Siheyuan: Adopt a Little Girl, Feel Ashamed to Be a Flower

51 正 Zhengxin Chicken Steak Book 33 Zhengxin Chicken SteakUrban1.8M Wordsongoing 50.2kReads8.4Score3.7kShelves

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Multi-female courtyard house

52 * ** Moving Bricks to Pieces744k Wordscompleted 27.1kReads5.8Score1.1kShelves

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[Sparrow Eater Masterpiece] [Bookshelf Plus One] [Adoration] [Already Planted] [Please update] Four complete and beautiful Siheyuan books, definitely the best in Siheyuan.

53 * ** Moving Bricks to Pieces783k Wordscompleted 16.1kReads5.8Score650Shelves

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[Sparrow Eater Masterpiece] [Bookshelf Plus One] [Adoration] [Already Planted] [Please update] Four complete and beautiful Siheyuan books, definitely the best in Siheyuan.

54 * ** Moving Bricks to Pieces1.0M Wordscompleted 32.2kReads5.8Score1.9kShelves

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[Sparrow Eater Masterpiece] [Bookshelf Plus One] [Adoration] [Already Planted] [Please update] Four complete and beautiful Siheyuan books, definitely the best in Siheyuan.

55 * ** Moving Bricks to Pieces621k Wordscompleted 18.1kReads5.8Score565Shelves

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[Sparrow Eater Masterpiece] [Bookshelf Plus One] [Adoration] [Already Planted] [Please update] Four complete and beautiful Siheyuan books, definitely the best in Siheyuan.

56 * ** Big Brick Guy489k Wordsongoing 8.7kReads5.8Score639Shelves

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The pervert traveled through the courtyard, trapped stupid pillars, expelled the Zhang family, and scolded Yi Zhonghai... He took Yu Lihe's rainwater into the room and started a new map: Chen Xueru, Ding Qiunan, Xu Xiaoyu... None of them can be left behind.

57 须 Sumeru Precepts: Rebirth in Sixty Years of Cultivation, Beauty, and Conspiracy for the World Reversal of the Mortal WorldUrban834k Wordsongoing 23.4kReads7.3Score3.8kShelves

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[OK][OK]

58 红 Mortal Monk TianchenxingyuEastern Fantasy3.8M Wordscompleted 6.8kReads8.5Score859Shelves

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[OK][OK]

59 土 Potato's Omnipotent Answer to the Magic Stick Theory Tao Vision8k Wordscompleted 368Reads8.4Score—Shelves

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[OK][OK]

60 四 Siheyuan: Turning a Dilapidated Courtyard into a Peach Blossom Garden Ximen Roast Duck780k Wordsongoing 16.3kReads5.5Score898Shelves

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Are you tired of reading Siheyuan novels? Change your taste! Go read this new Siheyuan book, it is definitely a breath of fresh air among Siheyuan novels! Definitely original, giving you a different courtyard house! It's refreshing to watch and definitely worth a look! Highly recommended!

61 四 Siheyuan: Married to Qin Huairu, I Can't Hold Myself Back Anymore Hushuoxiaxiao615k Wordscompleted 2.9kReads6.7Score100Shelves

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The strongest Qin Huairu and Xiaodang Huaihua both ended well.

62 四 Siheyuan: I, Ye Qiu, Don't Know How to Salt Fish (That's Weird) A Cute New Pikachu896k Wordscompleted 1.1kReads7.6Score—Shelves

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To be honest, these two books don't have many bad points. You can read them. The first one is gentle and not as violent as the other books.

63 四 Siheyuan: Ordinary Life The Man with Three Waists558k Wordscompleted 5.1kReads6.4Score143Shelves

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As soon as the book "The Hot Courtyard" came out, there was no book in the world. Hey, there are many girls, super stunning, come here quickly [Bird Food Masterwork] [Add one to the bookshelf] [Already planted] [Learned] [Love] [High IQ + Strategy + Humanity + Logic] This book is written with top-notch writing, a blend of ice and fire , the collision in the depths of the soul, the unity of opposites between yin and yang, the creation of characters is extremely three-dimensional and full, one person has thousands of faces, the conflict between sensibility and rationality, has a strong philosophical dialectic, there is no right or wrong, the plot is beyond imagination, there are many accidents and the logic is rigorous, it is worth reading carefully!

84 四 Nine of the Ten Children in the Courtyard Are My Biological Children Shiny Tail Lights1.4M Wordscompleted 26.1kReads8.1Score1.6kShelves

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It's impossible for someone to really adopt Xiaodang and Sophora japonica, right? It's not like they're adopting them to satisfy their own hobbies😄😄😄😄

85 四 Siheyuan: Cut Off Hu Xiaohuaihua, Widow, Why Are You Crying? Siheyuan194k Wordsongoing 393Reads—Score—Shelves

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It's impossible for someone to really adopt Xiaodang and Sophora japonica, right? It's not like they're adopting them to satisfy their own hobbies😄😄😄😄

86 四 Siheyuan, I Was Aroused by Sophora Japonica Flowers Sweet Donuts 6289k Wordscompleted 526Reads5.9Score—Shelves

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It's impossible for someone to really adopt Xiaodang and Sophora japonica, right? It's not like they're adopting them to satisfy their own hobbies😄😄😄😄

87 四 An Unlimited Resource Every Day in the Siheyuan in the 1980S Lao Wang of Embroidered Clothes732k Wordscompleted 1.1kReads6.2Score—Shelves

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It's impossible for someone to really adopt Xiaodang and Sophora japonica, right? It's not like they're adopting them to satisfy their own hobbies😄😄😄😄

92 * ** The Wild Beast Who Loves to Eat Dry Tea1.8M Wordscompleted 32.8kReads5.8Score1.8kShelves

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① Traveling through the courtyard, the protagonist adopted Weihua. ②The protagonist comes to the courtyard, follows a different plot, and adopts the shameless flower Xiaodang. ③The protagonist becomes the deputy factory director at the beginning and walks sideways in the courtyard

93 * ** completed —Reads5.8Score—Shelves

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① Traveling through the courtyard, the protagonist adopted Weihua. ②The protagonist comes to the courtyard, follows a different plot, and adopts the shameless flower Xiaodang. ③The protagonist becomes the deputy factory director at the beginning and walks sideways in the courtyard

94 四 Siheyuan: Happy Life in the Booming Era Not Sweet, Not Salty616k Wordscompleted 33.5kReads8.5Score1.2kShelves

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"Siheyuan: A Happy Life in the Hot Age" As a viewer who is accustomed to watching the original drama "Love in the Siheyuan", when I first clicked on this derivative article, I was worried that it would fall into the cliché of "repetitive plots". As a result, the protagonist Pei Guang broke my expectations as soon as he appeared on the scene - instead of joining the "weird group" in the courtyard as soon as he traveled through time, he took his sister to survive steadily. This pragmatic start immediately hit me. What stood out to me the most was the protagonist's "Tiandao rewards those who work hard" setting. It does not provide the thrill of "getting to the top in one step", but ties skill upgrades to daily details: getting up early to cook can improve your cooking skills, going out for a run can improve your physical fitness, and even mending your sister's clothes can unlock life skills. I remember that I was inexplicably excited when I saw Pei Guang improve his cooking skills from "beginner" to "proficient", not only making braised pork that made even stupid people look at him, but also unlocking hard currency rewards such as beef and eggs. This setting of "clear rewards for your efforts", in the context of an era of scarcity of materials, is more immersive than simple "materials from the sky", and is more in line with the core concept of "you must earn a happy life by yourself". The way the protagonist handles interpersonal relationships in the courtyard is also particularly interesting. When faced with the scene where Jia Zhang came to ask for chicken, he did not swallow his anger like some characters in the original drama, nor did he directly show off his face. Instead, he gently blocked it with the sentence "I only have this little meat in the house, and my sister is growing." This not only kept the bottom line, but also did not cause any subsequent trouble for himself. In particular, he deliberately kept a distance from Qin Huairu, who had not yet fully "turned into a white lotus". This kind of sobriety of "avoiding plot pitfalls in advance" was a breath of fresh air compared to the characters in the original drama who were troubled by the interpersonal relationships in the courtyard. Xu Damao also ran to buy chicken to improve the food after seeing his chicken stew. Yan Fugui stood at the door and calculated the small details of the "cost of eating chicken", which vividly portrayed the atmosphere of "neighbors watching each other and secretly competing with each other" in that era, as if it really gave people a glimpse of an old Beijing courtyard with fireworks. But what interests me the most is the protagonist's preparation for "difficult times". From prioritizing food storage in the system rewards, storing meat and dry goods in the space, to planning to improve cooking skills to gain a foothold in the canteen, every step is "prepared for a rainy day". When I saw him secretly stuffing eggs into his sister and thinking about saving cloth tickets to make new clothes for her, I felt that this protagonist with a golden finger was particularly humane - his "counterattack" was not only for himself, but also to protect the people around him. This warm undertone made the whole story more touching. Now I am particularly curious about two points, and I want to talk to you about them: If something happens to Jia Dongxu later, and Qin Huairu really comes to ask for help, how will Pei Guang respond? Should you continue to keep your distance, or will you help without dragging yourself down? In addition, his space can adjust the flow rate. Will it be used to secretly produce some "special output" in the future, such as preparing cooked food in advance to cope with material shortages? Are there any friends who have watched it who can guess where the plot will go?

95 * ** Winter Morning Sunshine1.2M Wordscompleted 26.2kReads5.8Score1.1kShelves

Reader note

"Siheyuan: A Happy Life in the Hot Age" As a viewer who is accustomed to watching the original drama "Love in the Siheyuan", when I first clicked on this derivative article, I was worried that it would fall into the cliché of "repetitive plots". As a result, the protagonist Pei Guang broke my expectations as soon as he appeared on the scene - instead of joining the "weird group" in the courtyard as soon as he traveled through time, he took his sister to survive steadily. This pragmatic start immediately hit me. What stood out to me the most was the protagonist's "Tiandao rewards those who work hard" setting. It does not provide the thrill of "getting to the top in one step", but ties skill upgrades to daily details: getting up early to cook can improve your cooking skills, going out for a run can improve your physical fitness, and even mending your sister's clothes can unlock life skills. I remember that I was inexplicably excited when I saw Pei Guang improve his cooking skills from "beginner" to "proficient", not only making braised pork that made even stupid people look at him, but also unlocking hard currency rewards such as beef and eggs. This setting of "clear rewards for your efforts", in the context of an era of scarcity of materials, is more immersive than simple "materials from the sky", and is more in line with the core concept of "you must earn a happy life by yourself". The way the protagonist handles interpersonal relationships in the courtyard is also particularly interesting. When faced with the scene where Jia Zhang came to ask for chicken, he did not swallow his anger like some characters in the original drama, nor did he directly show off his face. Instead, he gently blocked it with the sentence "I only have this little meat in the house, and my sister is growing." This not only kept the bottom line, but also did not cause any subsequent trouble for himself. In particular, he deliberately kept a distance from Qin Huairu, who had not yet fully "turned into a white lotus". This kind of sobriety of "avoiding plot pitfalls in advance" was a breath of fresh air compared to the characters in the original drama who were troubled by the interpersonal relationships in the courtyard. Xu Damao also ran to buy chicken to improve the food after seeing his chicken stew. Yan Fugui stood at the door and calculated the small details of the "cost of eating chicken", which vividly portrayed the atmosphere of "neighbors watching each other and secretly competing with each other" in that era, as if it really gave people a glimpse of an old Beijing courtyard with fireworks. But what interests me the most is the protagonist's preparation for "difficult times". From prioritizing food storage in the system rewards, storing meat and dry goods in the space, to planning to improve cooking skills to gain a foothold in the canteen, every step is "prepared for a rainy day". When I saw him secretly stuffing eggs into his sister and thinking about saving cloth tickets to make new clothes for her, I felt that this protagonist with a golden finger was particularly humane - his "counterattack" was not only for himself, but also to protect the people around him. This warm undertone made the whole story more touching. Now I am particularly curious about two points, and I want to talk to you about them: If something happens to Jia Dongxu later, and Qin Huairu really comes to ask for help, how will Pei Guang respond? Should you continue to keep your distance, or will you help without dragging yourself down? In addition, his space can adjust the flow rate. Will it be used to secretly produce some "special output" in the future, such as preparing cooked food in advance to cope with material shortages? Are there any friends who have watched it who can guess where the plot will go?

96 四 Siheyuan: Find Lou Xiaoe as Godmother at the Beginning Minced Beancurd with Minced Meat2.5M Wordscompleted 24.8kReads8.6Score1.3kShelves

Reader note

"Siheyuan: A Happy Life in the Hot Age" As a viewer who is accustomed to watching the original drama "Love in the Siheyuan", when I first clicked on this derivative article, I was worried that it would fall into the cliché of "repetitive plots". As a result, the protagonist Pei Guang broke my expectations as soon as he appeared on the scene - instead of joining the "weird group" in the courtyard as soon as he traveled through time, he took his sister to survive steadily. This pragmatic start immediately hit me. What stood out to me the most was the protagonist's "Tiandao rewards those who work hard" setting. It does not provide the thrill of "getting to the top in one step", but ties skill upgrades to daily details: getting up early to cook can improve your cooking skills, going out for a run can improve your physical fitness, and even mending your sister's clothes can unlock life skills. I remember that I was inexplicably excited when I saw Pei Guang improve his cooking skills from "beginner" to "proficient", not only making braised pork that made even stupid people look at him, but also unlocking hard currency rewards such as beef and eggs. This setting of "clear rewards for your efforts", in the context of an era of scarcity of materials, is more immersive than simple "materials from the sky", and is more in line with the core concept of "you must earn a happy life by yourself". The way the protagonist handles interpersonal relationships in the courtyard is also particularly interesting. When faced with the scene where Jia Zhang came to ask for chicken, he did not swallow his anger like some characters in the original drama, nor did he directly show off his face. Instead, he gently blocked it with the sentence "I only have this little meat in the house, and my sister is growing." This not only kept the bottom line, but also did not cause any subsequent trouble for himself. In particular, he deliberately kept a distance from Qin Huairu, who had not yet fully "turned into a white lotus". This kind of sobriety of "avoiding plot pitfalls in advance" was a breath of fresh air compared to the characters in the original drama who were troubled by the interpersonal relationships in the courtyard. Xu Damao also ran to buy chicken to improve the food after seeing his chicken stew. Yan Fugui stood at the door and calculated the small details of the "cost of eating chicken", which vividly portrayed the atmosphere of "neighbors watching each other and secretly competing with each other" in that era, as if it really gave people a glimpse of an old Beijing courtyard with fireworks. But what interests me the most is the protagonist's preparation for "difficult times". From prioritizing food storage in the system rewards, storing meat and dry goods in the space, to planning to improve cooking skills to gain a foothold in the canteen, every step is "prepared for a rainy day". When I saw him secretly stuffing eggs into his sister and thinking about saving cloth tickets to make new clothes for her, I felt that this protagonist with a golden finger was particularly humane - his "counterattack" was not only for himself, but also to protect the people around him. This warm undertone made the whole story more touching. Now I am particularly curious about two points, and I want to talk to you about them: If something happens to Jia Dongxu later, and Qin Huairu really comes to ask for help, how will Pei Guang respond? Should you continue to keep your distance, or will you help without dragging yourself down? In addition, his space can adjust the flow rate. Will it be used to secretly produce some "special output" in the future, such as preparing cooked food in advance to cope with material shortages? Are there any friends who have watched it who can guess where the plot will go?

97 四 Siheyuan Small Citizen Wandering Northwest686k Wordscompleted 4.1kReads8.9Score127Shelves

Reader note

"Siheyuan: A Happy Life in the Hot Age" As a viewer who is accustomed to watching the original drama "Love in the Siheyuan", when I first clicked on this derivative article, I was worried that it would fall into the cliché of "repetitive plots". As a result, the protagonist Pei Guang broke my expectations as soon as he appeared on the scene - instead of joining the "weird group" in the courtyard as soon as he traveled through time, he took his sister to survive steadily. This pragmatic start immediately hit me. What stood out to me the most was the protagonist's "Tiandao rewards those who work hard" setting. It does not provide the thrill of "getting to the top in one step", but ties skill upgrades to daily details: getting up early to cook can improve your cooking skills, going out for a run can improve your physical fitness, and even mending your sister's clothes can unlock life skills. I remember that I was inexplicably excited when I saw Pei Guang improve his cooking skills from "beginner" to "proficient", not only making braised pork that made even stupid people look at him, but also unlocking hard currency rewards such as beef and eggs. This setting of "clear rewards for your efforts", in the context of an era of scarcity of materials, is more immersive than simple "materials from the sky", and is more in line with the core concept of "you must earn a happy life by yourself". The way the protagonist handles interpersonal relationships in the courtyard is also particularly interesting. When faced with the scene where Jia Zhang came to ask for chicken, he did not swallow his anger like some characters in the original drama, nor did he directly show off his face. Instead, he gently blocked it with the sentence "I only have this little meat in the house, and my sister is growing." This not only kept the bottom line, but also did not cause any subsequent trouble for himself. In particular, he deliberately kept a distance from Qin Huairu, who had not yet fully "turned into a white lotus". This kind of sobriety of "avoiding plot pitfalls in advance" was a breath of fresh air compared to the characters in the original drama who were troubled by the interpersonal relationships in the courtyard. Xu Damao also ran to buy chicken to improve the food after seeing his chicken stew. Yan Fugui stood at the door and calculated the small details of the "cost of eating chicken", which vividly portrayed the atmosphere of "neighbors watching each other and secretly competing with each other" in that era, as if it really gave people a glimpse of an old Beijing courtyard with fireworks. But what interests me the most is the protagonist's preparation for "difficult times". From prioritizing food storage in the system rewards, storing meat and dry goods in the space, to planning to improve cooking skills to gain a foothold in the canteen, every step is "prepared for a rainy day". When I saw him secretly stuffing eggs into his sister and thinking about saving cloth tickets to make new clothes for her, I felt that this protagonist with a golden finger was particularly humane - his "counterattack" was not only for himself, but also to protect the people around him. This warm undertone made the whole story more touching. Now I am particularly curious about two points, and I want to talk to you about them: If something happens to Jia Dongxu later, and Qin Huairu really comes to ask for help, how will Pei Guang respond? Should you continue to keep your distance, or will you help without dragging yourself down? In addition, his space can adjust the flow rate. Will it be used to secretly produce some "special output" in the future, such as preparing cooked food in advance to cope with material shortages? Are there any friends who have watched it who can guess where the plot will go?

98 四 Siheyuan: Jiazi Old Chinese Medicine Doctor, Leisurely Life High Mountains548k Wordscompleted 6.3kReads8.6Score322Shelves

Reader note

"Siheyuan: A Happy Life in the Hot Age" As a viewer who is accustomed to watching the original drama "Love in the Siheyuan", when I first clicked on this derivative article, I was worried that it would fall into the cliché of "repetitive plots". As a result, the protagonist Pei Guang broke my expectations as soon as he appeared on the scene - instead of joining the "weird group" in the courtyard as soon as he traveled through time, he took his sister to survive steadily. This pragmatic start immediately hit me. What stood out to me the most was the protagonist's "Tiandao rewards those who work hard" setting. It does not provide the thrill of "getting to the top in one step", but ties skill upgrades to daily details: getting up early to cook can improve your cooking skills, going out for a run can improve your physical fitness, and even mending your sister's clothes can unlock life skills. I remember that I was inexplicably excited when I saw Pei Guang improve his cooking skills from "beginner" to "proficient", not only making braised pork that made even stupid people look at him, but also unlocking hard currency rewards such as beef and eggs. This setting of "clear rewards for your efforts", in the context of an era of scarcity of materials, is more immersive than simple "materials from the sky", and is more in line with the core concept of "you must earn a happy life by yourself". The way the protagonist handles interpersonal relationships in the courtyard is also particularly interesting. When faced with the scene where Jia Zhang came to ask for chicken, he did not swallow his anger like some characters in the original drama, nor did he directly show off his face. Instead, he gently blocked it with the sentence "I only have this little meat in the house, and my sister is growing." This not only kept the bottom line, but also did not cause any subsequent trouble for himself. In particular, he deliberately kept a distance from Qin Huairu, who had not yet fully "turned into a white lotus". This kind of sobriety of "avoiding plot pitfalls in advance" was a breath of fresh air compared to the characters in the original drama who were troubled by the interpersonal relationships in the courtyard. Xu Damao also ran to buy chicken to improve the food after seeing his chicken stew. Yan Fugui stood at the door and calculated the small details of the "cost of eating chicken", which vividly portrayed the atmosphere of "neighbors watching each other and secretly competing with each other" in that era, as if it really gave people a glimpse of an old Beijing courtyard with fireworks. But what interests me the most is the protagonist's preparation for "difficult times". From prioritizing food storage in the system rewards, storing meat and dry goods in the space, to planning to improve cooking skills to gain a foothold in the canteen, every step is "prepared for a rainy day". When I saw him secretly stuffing eggs into his sister and thinking about saving cloth tickets to make new clothes for her, I felt that this protagonist with a golden finger was particularly humane - his "counterattack" was not only for himself, but also to protect the people around him. This warm undertone made the whole story more touching. Now I am particularly curious about two points, and I want to talk to you about them: If something happens to Jia Dongxu later, and Qin Huairu really comes to ask for help, how will Pei Guang respond? Should you continue to keep your distance, or will you help without dragging yourself down? In addition, his space can adjust the flow rate. Will it be used to secretly produce some "special output" in the future, such as preparing cooked food in advance to cope with material shortages? Are there any friends who have watched it who can guess where the plot will go?

99 四 Siheyuan: Send the Beast to the Detention Center at the Beginning Zhang Shizhongyu283k Wordscompleted 2.8kReads8.6Score100Shelves

Reader note

"Siheyuan: A Happy Life in the Hot Age" As a viewer who is accustomed to watching the original drama "Love in the Siheyuan", when I first clicked on this derivative article, I was worried that it would fall into the cliché of "repetitive plots". As a result, the protagonist Pei Guang broke my expectations as soon as he appeared on the scene - instead of joining the "weird group" in the courtyard as soon as he traveled through time, he took his sister to survive steadily. This pragmatic start immediately hit me. What stood out to me the most was the protagonist's "Tiandao rewards those who work hard" setting. It does not provide the thrill of "getting to the top in one step", but ties skill upgrades to daily details: getting up early to cook can improve your cooking skills, going out for a run can improve your physical fitness, and even mending your sister's clothes can unlock life skills. I remember that I was inexplicably excited when I saw Pei Guang improve his cooking skills from "beginner" to "proficient", not only making braised pork that made even stupid people look at him, but also unlocking hard currency rewards such as beef and eggs. This setting of "clear rewards for your efforts", in the context of an era of scarcity of materials, is more immersive than simple "materials from the sky", and is more in line with the core concept of "you must earn a happy life by yourself". The way the protagonist handles interpersonal relationships in the courtyard is also particularly interesting. When faced with the scene where Jia Zhang came to ask for chicken, he did not swallow his anger like some characters in the original drama, nor did he directly show off his face. Instead, he gently blocked it with the sentence "I only have this little meat in the house, and my sister is growing." This not only kept the bottom line, but also did not cause any subsequent trouble for himself. In particular, he deliberately kept a distance from Qin Huairu, who had not yet fully "turned into a white lotus". This kind of sobriety of "avoiding plot pitfalls in advance" was a breath of fresh air compared to the characters in the original drama who were troubled by the interpersonal relationships in the courtyard. Xu Damao also ran to buy chicken to improve the food after seeing his chicken stew. Yan Fugui stood at the door and calculated the small details of the "cost of eating chicken", which vividly portrayed the atmosphere of "neighbors watching each other and secretly competing with each other" in that era, as if it really gave people a glimpse of an old Beijing courtyard with fireworks. But what interests me the most is the protagonist's preparation for "difficult times". From prioritizing food storage in the system rewards, storing meat and dry goods in the space, to planning to improve cooking skills to gain a foothold in the canteen, every step is "prepared for a rainy day". When I saw him secretly stuffing eggs into his sister and thinking about saving cloth tickets to make new clothes for her, I felt that this protagonist with a golden finger was particularly humane - his "counterattack" was not only for himself, but also to protect the people around him. This warm undertone made the whole story more touching. Now I am particularly curious about two points, and I want to talk to you about them: If something happens to Jia Dongxu later, and Qin Huairu really comes to ask for help, how will Pei Guang respond? Should you continue to keep your distance, or will you help without dragging yourself down? In addition, his space can adjust the flow rate. Will it be used to secretly produce some "special output" in the future, such as preparing cooked food in advance to cope with material shortages? Are there any friends who have watched it who can guess where the plot will go?

100 四 Siheyuan: Xu Damao's Chic Life Path Just Love Chewing Sugar Cane203k Wordscompleted 6.4kReads8.7Score195Shelves

Reader note

"Siheyuan: A Happy Life in the Hot Age" As a viewer who is accustomed to watching the original drama "Love in the Siheyuan", when I first clicked on this derivative article, I was worried that it would fall into the cliché of "repetitive plots". As a result, the protagonist Pei Guang broke my expectations as soon as he appeared on the scene - instead of joining the "weird group" in the courtyard as soon as he traveled through time, he took his sister to survive steadily. This pragmatic start immediately hit me. What stood out to me the most was the protagonist's "Tiandao rewards those who work hard" setting. It does not provide the thrill of "getting to the top in one step", but ties skill upgrades to daily details: getting up early to cook can improve your cooking skills, going out for a run can improve your physical fitness, and even mending your sister's clothes can unlock life skills. I remember that I was inexplicably excited when I saw Pei Guang improve his cooking skills from "beginner" to "proficient", not only making braised pork that made even stupid people look at him, but also unlocking hard currency rewards such as beef and eggs. This setting of "clear rewards for your efforts", in the context of an era of scarcity of materials, is more immersive than simple "materials from the sky", and is more in line with the core concept of "you must earn a happy life by yourself". The way the protagonist handles interpersonal relationships in the courtyard is also particularly interesting. When faced with the scene where Jia Zhang came to ask for chicken, he did not swallow his anger like some characters in the original drama, nor did he directly show off his face. Instead, he gently blocked it with the sentence "I only have this little meat in the house, and my sister is growing." This not only kept the bottom line, but also did not cause any subsequent trouble for himself. In particular, he deliberately kept a distance from Qin Huairu, who had not yet fully "turned into a white lotus". This kind of sobriety of "avoiding plot pitfalls in advance" was a breath of fresh air compared to the characters in the original drama who were troubled by the interpersonal relationships in the courtyard. Xu Damao also ran to buy chicken to improve the food after seeing his chicken stew. Yan Fugui stood at the door and calculated the small details of the "cost of eating chicken", which vividly portrayed the atmosphere of "neighbors watching each other and secretly competing with each other" in that era, as if it really gave people a glimpse of an old Beijing courtyard with fireworks. But what interests me the most is the protagonist's preparation for "difficult times". From prioritizing food storage in the system rewards, storing meat and dry goods in the space, to planning to improve cooking skills to gain a foothold in the canteen, every step is "prepared for a rainy day". When I saw him secretly stuffing eggs into his sister and thinking about saving cloth tickets to make new clothes for her, I felt that this protagonist with a golden finger was particularly humane - his "counterattack" was not only for himself, but also to protect the people around him. This warm undertone made the whole story more touching. Now I am particularly curious about two points, and I want to talk to you about them: If something happens to Jia Dongxu later, and Qin Huairu really comes to ask for help, how will Pei Guang respond? Should you continue to keep your distance, or will you help without dragging yourself down? In addition, his space can adjust the flow rate. Will it be used to secretly produce some "special output" in the future, such as preparing cooked food in advance to cope with material shortages? Are there any friends who have watched it who can guess where the plot will go?