,. Shan Tianfang

169 大 Big Break*** completed —Reads5.8Score—Shelves

Reader note

"The Sky Tower" is the sequel to "Five Rats in Tokyo". It tells the story of Ni Jizu, who was ordered to serve as the governor of Hangzhou. He found out that Ma Qiang, the owner of Bawangzhuang, was a tyrant in Hangzhou, robbing men and women, and he was rich in blood debt. Just when Ni Taishou was about to eliminate harm for the people, Ma Qiang jumped over the wall in a hurry. He kidnapped Governor Ni and tried to kill him to silence him. Northern Hero Ouyang Chun, Black Demon Fox Zhihua, Xiaoxia Ai Hu and other heroes, young and old, assisted the government and rescued Ni Jizu, destroyed Bawangzhuang and captured Ma Qiang alive. While the people were celebrating, Ma Qiang's uncle Ma Chaoxian falsely accused Governor Ni in front of Renzong, but Renzong did not know the truth. He ordered people to dismiss Prefect Ni from his post and hold him accountable. In order to save Governor Ni, Zhihua, Ai Hu, and Jiang Ping had no choice but to resort to the strategy of fighting fire with poison, stealing the pearl crown and giving it to Ma Chaoxian. Renzong issued an order to the six halls of Dali Temple, and finally found Ma Chaoxian guilty of committing the crime of self-stealing and ordered him to be executed. And restored Governor Ni to his post. Zhao Huan, the king of Xiangyang, secretly colluded with the Ningxia Kingdom and wanted to raise troops to rebel against the Song Dynasty. Renzong was shocked and ordered Yan Chasan to be the imperial envoy and Bai Yutang to be Yu Lin's guard to investigate Xiangyang. Bai Yutang learned that the King of Xiangyang had an extremely important alliance list. If he got it, he could wipe out all the rebels. For this reason, he took risks and explored the Sky Tower three times, but was killed in the "Copper Net Formation". The Three Heroes and Five Righteousnesses, headed by Jiang Ping, Ouyang Chun, and Zhan Zhao, went through all kinds of hardships and launched a desperate duel with the King of Xiangyang and his gang, but still could not avenge Bai Yutang. Xu Qing's son "Shanxi Yan" Xu Liangyicheng was born, and became the "little five brothers" with Ai Hu, Bai Yunsheng, Han Tianjin and Lu Zhen.

174 新 New **** completed —Reads5.8Score—Shelves

Reader note

The characters in the novel are all ordinary children, but they are also collective heroes. It is their ordinary qualities that make us feel affectionate, and it is their heroic spirit that makes us feel revered. No matter you are ordinary, backward, or even illiterate or ignorant, as long as you are conscious, strive for progress, and have the spirit of self-sacrifice, anyone can become the pillar of the new society.

176 白 The Complete Biography of White Eyebrowed Dragon and Tiger Anonymous (Anchor: Yao Chuanzheng)completed —Reads9.0Score—Shelves

Reader note

[Snickering],

178 花 Flowers and Trees* completed —Reads5.8Score—Shelves

Reader note

Hua Mulan was originally a weak woman, but after years of war, her father was old and could no longer go to war, so she decided to disguise herself as a woman and go to war in her father's stead. On the battlefield, she bravely killed the enemy. After returning, everyone discovered her daughter's identity...

181 藏 Tibetan Beauty* completed —Reads5.8Score—Shelves

Reader note

One path, one Buddha, two gods, three demons, four saints, and five ghosts. A boy, a white horse, a beauty, a river and lake. One sword opens the gate of heaven, one palm kills the martial saint. Winter. Can snow. Her sword is moonlight. Her poison is honey. Her name is a secret. Purple clothes are like electricity. People are like poetry. The world only knows that Princess Jinning, Zhao Qingli, is a walking lady in the palace. Little did he know that she was also the only descendant of the Sword God, a rare talent that the Tang Sect had not seen in a century. Her sword is called "Purple Lightning". When the sword comes out, it's like the shadow of a startled tiger. No one in the world can match his three moves. Because everyone who has seen the third move has become a dead man who cannot speak. Her palm is called "Chasing Soul". Her finger is called "Split Wind". Chu Yueyao and Wen Yunshu were not maids, but two shadows threatening their lives. Three women, a winter game. Jianghu is originally a glass of strong wine. But they want to taste the elegance of tea. Until someone overturned the cup of tea... Opening the Heavenly Gate with one sword, killing the Martial Saint with one palm...

186 水 Water Margin: Legend of the Spirit Sword Killing Gold Demonic ThunderHistorical188k Wordsongoing 12Reads—Score—Shelves

Reader note

Storyteller feeling

208 长 Immortality: Push the Dragon to Heaven 0An Ordinary Person0Eastern Fantasy359k Wordscompleted 2.4kReads7.4Score127Shelves

Reader note

The characters' movements are described delicately, and their expressions and expressions are rich, making it a very suitable martial arts novel to listen to.

209 昆 Kunlun (All Four Volumes) By Feng Gecompleted —Reads9.4Score—Shelves

Reader note

Huang Yaoshi's Qimen Dunjia reappears in the world, and clues emerge from the cold jade bed left by Xiao Longnu! "The Legend of the Divine Condor: Jun Xiang Fengyun Lu" digs into the secret connection between the Divine Condor and Yitian. It not only reveals the truth that Guo Xiang has never married, but also allows you to see how Zhang Junbao transformed from a bullied boy to a great master.

210 都 Urban Black Card, Buy a Building at the Beginning Ghost Hand Avenuecompleted —Reads—Score—Shelves

Reader note

Worth reading

219 五 Five Rats*** completed —Reads5.8Score—Shelves

Reader note

During the Northern Song Dynasty, there were the famous "Three Heroes and Five Righteousnesses" in the world, among which the "Five Righteousnesses" were also called the "Five Rats": Lu Fang, the rat that drilled into the sky, Han Zhang, the rat that penetrated the earth, Xu Qing, the rat that walked through the mountain, Jiang Ping, the rat that climbed over the river, and Bai Yutang, the golden-haired rat. Among the three heroes, Nan Xia Zhan Zhao and Zhan Xiongfei were awarded the title of fourth-level sword-bearing guard by the Fourth Emperor Renzong because of his performance in Yaowu Pavilion, and worked under Master Bao of Kaifeng Mansion. Although the mice and cats are both chivalrous people, they have a grudge because of their conflicting nicknames, which arouses the dissatisfaction of the five mice. Bai Yutang, who was arrogant, impulsive and reckless, couldn't calm down at first. He left Xiankong Island alone and went to Beijing to challenge Zhan Zhao. On the way, he met Yan Chasan, a kind and upright but powerless scholar rushing to take the exam, who was robbed by strong men, so he secretly helped him and became a brother with a different surname. After Bai Yutang arrived in Beijing, he planned to commit a major case to put Zhan Zhao into trouble to show off his abilities and frustrate Zhan Zhao's spirit. So he went into the palace at night and wrote a poem to steal the three treasures, and asked Nan Xia to compete on Xiankong Island. This leads to "Five rats causing trouble in Tokyo..."

225 最 The Last Heir of Medicine and Martial Arts Ghost Hand AvenueUrban726k Wordscompleted 58Reads—Score—Shelves

Reader note

Urban Gaowu, collect and read

229 铁 The Story of Ping Liuli in Iron-Blooded Jianghu Longtang Guizicompleted —Reads—Score—Shelves

Reader note

"The Romance of Ping Liuli in the Iron-blooded Jianghu" 1. The historical depth of the time-travel narrative and the sublimation of the revolutionary theme "The Romance of Pingliuli in the Iron-blooded Jianghu" achieves a breakthrough in subject matter and theme within the framework of the traditional time-travel novel. The work takes the 1906 Pingliuli Uprising as the historical background, and through the perspectives of revolutionary figures such as Liu Daoyi and Cai Shaonan, it elevates the literary technique of "time travel" from the rewriting of personal destiny to the grand narrative of national salvation. Different from the time-space adventure of early time-travel novels such as "Looking for the Qin" or the court love of "Step by Step", this book abandons the "time-travel and cheating" style of writing and instead focuses on the struggles and sacrifices of individuals in the torrent of history. For example, the book's portrayal of uprising leaders such as Xiao Kechang and Liao Shubao not only retains the heroism of knights, but also gives them the idealism of revolutionaries, forming a narrative tension of "a blend of historical reality and literary imagination." This approach coincides with the creative concept of "historical research style". The author has obviously conducted in-depth research on the social structure of the late Qing Dynasty, the operating mechanism of the Hui Party and the details of the uprising, such as the living conditions of Anyuan coal miners, the organizational rules of the Hongjiang Hui, etc. They are all based on historical data and avoid the shortcomings of many time-travel novels that are "fake for the sake of comfort". At the same time, through the time-travel setting of holographic projection, the work allows historical figures such as Cixi and Guangxu to "spectate" the collapse of their own rule. This not only coincides with the core charm of time-travel novels of "examining history from a modern perspective", but also reveals the historical logic of the inevitable decline of the Qing Dynasty through the drama of time and space dislocation. 2. Time and space dialogue and character creation under dual-line narrative The narrative structure of this book adopts dual parallel lines: one is the tragic epic of the entire uprising in 1906, and the other is the "historical trial" under the holographic projection of Masi Street in 2026. This design not only enhances the layering of the story, but also deepens the theme through time and space dialogue. For example, the psychological changes of Cixi and Guangxu when watching the uprising process - from initial arrogance and fear to final silent reflection - are actually the soul torture of feudal rulers by the modern historical perspective. Liu Daoyi's "confrontation" with the future time and space before his death closely connected his personal destiny with the national awakening, forming a symbolic meaning of "death but still life". In terms of character creation, the work escapes the stereotype trap of traditional revolutionary narratives. Take Xiao Kechang as an example. He was both a miner leader and an ordinary person who was forced to be involved in the political whirlpool: his decisiveness when facing the Qing army's encirclement and suppression, his tenderness when he parted with his wife, his persistence in the revolutionary fire before his death, and his multiple character dimensions that made his image full and real. In addition, the tragic fate of female characters such as Yao Meizi and Zhang Hanying's wisdom and bravery have broken through the limitations of women's "foil" in traditional historical novels and demonstrated the awakening and resistance of women in troubled times. 3. Integration and Innovation of Jianghu Chivalry and Revolutionary Ideals Another highlight of the work lies in the integration of "jianghu culture" and "revolutionary spirit". The party itself in the late Qing Dynasty had both the traditional chivalrous attributes of resisting the Qing Dynasty and restoring the Ming Dynasty and the political demands of the modern revolution, and the author strengthened this characteristic through detailed descriptions. For example, the secret codes and rituals used by members of the Hongjiang Society not only conformed to Jianghu rules, but also contained anti-Qing political metaphors; the weapons used by the rebels ranged from swords and cannons to captured foreign guns, symbolizing the transition from traditional folk power to modern revolution. This integration not only enriches the cultural heritage of the story, but also highlights the complexity of the historical process. Compared with "Thriving to Save the Nation" works such as "Ruling the World" and "New Song Dynasty", this book pays more attention to the perspective of the bottom: revolution is not the plan of a few elites, but a road paved with the flesh and blood of countless miners, farmers, and party members. For example, when Liao Shubao was killed, he shouted, "Twenty years later, there will be men who will come to dig up the ancestral graves." This was not only a declaration of war against the Qing court, but also a belief in the intergenerational inheritance of revolution. This kind of heroism in folk discourse is more contagious than a simple political declaration. 4. The balance between the sense of historical weight and the context of online literature. As an online novel, this book maintains readability without sacrificing historical seriousness. The author adopts a language style of "literary and white", which not only restores the context of the late Qing Dynasty (such as the wording of memorials and appeals), but also enhances the sense of substitution through modern narrative rhythm (such as the fast-paced editing of battle scenes). For example, when describing Liu Daoyi's torture, sensory details (the coldness of the shackles, the strong smell of blood) are intertwined with psychological monologues, allowing readers to feel the cruelty of history without giving up reading due to excessive depression. In addition, the work's "blank" treatment of historical events is also commendable. For example, the whereabouts of the remaining rebels after the failure of the uprising and the endings of some historical figures have not been fully explained, which is in line with the reality of incomplete historical data and leaves room for readers' imagination. This "virtual realism" approach is different from the "hardcore" style of works such as "Lingao Qiming" that emphasizes technical details, and focuses more on the emotional resonance of historical situations. 5. The cultural value and practical inspiration of time-travel literature The success of this book reflects the transformation trend of time-travel literature from "entertainment" to "historical dialogue". It is no longer satisfied with allowing modern people to return to ancient "dimensionality reduction strikes", but attempts to explore the unfinished questions in history through the collision of time and space: If revolutionaries could foresee failure, would they still persist? If rulers could see the future, would they change their choices? This kind of thinking coincides with the scholar Fang Wei's suggestion that "time travel novels should become a medium for dialogue between history and reality." At the same time, the work's exploration of the relatively unpopular historical event of the Pingliuli Uprising has cultural salvage significance. It makes readers realize that the success of the Revolution of 1911 was not achieved overnight, but was the cumulative result of numerous local uprisings. This "bottom-up" view of history complements the current tendency in history education to focus too much on big figures. Conclusion: Historical Echoes in Iron-blooded Jianghu "Time Travel: The Romance of Ping Liuli in Iron-Blooded Jianghu" has set a new benchmark for online historical novels with its solid historical material foundation, multi-dimensional narrative innovation and profound humanistic care. It proves that time-travel literature can fully carry serious historical reflection, and find a contemporary path for the inheritance of the national spirit in the collision of chivalry and revolutionary ideals. Just like Liu Daoyi's last words in the book: "The blood-fertile Central Plains are fertile and the grass is fertile, and the cold and frozen earth is full of spring flowers." This work itself is a seed of fire that is sown into the future.

230 看 GLAD to SEE YOU (Bilingual Version in Chinese and English): GLAD to SEE YOU (Malaysia) Chu Hanlincompleted —Reads9.5Score—Shelves

Reader note

Like, recommendation index five stars