The Protagonist of a Courtyard House Has a Separate Courtyard

84 四 Siheyuan: Yan Jiecheng's Counterattack Career Qing Zijin 2231.5M Wordscompleted 5kReads6.6Score178Shelves

Reader note

There is a separate courtyard in the courtyard. Ignore everyone in the courtyard and live a small life with my beloved wife behind closed doors.

85 四 Sihe********* completed —Reads5.8Score—Shelves

Reader note

There is a separate courtyard in the courtyard. Ignore everyone in the courtyard and live a small life with my beloved wife behind closed doors.

86 人 People in the Courtyard, from Academic Tyrants to Academicians of Great Powers Occasional Mistakes1.1M Wordscompleted 11.3kReads7.7Score378Shelves

Reader note

This book. A small detached house. There are different plots

87 四 Courtyard: Come Quickly, Sew His Mouth Shut Open Champagne at Half Time4.8M Wordsongoing 164.5kReads8.0Score9.2kShelves

Reader note

All have independent campuses

88 四 I Live in the Siheyuan in the West Crossing Courtyard Northeast Cool Breeze516k Wordsongoing 7.4kReads6.5Score209Shelves

Reader note

All have independent campuses

89 四 Siheyuan: the Wild Boar Gave Me Ten Acres of Land and a Greenhouse at the Beginning Yuli Chacha1.6M Wordscompleted 33.6kReads8.3Score2.4kShelves

Reader note

This book started opposite Courtyard No. 95, And later bought the entire courtyard.

90 四 Siheyuan: Yi Zhonghai Was Torn Apart and Forced to Pay 6,000 Yuan Qingshan Woodcutter722k Wordsongoing 89.6kReads5.1Score5.6kShelves

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This book qualifies

91 四 Siheyuan: Happy Life in the Booming Era Not Sweet, Not Salty616k Wordscompleted 32kReads8.5Score1.1kShelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

92 四 Siheyuan: Really Reaching Fullness of Love Winter Morning Sunshine1.2M Wordscompleted 26.1kReads8.7Score1.2kShelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

93 战 When the War Ended, I Left the Courtyard and Went Abroad. Favorite Lou Xiao'e371k Wordscompleted 11kReads8.2Score398Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

94 四 In the Siheyuan, I Can Always Stay Out of Things Draw Thirteen837k Wordscompleted 24.1kReads8.3Score1kShelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

95 四 Siheyuan, I Am Actually a Fool Falling Leaves Know Autumn Zmy13535k Wordscompleted 20.6kReads8.4Score1.1kShelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

96 四 Siheyuan: Shazhu Is Finally Happy Brother Jing1.1M Wordscompleted 25.9kReads8.1Score1.1kShelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

97 穿 Dress up as a Fool, Marry a Bride, and Raise Eight Children! Gardenia in July1.0M Wordscompleted 10.3kReads8.3Score512Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

98 四 A New Life in the Courtyard Hongmao632k Wordscompleted 9.3kReads8.8Score265Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

99 四 This Silly Pillar in the Courtyard Is a Bit Chic Autumn Breeze Blows on the Street203k Wordscompleted 8.3kReads8.9Score262Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

100 四 Siheyuan: Time Travel to Become a Young Fool Lemon Grapefruit Without Ice583k Wordscompleted 16.8kReads7.5Score470Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

100 四 Sihe********* ongoing —Reads5.8Score—Shelves

Reader note

🌟① It is completely consistent. The protagonist of the courtyard house has a separate yard. No. 93, South Tongluo Lane, is a large courtyard house and is a neighbor of No. 95. In 1956, the protagonist's grandfather bought the front yard. 🍀

101 重 Rebirth 58: Three Years of Hardship, Not Enough Food to Eat North of Mountains and South of Water785k Wordsongoing 2.4kReads7.7Score102Shelves

Reader note

🌟① It is completely consistent. The protagonist of the courtyard house has a separate yard. No. 93, South Tongluo Lane, is a large courtyard house and is a neighbor of No. 95. In 1956, the protagonist's grandfather bought the front yard. 🍀

101 四 Siheyuan: the Rebirth of the Silly Pillar in the 1950S Summoned on the Way Home1.0M Wordscompleted 13.3kReads7.7Score381Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

102 四 Siheyuan: Yan Jiekuang's Chic Life Boiled Eggs in Sugar Water1.2M Wordscompleted 16.1kReads8.2Score720Shelves

Reader note

🌟① It is completely consistent. The protagonist of the courtyard house has a separate yard. No. 93, South Tongluo Lane, is a large courtyard house and is a neighbor of No. 95. In 1956, the protagonist's grandfather bought the front yard. 🍀

102 何 Silly Zhu Changed After He Daqing Left Half Failed289k Wordscompleted 20.4kReads8.4Score688Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

103 四 Siheyuan: 10 Months Left to Live Dharma Boat1.0M Wordscompleted 12.5kReads8.5Score538Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

104 四 Siheyuan: Revenge of the Two Fools Winter Morning Sunshine1.1M Wordscompleted 17.2kReads8.3Score883Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

105 四 Siheyuan: Xu Damao's Chic Life Path Just Love Chewing Sugar Cane203k Wordscompleted 6.2kReads8.7Score196Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

105 四 Siheyuan: Become a 10,000-Yuan Household at the Beginning Zhang's Three Stones528k Wordscompleted 15.8kReads7.7Score449Shelves

Reader note

🌟① It is completely consistent. The protagonist of the courtyard house has a separate yard. No. 93, South Tongluo Lane, is a large courtyard house and is a neighbor of No. 95. In 1956, the protagonist's grandfather bought the front yard. 🍀

106 四 Siheyuan: Engineers Make the Whole World Jealous A Little Milk1.1M Wordscompleted 1.9kReads7.4Score146Shelves

Reader note

🌟① It is completely consistent. The protagonist of the courtyard house has a separate yard. No. 93, South Tongluo Lane, is a large courtyard house and is a neighbor of No. 95. In 1956, the protagonist's grandfather bought the front yard. 🍀

106 四 Siheyuan: Send the Beast to the Detention Center at the Beginning Zhang Shizhongyu283k Wordscompleted 2.8kReads8.6Score100Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

107 四 Sihe************ completed —Reads5.8Score—Shelves

Reader note

🌟① It is completely consistent. The protagonist of the courtyard house has a separate yard. No. 93, South Tongluo Lane, is a large courtyard house and is a neighbor of No. 95. In 1956, the protagonist's grandfather bought the front yard. 🍀

107 四 Siheyuan: Jiazi Old Chinese Medicine Doctor, Leisurely Life High Mountains548k Wordscompleted 5.9kReads8.6Score306Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

108 四 Siheyuan Small Citizen Wandering Northwest686k Wordscompleted 4.1kReads8.9Score125Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

109 四 Siheyuan: I Am Xu Damao, the King of Science and Technology Duobaodashao1.1M Wordscompleted 8.8kReads7.9Score438Shelves

Reader note

"Siheyuan: Happy Life in the Red Age" is simply a breath of fresh air in period literature! It also traveled to the world of "Love in the Courtyard". It did not choose to write about "slapping silly pillars in the face" or "counterattacking Xu Damao". Instead, it allowed the protagonist Pei Guang to appear as a brand new "little transparent". This perspective is actually eye-catching. The protagonist's golden finger "God's reward system" is particularly interesting in design - there is no superpower that can be achieved in one step, and it all depends on solid practice to increase proficiency. Skills such as cooking and fitness have to be honed little by little. This setting of "efforts will be rewarded" gives the period novel a sense of solidity. Think about it, others rely on the system to win through time travel, but Pei Guang has to get up early in the morning to cook porridge and practice cooking skills, do push-ups to gain fitness proficiency, and even kill a chicken and stew a pot of soup to gain experience. Isn't this the "sense of struggle" that ordinary people can most empathize with? Moreover, the author's depiction of the group portraits in the courtyard is so spot on! Mrs. Jia and Zhang looked like they were straight out of a drama when they saw Pei Guang "licking his face and eating rice" when he bought chicken; the grievances of Yan Bugui's family while smelling the smell of meat and chewing steamed buns brought to life the image of "calculation" and "helplessness"; even Silly Zhu's "exuberance in cooking" was written particularly vividly. The best thing is that the protagonist did not get into a tense situation with the people in the courtyard as soon as he came on. Instead, he quietly changed his situation by making chicken soup and practicing his skills. This kind of counterattack rhythm of "making a fortune silently" is particularly comfortable to watch. The setting of the space props is also very convenient. You can't farm but can store goods and adjust the time flow rate. It's tailor-made for those who hoard goods! Think about it, in an era of scarce supplies, who wouldn't want to have a "mobile warehouse" that can store dozens of pounds of meat and dozens of chickens and ducks? The details of Pei Guang moving kitchen supplies into the space to secretly practice cooking are both reasonable and refreshing, without destroying the authenticity of the era at all. I wonder if you have noticed that Pei Guang's attitude towards his sister is particularly poignant? Although he had just traveled back in time, he immediately thought of "improving the food so that my sister would grow taller." The quarrel between the brother and the sister during the meal made the family love of that era heartwarming. There is also the scene where he refuses the help of the third aunt to kill the chicken and avoids Jia Zhang's meal. He is neither humble nor overbearing, showing more wisdom than toughness. Having said that, how will Pei Guang use the meat and tickets rewarded by the system next? Should you quietly subsidize your family income, or find a way to exchange for something rare? In addition, Shazhu has noticed that Pei Guang's cooking skills have improved. Will the two of them stage a "cooking showdown" in the canteen of the steel rolling mill? Can anyone guess the next plot?

110 四 Siheyuan: Starting from the Volunteer Army Chess352k Wordsongoing 54.9kReads6.1Score3.8kShelves

Reader note

This is, the protagonist has his own private home, a complete family, and no hostility.

111 四 Siheyuan: the Soul Is Transformed into a Martyr, Full of Positive Energy Three Leather Jackets621k Wordscompleted 2.8kReads7.2Score—Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

112 四 Siheyuan: Yi Zhonghai's Son Enters the Security Department at the Beginning Mai Zuo3.9M Wordsongoing 15.5kReads7.5Score1kShelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

113 1 19************ ongoing —Reads5.8Score—Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

114 开 Who Is Qin Huairu in the Opening Scene Who Is Not a Cao Thief? Zhen Lei Xiao4.0M Wordsongoing 1.8kReads6.1Score123Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

115 穿 Travel Through He Daqing and Marry His Wife Chen Xueru Changsheng Laoliu277k Wordsongoing 1.7kReads6.1Score—Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

116 四 Siheyuan: the Long Live Army's Strongest Quartermaster Watching253k Wordscompleted 217Reads—Score—Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

117 四 Sihe************ ongoing —Reads5.8Score—Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

118 四 Peach Blossoms Bloom in the Courtyard Ant's Thoughts410k Wordscompleted 1.5kReads6.7Score—Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

119 四 Siheyuan: Outrageous! I Actually Have Unlimited Meat to Eat Hello Fellow Taoists471k Wordscompleted 890Reads6.9Score—Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

120 四 Siheyuan: I Live in Xiangjiang and I Am Very Patriotic. Koi Is Not a Monster1.3M Wordscompleted 5.1kReads6.4Score204Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

121 四 Siheyuan: After Being Broken Up, I Will Be Blessed with Many Children. Nannan's Dream of Cultivating Immortality1.3M Wordscompleted 3.7kReads6.0Score152Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

122 我 I, Xu Damao, Come from the 21St Century Toad715k Wordscompleted 6.5kReads8.1Score199Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

123 四 Siheyuan: the Chicken Is Flying and the Dog Is Jumping. Lang Jun Reads1.1M Wordscompleted 682Reads5.5Score—Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

124 四 Sihe************ completed —Reads5.8Score—Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

125 四 Sihe****** ongoing —Reads5.8Score—Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

126 四 Siheyuan: Become Qin Huairu's Younger Brother at the Beginning The Spring Breeze Never Sleeps1.1M Wordscompleted 15.3kReads7.2Score842Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.

127 傻 Silly Zhu Refused to Help, and His Wife and Children Were on the Hot Bed Zhang Tianming447k Wordscompleted 6.1kReads8.8Score240Shelves

Reader note

In the first book, Yi Zhonghai was sold out and the house was bought as a single heroine. She has her own yard in the back, a system and space, and a supermarket. The goods from the supermarket are taken today and will be automatically replenished tomorrow.