Massacre in the Courtyard

152 重 Rebirth of the Siheyuan: Medicine and Martial Arts Tianyue 2578818k Wordscompleted 33.9kReads7.7Score2kShelves

Reader note

The whole courtyard was wiped out. The first book destroyed the whole courtyard directly. It was so cruel.

153 四 Courtyard: Forcing Yi Zhonghai to Marry Silly Zhu Old Monster Born in the 1980S2.8M Wordsongoing 47.6kReads7.0Score2.8kShelves

Reader note

The whole courtyard was wiped out. The first book destroyed the whole courtyard directly. It was so cruel.

154 * ** Come and Get Rich, We Will All Get Rich3.2M Wordsongoing 8.7kReads5.8Score475Shelves

Reader note

The whole courtyard was wiped out. The first book destroyed the whole courtyard directly. It was so cruel.

155 * ** Domineering Dog385k Wordsongoing 1.5kReads5.8Score—Shelves

Reader note

The whole courtyard was wiped out. The first book destroyed the whole courtyard directly. It was so cruel.

156 四 Siheyuan: Beat up All the Birds at the Beginning Muzi Lamp960k Wordscompleted 21.3kReads6.7Score1.2kShelves

Reader note

The whole courtyard was wiped out. The first book destroyed the whole courtyard directly. It was so cruel.

157 四 Siheyuan: He Yuyu's Happy Life Heart Moon White Fox736k Wordsongoing 628Reads6.1Score—Shelves

Reader note

The whole courtyard was wiped out. The first book destroyed the whole courtyard directly. It was so cruel.

158 四 Siheyuan: My X Friends Are All over the Courtyard Toyoku1.0M Wordsongoing 189Reads5.5Score—Shelves

Reader note

The whole courtyard was wiped out. The first book destroyed the whole courtyard directly. It was so cruel.

159 * ** ongoing —Reads5.8Score—Shelves

Reader note

The whole courtyard was wiped out. The first book destroyed the whole courtyard directly. It was so cruel.

160 四 Siheyuan Started from Refusing to Change Rooms Bronze Bell449k Wordscompleted 1.9kReads5.5Score—Shelves

Reader note

The whole courtyard was wiped out. The first book destroyed the whole courtyard directly. It was so cruel.

161 * ** Word Love Cigarettes790k Wordscompleted 17.6kReads5.8Score598Shelves

Reader note

A very nice book, a great ending! After defrauding them of their small money, then make them miserable,,!

162 四 Siheyuan Is Slapped with a Hat at the Beginning. You Want to Reverse the Course of History? Uncle from Hunan School1.6M Wordscompleted 30.2kReads6.9Score1.4kShelves

Reader note

It's okay, you can take a look

163 * ** Zhang Shizhongyu445k Wordscompleted 11.6kReads5.8Score336Shelves

Reader note

It's okay, you can take a look

164 * ** Surprised the Crowd479k Wordscompleted 12.4kReads5.8Score432Shelves

Reader note

It's okay, you can take a look

165 * ** Ten Years of Lingering Dreams496k Wordscompleted 26.1kReads5.8Score1.2kShelves

Reader note

It's okay, you can take a look

166 四 Siheyuan: Send the Beast to the Detention Center at the Beginning Zhang Shizhongyu283k Wordscompleted 2.8kReads8.6Score100Shelves

Reader note

It's okay, you can take a look

167 9 No. 95 Courtyard Does Not Allow Senior Care Groups to Exist One Dream329k Wordscompleted 23.4kReads8.6Score678Shelves

Reader note

[Learned][Attention][Has planted grass]

173 朕 I'm Here to Rectify the Qinman Siheyuan Author Kung Pao Chicken267k Wordscompleted 921Reads6.1Score—Shelves

Reader note

Welcome your visit and guidance.

174 四 Siheyuan, I'll Take It! I'll Take It! I'll Collect It! Plantain Travel in Dongguan2.1M Wordsongoing 31.7kReads6.3Score1.8kShelves

Reader note

Siheyuan, Security Department, Violence, Collection of Antiques, Ordinary, Daily, Salted Fish

175 穿 Traveling Through the 1960S to Start My Path to Immortality The Shadow Shakes the Sky593k Wordscompleted 12.2kReads7.9Score585Shelves

Reader note

It's a different kind of Siheyuan. It's not about playing house in the Siheyuan. The protagonist is mainly engaged in cultivation. He has space, materials, a wife, and can make money. Siheyuan has less plot. It mainly writes about period cultivation. If you like it, please recommend it. Thank you! ! !

176 * ** A Pot of Hairy Blood163k Wordscompleted 2kReads5.8Score—Shelves

Reader note

Massacre in the courtyard

177 * ** Moving Bricks to Pieces783k Wordscompleted 16.1kReads5.8Score650Shelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

178 * ** Stir-Fried Marshmallows1.1M Wordscompleted 64.7kReads5.8Score5.4kShelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

179 * ** The Breeze Is Coming Slowly233k Wordscompleted 3.2kReads5.8Score104Shelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

180 火 Mechanic in the Red Age: I Help My Ancestors Forge Heavy Weapons Stir-Fried Eggs and Tomatoes in Turn3.4M Wordsongoing 54.6kReads8.8Score4.3kShelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

181 四 The Ordinary Road of He Yuzhu in the Siheyuan A Soldier at the Border367k Wordscompleted 21.2kReads9.2Score1kShelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

182 四 Siheyuan I Am He Yuzhu Betel Nut and Smoke Are All Five Poisons608k Wordscompleted 28.4kReads8.9Score825Shelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

183 四 This Silly Pillar in the Courtyard Is a Bit Chic Autumn Breeze Blows on the Street203k Wordscompleted 8.7kReads8.9Score273Shelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

184 四 A New Life in the Courtyard Hongmao632k Wordscompleted 9.5kReads8.8Score274Shelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

185 四 Siheyuan Started in 1953 Boiled Eggs in Sugar Water827k Wordscompleted 35.5kReads8.7Score1.4kShelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

186 四 Siheyuan: Traveling to Become Xu Damao, the Medicine Cannot Be Stopped Kunlun Postgraduate Scholar1.5M Wordscompleted 11.7kReads8.3Score728Shelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

187 四 Siheyuan: I Asked You to Cultivate Immortality, but You Bullied Animals Zhang's Three Stones579k Wordscompleted 21.7kReads8.2Score778Shelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

188 四 Courtyard: Come Quickly, Sew His Mouth Shut Open Champagne at Half Time4.8M Wordsongoing 167.3kReads8.0Score9.3kShelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

189 雪 Xue Ye Died Tragically, Sha Zhu Was Reborn and Refused to Be the Successor The Scattered People in Yunxiao1.2M Wordscompleted 28.4kReads8.4Score1.9kShelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

190 四 Siheyuan: He Yuzhu from 1958 Boiled Eggs in Sugar Water966k Wordscompleted 24.9kReads8.4Score1.1kShelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

191 四 Siheyuan: Master? I Know You as a Ghost Cocoa Mate545k Wordscompleted 19.8kReads8.3Score661Shelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

192 四 Siheyuan: Assist Lou Xiaoe at the Beginning Spicy Hot and Sour Noodles1.9M Wordsongoing 16.9kReads8.4Score986Shelves

Reader note

"Siheyuan: Starting with a Hound", with its unique protagonist setting and solid plot layout, breaks away from the cliché of "fighting for the sake of fighting" and blends the hard-core background of flood-fighting heroes with the pyrotechnics of survival in the era. It not only writes about the difficulty of survival in the turbulent years of 1959, but also hides touching responsibilities and warmth. It is both refreshing and healing to read. The most eye-catching thing about the story is the sense of contrast brought about by the protagonist Wei Dong's "dual identity". In his previous life, he was a front-running flood rescue volunteer who unfortunately sacrificed his life to save a puppy. This kindness of "not giving up" became his spiritual background; after time travel, he became a temporary worker in a steel rolling mill. When faced with the raid by robbers, the veteran's acumen and the rescue team The hero's courage broke out in an instant - the actions of breaking the robber's neck and using the butt of the gun to control the enemy were clean and neat, without any sloppiness. However, when the master Xu Dayong died, his eyes were red due to the emotional resonance of the original master, and he choked and promised to "take good care of the master's wife and junior sister." This "hands-on and emotional" setting allows the protagonist to get rid of the thin image of a "shuangwen tool man" and become more like a flesh-and-blood "guardian": he will rack his brains to keep his promise to his master, and will insist on paying for a coffin when faced with the goodwill of the old village chief. Even the memory he inherited is engraved with the principle of "not making money from people who are ignorant of their conscience." This softness under the hard core is precisely the most touching part of the character. And the setting of "bringing hounds at the beginning" is even more wonderful. Different from the common "system cheats", this puppy who traveled with Weidong is not only a witness to his kindness in his previous life, but also a companion when he is lonely in this life. The way it initially curled up in the corner of Weidong's sea of ​​consciousness was like the glimmer of light clinging to each other in troubled times; and as the plot progresses, it will inevitably become Weidong's "special help" in hunting for survival and coping with the complex interpersonal relationships in the courtyard. This bond of "human and dog" adds a touch of warmth to the survival plot of the tense era, and also makes the opening of "hunting mode" more reasonable - while other Siheyuan novels are still struggling with the small pattern of neighborhood calculations, Weidong has already set his sights on the suburban mountains and forests with a "plug-in" (Dzi Bead Space + Hound Dog). This "outward development" survival path allows the story pattern to open up instantly. The restoration of the "sense of time" in the book is also delicate enough, without deliberately piling up slogans, but the imprint of life in 1959 is hidden everywhere. The work certificate of the purchaser of the steel rolling mill, the partial three-wheeler of the commune worker's labor sub-bureau, the coffins made from the villagers' homes, the cereals and cornstarch in the canteen, and even the details of "you have to prove it when you go out" and "you will be spurned if you make the difference", are as real as if they came from an old photo. In particular, Xu Dayong's setting of "giving the people the same purchase price as the factory" not only describes the perseverance of ordinary people in that era, but also foreshadows Weidong's subsequent "acting with conscience"; before the residents of the courtyard have yet appeared, the names of the deaf old lady, Yi Zhonghai, Shazhu and other names have been foreshadowed in advance, which makes readers familiar with "Love in the Courtyard" full of expectations - when the hard-core Weidong meets the "old fox" and "little scheming" in the courtyard, what kind of sparks will collide? Should we use strength to crush it, or use wisdom to resolve it? This kind of "unknown plot in a known background" just makes people unable to help but read on. What's even more rare is that the novel does not fall into the trap of "no courtyard without violence". Weidong's "coolness" does not rely on blaming the sky and the earth to gain a sense of existence, but on winning respect through strength and responsibility: his calm counterattack when facing the robbers, his methodical handling of his master's funeral, his solemn promise to his wife and junior sister, and even his treatment of the escaped robbers (handing them over to work instead of lynching), all reveal "power with a bottom line." This "not brainless, not extreme" narrative rhythm makes the story more solid - it does not simplify survival in the era to "live well by defeating your neighbors", but shows the survival wisdom of "hunting with your hands and living according to your conscience". This core of "seeking stability in turmoil and finding strength in responsibility" is exactly the warmth that many contemporary literature lacks. From a flood-fighting hero to a courtyard guardian, from being alone to walking with a dog, Weidong's journey is both a survival challenge and a self-salvation. We look forward to seeing how he uses the Dzi Bead space to store prey, how he leads his hounds to find a way out in the mountains and forests, and we are even more looking forward to seeing how he maintains his original intention and protects the people around him amidst the complex interpersonal relationships in the courtyard. This novel wraps a hard-core plot with soft warmth, and uses real historical details to support a passionate survival story. Perhaps this is its most attractive feature - in that barren era, there were always people like Wei Dong who used kindness and courage to make their lives bright.

193 * ** Listen to Rumors1.0M Wordscompleted 13.5kReads5.8Score616Shelves

Reader note

🔥🔥A new book is online, it is hilarious about animal cruelty, please give it a try. The protagonist Wang Xiaobao pretends to be resurrected at the beginning because he complained about time travel. He is not a good person. Let's watch him complete the beast plan step by step. 🌿🌿 Stable updates are being made, please give it a try. [Make a face][make a face]

194 四 Siheyuan: Factory Director Road, Intercept Hu Qinhuairu at the Beginning Earthworm1.5M Wordscompleted 35kReads6.9Score1.9kShelves

Reader note

Hey, fellow bookworms! Today I must recommend to you a super interesting male Pinyan novel - "Siheyuan: Giving Lou Xiaoe a Son at the Beginning", with a score of 8.6! The halo of our protagonist is blinding. He didn't take the usual path at the beginning and directly gave Lou Xiao'e his son. Good guy, this move shocked everyone in the hospital to the point of dropping their jaws. Others are fighting in the courtyard, but our protagonist relies on this magical "child delivery" skill to walk sideways in the courtyard, all kinds of weird things happen constantly, and there are baskets of jokes one after another. Watch him stir up trouble in the courtyard and make his life a lively one. If you don't watch, you will miss this fun and exciting drama. Hurry up and catch up!

195 四 Siheyuan: I Try to Put My Hat on the Whole Hospital Flying All the Way1.8M Wordscompleted 47kReads7.4Score3.9kShelves

Reader note

Hey, fellow bookworms! Today I must recommend to you a super interesting male Pinyan novel - "Siheyuan: Giving Lou Xiaoe a Son at the Beginning", with a score of 8.6! The halo of our protagonist is blinding. He didn't take the usual path at the beginning and directly gave Lou Xiao'e his son. Good guy, this move shocked everyone in the hospital to the point of dropping their jaws. Others are fighting in the courtyard, but our protagonist relies on this magical "child delivery" skill to walk sideways in the courtyard, all kinds of weird things happen constantly, and there are baskets of jokes one after another. Watch him stir up trouble in the courtyard and make his life a lively one. If you don't watch, you will miss this fun and exciting drama. Hurry up and catch up!

196 四 Siheyuan: I Was in the 1960S and Had Just Become a Nanny. Greedy Big Radish1.1M Wordscompleted 4.4kReads6.7Score143Shelves

Reader note

There are so many books, there will eventually be one you like [laughter]

197 四 Siheyuan: at the Beginning, Jia's Mother and Son Were Sent to Detention Zhang Shizhongyu637k Wordscompleted 15.6kReads8.5Score731Shelves

Reader note

There are so many books, there will eventually be one you like [laughter]

198 * ** Wang Laoman1.1M Wordscompleted 18.8kReads5.8Score770Shelves

Reader note

There are so many books, there will eventually be one you like [laughter]

199 四 Sihe************ completed —Reads5.8Score—Shelves

Reader note

There are so many books, there will eventually be one you like [laughter]

200 * ** Laborious Noob1.1M Wordscompleted 8.3kReads5.8Score248Shelves

Reader note

There are so many books, there will eventually be one you like [laughter]

201 * ** completed —Reads5.8Score—Shelves

Reader note

There are so many books, there will eventually be one you like [laughter]