his wife look good", showing the tender side of a tough man. Qin Huairu's image is reshaped in the author's writing. At the age of 15, she had "big, clear and ignorant eyes" and was not yet tainted by future generations' schemes, but was a "diligent and filial" girl. The appearance of Liu Dazhuang changed her fate: instead of marrying Jia Dongxu, who died young, she became the wife of a macho man. This rewriting not only satisfies readers' expectations for "whitewashing" Qin Huairu, but also injects new possibilities into the development of the plot - when she marries a husband who can take care of things, will she still become the widow who relies on stupid pillars? Other characters in the courtyard also have their own characteristics. At this time, Yi Zhonghai has not yet begun to plan for retirement, Jia Zhang has not yet become a shrew, and Yan Bugui's "abacus master" attribute is beginning to take shape. Through Liu Dazhuang's perspective, the author shows the status of these characters in different eras, making the "all living beings" in the courtyard more three-dimensional and full. Highlights of the plot: The magical use of space and the changes of the times. Liu Dazhuang's golden finger in space is an important driving force of the plot. He used the space to "pick up things" during the chaotic period of Sijiu City and collected a large amount of supplies from the homes of dignitaries: mountains of white flour, rice, chicken, duck and fish meat, as well as gold and silver jewelry, guns and ammunition. These materials not only improved his own life, but also paved the way for the subsequent plot - when the difficult period comes in three years, will he use space materials to help his neighbors? How will he deal with the covetousness of Yi Zhonghai and others? The author's description of the changing times runs throughout the book. From the frequent wars in 1941, to the eve of the liberation of Peiping in 1948, and then to the implicit years after the founding of the People's Republic of China, the torrent of the great era is intertwined with the shortcomings of the families in the courtyard. The plots of Liu Dazhuang entering a steel factory as an apprentice, decorating a new house with his father, and marrying Qin Huairu not only show his personal struggle in the times, but also reflect the living conditions of ordinary people. In particular, his daily routine of "working during the day, practicing kung fu at night, and taking time to visit wealthy households" not only fits the setting of a "macho man", but also exudes the smoke and mirrors of a stock market. Emotional line: From "arranged marriage" to mutual support, the emotional development of Liu Dazhuang and Qin Huairu is a warm main line in the book. The two started from an arranged marriage "ordained by their parents" and gradually got along and supported each other after marriage. They wrote the true appearance of the relationship between husband and wife in that era. When Liu Dazhuang used the fabrics in the space to make new clothes for Qin Huairu, and when Qin Huairu felt sorry for him for working hard and cooking secretly, these details made the marriage warm. The author skillfully handles the "Cao thief" element - Liu Dazhuang did have an affair when he was in the village, but after marrying Qin Huairu, he stopped caring about his family. This setting not only fits the character's personality, but also avoids excessive bloodshed, making the emotional line more real and believable. Compared with the entanglement between Qin Huairu and Shazhu in the original work, the "Zhuangru" CP here is more heartwarming and satisfies readers' expectations for a beautiful marriage. Summary: An "alternative history" of the courtyard house in a realistic style, "Liu Dazhuang Chuan Shu" depicts the survival and struggle of a time traveler in the courtyard house in a realistic style. Liu Dazhuang did not make any exaggerated maneuvers to change his fate against the odds. Instead, he relied on his strength and space advantages to firmly take root in the tide of the times. His marriage to Qin Huairu, his dealings with the "birds" in the courtyard, and his dependence on his father are all written in a delicate and realistic way, full of life. The charm of this novel is that it not only satisfies readers' expectations for "Goldfinger" but does not fall into the cliché of "shuangwen"; it not only rewrites the fate of the original characters, but also retains the "fireworks" of the courtyard. When Liu Dazhuang stood in the space looking at the mountains of supplies and thinking about how to live in the coming new era, readers could not help but look forward to: What kind of waves will this macho man make in the courtyard? Where will the story between him and Qin Huairu go? If you like to read stories about time-travelers living a steady life and training "birds" in period novels, "Liu Dazhuang Travels Through the Book" is definitely worth reading.
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