The Eastern Han Dynasty is not about the Three Kingdoms. Let's look at the Three Kingdoms from Ma Chao's perspective. From different entry points, we can look at the contradictions in the late Eastern Han Dynasty and what is loyalty and traitor. Everyone who can leave a name in history has the persistence and desire in their heart. Look at Ma Chao's transformation from a loyal minister to a hero.
It is not a cool novel, but a rigorous novel about the Three Kingdoms. Breaking away from the random writing of famous generals, the wise men traveled through time to assist Liu Feng, not only dealing with Wei and Wu, but also internal factions, etc., To see if they could change their fate against the odds.
There are two books on the Three Kingdoms, one of which is about Wei Yan. In the beginning, he rushes thousands of miles to Jingzhou to save Guan Yu. Another story about traveling through time and becoming the son-in-law of Lu Bu's family, watching how he reversed the fate of Xiapi, which was flooded.
Come and taste the saltiness? "Broken Game: Another Possibility of Shu Han": An in-depth deduction to construct a strategic break in the cracks of history. When the posthumous title of "Dedicate yourself to death and die" became a footnote to the tragic end of the Shu Han regime, and when the banner of "Reviving the Han Dynasty" sadly fell in the autumn wind of the original five feet, the lovers of the Three Kingdoms never stopped sighing at this regime. The appearance of "Breaking the Game: Another Possibility of the Shu Han" is like a sharp blade, taking 219 AD as the anchor point, tearing open the inherent cracks in the historical narrative, and leading readers to explore the strategic opportunities of the Shu Han under the cover of fate. Different from the fatalistic interpretation of the "innate deficiencies" of the Shu Han in traditional history books, the author of this book abandons the empty talk of "hindsight" and uses rigorous historical data as the basis to restore the complex situation before the loss of Jingzhou. Focusing on the three key clues of Guan Yu's Northern Expedition, Liu Feng Mengda's garrison at Shangyong, and Liu Bei's main deployment, the potential variables of Shu Han's military dispatch, diplomatic game, and internal coordination are analyzed layer by layer. It is not a simple assumption that "if Guan Yu does not go to the Northern Expedition", but an in-depth discussion of feasible strategic fine-tuning such as "adjustment of the rhythm of the Northern Expedition" and "closer linkage between the east and west lines", so that "another possibility" can break away from fantasy and be supported by historical logic. The book's questioning of the nature of "breaking the situation" is particularly moving: the Shu Han's dilemma is not only geographically "trapped in Bashu", but also the limitation of strategic vision. The analysis of the Liu Bei Group's "emphasis on friendship and neglect of the overall situation" and "emphasis on military achievements and neglect of overall planning" goes beyond the praise and criticism of individual figures and points directly to the shortcomings of the top-level design of the regime. When readers follow the text to deduce the chain reaction of "seizing the opportunity of 219", they will see not only the possibility of rewriting the pattern of the Three Kingdoms, but also a clear understanding of the deep logic of "historical choice". As a profound and logical historical strategy work, it has distinctive features and unique market positioning. Although its audience is relatively small, it is a rare masterpiece for readers who are keen on historical deduction and strategic analysis. The story is logically deduced, and everything from strategic goals to implementation paths to possible reactions of opponents has been carefully analyzed and verified. This strong logic gives the story a high degree of credibility and persuasiveness. It is neither a traditional "historical novel" because it incorporates a large number of strategic deductions and assumptions; nor does it fit the entertainment characteristics of "shuangwen" or "fantasy novel". Its positioning is closer to "historical strategy writing". It is a niche but very in-depth genre, which combines the thickness of historical writing with the depth of strategic games. Closing the page and looking at the shadowy cypresses of Wuhou Temple, the reader's dialectical thinking about "general trend" and "man-made" will also deepen. This book may not be able to change the ending of history, but it opens a new door for us, giving the story of the tragic Shu Han a more profound and interesting interpretation.
[No system] ~ [Three Kingdoms in the late Han Dynasty] ~ [Farming] ~ [Harem] Traveled through the world and became Qu Yi, a famous general in Hebei Province at the end of the Han Dynasty. He saw through Yuan Shao's Hongmen Banquet at the beginning, and intercepted Hu Zhaoyun, Guo Jia, and Dian Wei first. From then on, he became a first-in-command hegemon who should have fallen after the Battle of Jieqiao. The king, with a thousand soldiers armed with strong bows and crossbows, competed with Cao Cao, Liu Bei, Yuan Shao, Yuan Shu, Lu Bu, Sun Ce, Liu Biao and other princes of the late Han Dynasty in the troubled times, vowing to rewrite the new history of "I established the Three Kingdoms before they were completed, and all the heroes bowed to me as the peak."
It's a pity that Slow-paced Tomato is not popular. This book refers to some history (but there will be a butterfly effect, and major events should be kept unchanged). The male protagonist starts from scratch and competes in the world. Moreover, he is reborn, not soul travel + no system + cut off the Hu + Qingshi beauty (the early pace is not fast, because the world line is earlier, and he is not a Cao thief, but everyone has a separate love line, and they will not stop at a sudden shock). The low score is because of the score at the beginning (6.2 At the beginning), and the protagonist later builds a city and develops by himself...
The new book covers the Three Kingdoms, art of war, strategy, people's livelihood, noble families, relatives, crusade, sieges, field battles, heroines, children, and foreign races. No harem. There is mercy, not the Holy Mother. People live their lives and attack cities and villages. Behead generals and assassinate assassins. Prestigious family, marriage. There is no system, Golden Finger only has the protagonist Gao Wu, a single female protagonist, and no harem. There will be other historical female characters appearing, but not harems. For example, Cai Wenji recommended herself.
Hope you like it. This book tells the story of a modern ordinary insurance officer traveling through the Three Kingdoms, using modern marketing concepts to inspire and improve the lives of the people in the Three Kingdoms, and finally dominate the world.
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