Please Give Me a Good Number of Siheyuan Books and Chapters and Good Quality.

54 四 In the Beginning of Siheyuan, We Won Director Wang and Director Zhang. Uncle from Hunan School612k Wordsongoing 70.7kReads6.2Score3.8kShelves

Reader note

In the 500,000-word update, the most popular Siheyuan is coming, with more than 100,000 words reaching more than 300,000 students. At the beginning, he led 300 tribesmen into Nanluogu Lane, overthrew Director Wang and Director Zhang, and attacked the Yang faction with all his strength. In the year of disaster, he brought back 200,000 kilograms of food for the whole village. He attacked violently and ended up in death.

55 四 四合院：我有无尽物资 Stir-Fried Marshmallows1.1M Wordscompleted 64kReads9.3Score5.5kShelves

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Those with a score of 9 or above [Salute] Traveling through the courtyard, there will be one more relative every half month, with high and low positions, fighting wits and courage in the beast's den, alas, so many relatives are so lawless

56 四 Siheyuan: I Entered the Railway Crossing New Wine Five 21.6M Wordscompleted 27.4kReads6.8Score1.5kShelves

Reader note

Siheyuan's new book, already fat, can be slaughtered, well written, not so violent, IQ is online

57 四 Siheyuan: a Good Girl Is Harmed by a Stupid Pillar and Breaks His Head Can Dance Steamed Pork with Rice Noodles2.4M Wordscompleted 2.7kReads6.6Score109Shelves

Reader note

The courtyard is of high quality and looks pretty good

77 四 Siheyuan: Since the 1950S Square Meets Triangle187k Wordscompleted 4.7kReads8.2Score104Shelves

Reader note

"Siheyuan: From the 1950s" uses the unique perspective of "spectator + stocking flow" to explore the theme of the courtyard, allowing Wang Ping'an, a 21st century takeaway boy, to travel to a martyr's family in 1958. With the "double space golden finger", he managed steadily in the special era. He not only watched the life of the courtyard with a cold eye, but also survived with an advanced layout. The author uses a delicate period texture and light comedy style to create a unique work that combines realistic fireworks with a sense of time travel. 1. Anti-traditional time-travel positioning: being an outsider in the Siheyuan Different from the conventional routine of "slap in the face and revenge", the protagonist Wang Ping'an has the attribute of "bystander": he is aware of the calculations of everyone in the Siheyuan (such as Jia Zhang's greed and Yi Zhonghai's hypocrisy), but he actively keeps a distance and adheres to the principle of "I will not offend others unless they offend me". In the first chapter, he responded politely to the second uncle Liu Haizhong's overtures and Qin Huairu's enthusiasm, but always observed the dynamics of the compound from an "outsider" perspective - when Si Zhu and Xu Damao were fighting, and when Jia Zhang peeked at his family's supplies, he only laughed and did not intervene in the dispute. This "sober sense of alienation" breaks the depressing atmosphere of traditional courtyard themes, allowing readers to examine the various aspects of human nature under the limitations of the times from a "God's perspective". 2. Pragmatic development of space cheats: hoarding is the hard currency. The protagonist's "dual space" setting (planting space + static space) abandons the constraints of "system tasks" and returns to the essence of "rigorous needs for survival": - Planting space: can cultivate automatically and accelerate growth. Wang Pingan went to the countryside to purchase seeds (rice, corn, vegetables) to achieve mass production of food in the space, laying the groundwork for subsequent famines; - Still space: used to store supplies. He cashes in the harvested vegetables on the black market (such as selling fresh cabbage for 10 cents per catty), and then uses the funds to replace meat stamps and livestock cubs, forming a closed loop of "planting - cashing - stocking up". It is worth mentioning that the author weakened the fantasy color of "Goldfinger" and focused on depicting the pragmatic operations of the protagonist: in order to obtain seeds, he lied about "the uncle in the courtyard passed away" and asked for leave to go to the countryside; in order to avoid censorship, he wore a cotton-padded jacket and covered his face when trading in the black market, making the logic of "hoarding goods to save the country" more realistic and convincing. 3. A vivid outline of group portraits of the era: a true picture of ordinary people in the city. The author uses "1958" as the time anchor to accurately restore the quality of life in a special era: - The appearance of all living beings under material scarcity: the stinginess of the third uncle Yan Fugui in "dividing pickles based on their roots", Xu Damao's showing off of his "projectionist identity", and the wretchedness of Silly Zhu's "peeping at Qin Huairu" all reflect the undertones of human nature under material shortages; - The hidden power of institutional relationships: the protagonist is protected by the chief because of his status as a "descendant of martyrs" (such as his mother's transfer to the supply and marketing cooperative, and priority in obtaining bicycle tickets), which reflects the actual role of the "relationship network" in a special era; - The complex writing of female characters: Qin Huairu's enthusiasm before going dark, the Queen Mother's traditional concept of "eagerly looking forward to her grandson", showing the survival strategies of women of different generations under the framework of the times. These details interweave into a "Siheyuan Ukiyo-e", which contains both the fireworks of neighborhood greetings and the undercurrent of calculations, making readers feel like they are in that scarce but vivid era. 4. The soothing tension of the narrative rhythm: burying long-term stories in daily life. The novel takes "high school life + space management" as the main line, and adopts a "slow-heat" narrative: the first five chapters focus on the protagonist's adaptation to time travel, space development, and black market transactions. It does not directly intervene in the core contradiction of the courtyard, but extends the perspective to a broader era background (such as the upcoming natural disaster in 1959) through the main line of "hoarding food to prepare for shortages." This writing method of "reflecting the changes of the times with personal destiny" not only retains the urban interest of the courtyard theme, but also gives the story a pattern that goes beyond house fighting - when Wang Ping'an grows wheat and breeds poultry in the space, readers can already foresee that he will become a game-breaker in the future famine as a "food holder". Conclusion: When time travelers become observers of the times, "Siheyuan: From the 1950s" uses the "hoarding flow" to reconstruct the value of time travel, allowing the protagonist to establish himself in the Siheyuan as a "material reserver" rather than a "conflict participant". If you are tired of "punch-to-flesh" revenge novels and want to experience the pragmatic time travel of "fighting steadily against the tide of the times", this work will give you a different reading experience. Watch how the delivery boy uses modern thinking to manage the dual space, and writes his own survival legend while watching indifferently in the Qinman Courtyard.

80 * ** Smile South595k Wordscompleted 2.9kReads5.8Score—Shelves

Reader note

"Siheyuan: From the 1950s" uses the unique perspective of "spectator + stocking flow" to explore the theme of the courtyard, allowing Wang Ping'an, a 21st century takeaway boy, to travel to a martyr's family in 1958. With the "double space golden finger", he managed steadily in the special era. He not only watched the life of the courtyard with a cold eye, but also survived with an advanced layout. The author uses a delicate period texture and light comedy style to create a unique work that combines realistic fireworks with a sense of time travel. 1. Anti-traditional time-travel positioning: being an outsider in the Siheyuan Different from the conventional routine of "slap in the face and revenge", the protagonist Wang Ping'an has the attribute of "bystander": he is aware of the calculations of everyone in the Siheyuan (such as Jia Zhang's greed and Yi Zhonghai's hypocrisy), but he actively keeps a distance and adheres to the principle of "I will not offend others unless they offend me". In the first chapter, he responded politely to the second uncle Liu Haizhong's overtures and Qin Huairu's enthusiasm, but always observed the dynamics of the compound from an "outsider" perspective - when Si Zhu and Xu Damao were fighting, and when Jia Zhang peeked at his family's supplies, he only laughed and did not intervene in the dispute. This "sober sense of alienation" breaks the depressing atmosphere of traditional courtyard themes, allowing readers to examine the various aspects of human nature under the limitations of the times from a "God's perspective". 2. Pragmatic development of space cheats: hoarding is the hard currency. The protagonist's "dual space" setting (planting space + static space) abandons the constraints of "system tasks" and returns to the essence of "rigorous needs for survival": - Planting space: can cultivate automatically and accelerate growth. Wang Pingan went to the countryside to purchase seeds (rice, corn, vegetables) to achieve mass production of food in the space, laying the groundwork for subsequent famines; - Still space: used to store supplies. He cashes in the harvested vegetables on the black market (such as selling fresh cabbage for 10 cents per catty), and then uses the funds to replace meat stamps and livestock cubs, forming a closed loop of "planting - cashing - stocking up". It is worth mentioning that the author weakened the fantasy color of "Goldfinger" and focused on depicting the pragmatic operations of the protagonist: in order to obtain seeds, he lied about "the uncle in the courtyard passed away" and asked for leave to go to the countryside; in order to avoid censorship, he wore a cotton-padded jacket and covered his face when trading in the black market, making the logic of "hoarding goods to save the country" more realistic and convincing. 3. A vivid outline of group portraits of the era: a true picture of ordinary people in the city. The author uses "1958" as the time anchor to accurately restore the quality of life in a special era: - The appearance of all living beings under material scarcity: the stinginess of the third uncle Yan Fugui in "dividing pickles based on their roots", Xu Damao's showing off of his "projectionist identity", and the wretchedness of Silly Zhu's "peeping at Qin Huairu" all reflect the undertones of human nature under material shortages; - The hidden power of institutional relationships: the protagonist is protected by the chief because of his status as a "descendant of martyrs" (such as his mother's transfer to the supply and marketing cooperative, and priority in obtaining bicycle tickets), which reflects the actual role of the "relationship network" in a special era; - The complex writing of female characters: Qin Huairu's enthusiasm before going dark, the Queen Mother's traditional concept of "eagerly looking forward to her grandson", showing the survival strategies of women of different generations under the framework of the times. These details interweave into a "Siheyuan Ukiyo-e", which contains both the fireworks of neighborhood greetings and the undercurrent of calculations, making readers feel like they are in that scarce but vivid era. 4. The soothing tension of the narrative rhythm: burying long-term stories in daily life. The novel takes "high school life + space management" as the main line, and adopts a "slow-heat" narrative: the first five chapters focus on the protagonist's adaptation to time travel, space development, and black market transactions. It does not directly intervene in the core contradiction of the courtyard, but extends the perspective to a broader era background (such as the upcoming natural disaster in 1959) through the main line of "hoarding food to prepare for shortages." This writing method of "reflecting the changes of the times with personal destiny" not only retains the urban interest of the courtyard theme, but also gives the story a pattern that goes beyond house fighting - when Wang Ping'an grows wheat and breeds poultry in the space, readers can already foresee that he will become a game-breaker in the future famine as a "food holder". Conclusion: When time travelers become observers of the times, "Siheyuan: From the 1950s" uses the "hoarding flow" to reconstruct the value of time travel, allowing the protagonist to establish himself in the Siheyuan as a "material reserver" rather than a "conflict participant". If you are tired of "punch-to-flesh" revenge novels and want to experience the pragmatic time travel of "fighting steadily against the tide of the times", this work will give you a different reading experience. Watch how the delivery boy uses modern thinking to manage the dual space, and writes his own survival legend while watching indifferently in the Qinman Siheyuan.

94 四 Siheyuan: in 1984, You Brought a Bastard to Lick a Stupid Pillar? Real Daydream590k Wordsongoing 24.9kReads6.5Score1.3kShelves

Reader note

No plot to reduce intelligence

96 四 Siheyuan: Shazhu Is Finally Happy Brother Jing1.1M Wordscompleted 25.9kReads8.1Score1.1kShelves

Reader note

The Siheyuan Crossing the Silly Pillar written by me has rigorous logic, warmth, and the pleasure of revenge. Each chapter is 3,000 words. You can add it to your bookshelf to gain weight and read it again. The original title of the book (Siheyuan: I became a Silly Pillar but I am not stupid)

97 四 Siheyuan: I Just Want to Live a Peaceful Life Wearing Stars and Wearing Moon Just for You2.4M Wordscompleted 31.8kReads7.8Score1.6kShelves

Reader note

Two million words, a favorite among old bookworms, with original male and female protagonists. There is no ceiling for hostility. The protagonist is the sixth in gold. He initially thought he was a saint, but later he realized that he was plotting against everyone and everything around him. It is neither black nor witty. It breaks away from the black and white stereotypes, digs deeply into the logic of the times and human nature behind the actions of the original characters, and presents the survival dilemma and choices of ordinary citizens in special eras. The protagonist has a grand structure, cares about his family and country, has clear goals, and makes silent sacrifices using knowledge that transcends the times. The dispute in the courtyard is just a backdrop and will never be dragged into low-level internal fighting. What he really cares about is the world outside the wall that is in urgent need of rising. The gains and losses of the Siheyuan were never part of his chess game.

98 * ** completed —Reads5.8Score—Shelves

Reader note

Wang Hongtao traveled back in time to 1961, and accidentally rescued Deputy Director Li of the steel rolling mill. He got a job and worked as a driver for Deputy Director Li. He also stole his home, moved into a courtyard, and became neighbors with Xu Damao. He also became the boss next door that he had to guard against.