Those of you who don't know how to do it, do you see it? For example, one book: The emperor planned hard and considered all aspects, and the other book: The emperor opened his eyes, snapped his fingers, Houjin was gone, Xiaozhuang stripped naked and sent him to bed! Be honest, which [what] do you look at [laughs]
Li Ye, one of the four great female poets of the Tang Dynasty, was uninhibited and unrestrained in historical criticism, and later generations called her a female poet.
Stop reading useless novels! The historical background of my novel is the most realistic, the characters are vividly described, and the plot develops with ups and downs, unfolding slowly like a stream rushing into the sea. You can't stop reading it!
Let's read this book. 1. The shocking character: a small body hidden in mountains and rivers, breaking the stereotype of a big heroine. The most shocking point of this book: the core is a mature and sober soul, and the outer shell is a four-year-old child. The child's figure, soft voice, and the bone-chillingly calm and strategic layout form a sharp contrast. There is no golden finger or system. The advantages are only the historical understanding of later generations, modern institutional thinking, and super patience. At the same time, the subplot of Zhu Youxiao was brought out. The five-year-old school brother watched the power game and silently understood the way of the emperor. The two children reflected each other in the undercurrent. This sense of the heaviness of the precocious youth is particularly poignant. 2. The shock of historical research: It is not a myth, but a patchwork of historical facts. The story is anchored at the precise time point of the thirty-eighth year of Wanli. It was only more than thirty years after the demise of the Ming Dynasty, which was the most depressing incubation period before the building was about to collapse. - The accumulated malpractices in the capital camp, the deduction of military pay, the collapse of the craftsmanship system, the proliferation of private salt in the Huaihe River, party disputes (Qi Chu Zhe Party), the eve of the Xinhai imperial inspection, the emptiness of Taicang, and the widespread displacement of people due to drought in Jifu are all based on real historical data. - The salary payment process, two signatures and deposits, internal government allocations, the game between the Ministry of Revenue and the cabinet, water transportation delays, and the Jia River canal problem are all meticulous in the system details. The heroine's reforms are not invented out of thin air by using cheats. They are aimed at fixing and reconstructing the loopholes in the existing system of the Ming Dynasty. Each new policy has corresponding real-life pain points. Readers will have a strong sense of reality: it turns out that the corruption in the late Ming Dynasty was linked to each other, and reform was difficult to achieve. 3. The shock of the logic of Machiavellianism: It is better to fight against people than to establish a system, to jump out of the palace fight and get involved. Most of the ancient Machiavellian strategies are aimed at defeating villains, eliminating political opponents, and taking sides in the court. This book breaks out of this circle: the heroine's core idea is not to focus on people, but on the system. Opponents like Fang Congzhe are sophisticated, well-established, and full of party members. If one Fang Congzhe is killed, there will be another speculator. Therefore, the heroine chose to build an institutional dam: military pay went directly to soldiers, the interception link of military attachés was cut off, craftsmen were converted from corvees to hired workers, rosters and accountability mechanisms were improved, and the loopholes of corruption were sealed with rules. The game is no longer a simple fight between people, but a long tug of war between old interest groups and the new system. Readers will have a refreshed understanding after reading this: The highest level of conspiracy is not to win a battle, but to establish an order that is not easily destroyed. 4. The shock of the class perspective: seeing the complete human world, not only focusing on the upper echelons of the court. The plot runs in two parallel lines. On one side is the top-level game between the Forbidden City, the cabinet, the officials of the Ministry of Education, and the nobles; on the other side the camera keeps descending: Ordinary soldiers in the Beijing camp cried when they received full pay, firearms workshops and craftsmen finally had a stable income, refugees outside the city struggled to survive in porridge factories in the cold winter, street vendors were exploited by gangs, and low-level subordinates relied on bad rules to survive. A sum of one hundred thousand taels of stolen silver in the court corresponds to a few buckets of rice for a family to survive the cold winter. A policy change from the top directly determines the life and death of countless people at the bottom. This top-down perspective brings readers a deep sense of empathy. The plot is no longer a game on paper, but behind the scenes are thousands of fireworks. 5. Depressive feeling and shimmering shock: anti-fast food style cool article, victory comes at a price. There is no one-click crushing of the villain, no ministers brainlessly supporting the princess. Every step of the new policy was met with numerous obstacles: the Ministry of Household Affairs cried out for poverty, civil servants collectively impeached, Ke Dao used public opinion to launch attacks, old military attachés secretly obstructed, and local gentry and businessmen formed a group to protect private interests. Every time the heroine pushes forward, she has to constantly compromise, wait for the opportunity, collect evidence, and rely on Wanli's imperial scheming. Victory is piecemeal, slow, and on thin ice. Under the huge historical shadow of doomed destruction at the end of the Ming Dynasty, this group of people knew that the road ahead was difficult, but still tried to reach out to hold on to the declining dynasty. The glimmer of stubbornness in this desperate background brought a touch to the bottom of their hearts. 6. The shock of the portraits of the emperors: the wise and ignorant emperor without facial makeup 1. Wanli is not a simple lazy and ignorant emperor, but he is well versed in checks and balances, watching the party struggle with a cold eye, secretly supporting the heroine to reform at the critical moment, and guarding the three bottom lines of warehouse, restructuring and dark people. His mind is deep and unpredictable. 2. Zhu Changluo, the prince is tolerant and cautious, holding the East Palace in the middle of the cracks, not being aggressive or taking the lead. 3. Fang Congzhe is not a pure bad guy. He is a speculator born out of the times. He is good at hiding and arranging escape routes with money from trade routes. His character motivations are complex and three-dimensional, showing the helplessness and greed of politicians. Everyone is caught up in the times. There are no pure good guys or bad guys. There are only people in the chess game who make their own choices. 7. The shocking issue of fate: Asking about history, if someone had fixed the loopholes in advance. Deep in the hearts of all Mingchuan readers, there is an uneasy question: Is there any chance of not perishing in the late Ming Dynasty? This book gives a rigorous sandbox deduction. It did not firmly say "I will definitely be able to save the Ming Dynasty", but slowly showed: when someone sees the foci of land, military system, finance, and party struggle in advance and tries to operate bit by bit, what obstacles will be encountered and what new variables will arise. While reading, readers will constantly be led into deep thinking: Was the collapse of the dynasty an overnight mistake, or was it the inevitable result of the long-term accumulation of countless small lesions?
Shu Huang, I beg my brothers who are reading Zhenguan historical articles, please don't write it off! "Wandering into the Tang Dynasty" is set in the fifteenth year of Zhenguan, and is rooted in the real court structure of the Tang Dynasty. There is no brainless time-traveling and crushing. Shen Can of Jingzhao Prefecture sits in Chang'an and lays out a dark network. There is a turbulent undercurrent in Xue Yantuo of Mobei. The royal family Ashler secretly plots the plan. The two can work together in the cracks of Li Youwei. The game in the court and the espionage war in northern Xinjiang are two parallel lines. The characters' behaviors conform to the logic of the times. The details of the official system, titles, and armaments are carefully polished, and the historical flaws that can be seen everywhere are rejected. The plot is reversed layer by layer, there is no supporting role, and all parties have their own plans. Book friends who like rigorous history of the early Tang Dynasty and long-term espionage strategies can click to try it out!
This is the first time I have written a story related to the Anshi Rebellion. Some of the characters and plots in the article have been created and adjusted due to gaps in historical data. The relevant setting instructions are attached at the end of the article. I sincerely recommend my work to all my fellow readers for reading. If there are any omissions or inaccuracies in the writing, plot, or historical details, you are welcome to give me your advice, and I will seriously incorporate and make corrections.
Recommend your own book, I hope everyone will support it, thank you everyone, if you have any questions or good ideas, please tell me [I'm about to cry]
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