The Protagonists of Siheyuan Are Yan Jiecheng, Yan Jiefang, Liu Guangtian and Liu Guangfu

151 四 Sihe********* completed —Reads5.8Score—Shelves

Reader note

There is a shortage of books, just @. @——@. 🌟The first book travels through the courtyard and becomes the second son of the third uncle. Travels through the time of famine. Awakening sign-in system. Make money through translation. The parents are short-tempered [love] and not too violent [love]💫 🌟The second book travels through the courtyard and becomes the eldest son of the second uncle. Awakening system. Daily life. Go to technical secondary school. Translate to make money. Then enlist in the army. [Love] Enter the rolling mill. Enter the security department. Also change the second uncle's unfilial children and unkind parents. Change the ending 💫 Pay attention and don't get lost❤️ Rush rush rushｸﾞｯ!(๑•̀ㅂ•́)و✧

152 四 Siheyuan: Silly Zhu Got Married Secretly, and Everyone Was Dumbfounded Laborious Noob1.6M Wordscompleted 38.3kReads8.1Score2.1kShelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

153 四 Siheyuan: Wang Bo's Happy Life Too Muddy362k Wordscompleted 15.6kReads8.2Score445Shelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

154 四 Siheyuan: the Soul Passes Through the Silly Pillar and Marries Ran Qiuye at the Beginning The Scattered People in Yunxiao1.3M Wordscompleted 11.3kReads8.4Score602Shelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

155 四 Siheyuan: Traveling to Become Xu Damao, the Medicine Cannot Be Stopped Kunlun Postgraduate Scholar1.5M Wordscompleted 11.7kReads8.3Score728Shelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

156 活 Living in the Siheyuan: Flying with Silly Pillars One Cloud Opens One663k Wordscompleted 14.1kReads8.3Score589Shelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

157 四 Siheyuan: Damao and I Are In-Laws Eagle Flies in September406k Wordscompleted 1.8kReads8.3Score—Shelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

158 四 Siheyuan: Outstanding Young Man Li Changsheng Don't Eat Even a Morsel of Fat671k Wordscompleted 17.6kReads8.2Score580Shelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

159 四 Qin Huairu in the Siheyuan Is Loved to the Heavens by Me Heifer Internet376k Wordscompleted 2.4kReads8.2Score101Shelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

160 四 Siheyuan, Silly Zhu Is My Brother The Clouds Are Silent782k Wordscompleted 49.3kReads8.3Score2.4kShelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

161 四 Siheyuan: I, Silly Zhu, Start with Divine Medical Skills Fahai Understands Love766k Wordscompleted 2.9kReads8.4Score140Shelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

162 四 Siheyuan: Fatty's Counterattack I Bought an Elephant766k Wordscompleted 1.6kReads8.2Score—Shelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

163 四 Siheyuan: My Name Is Cao Meng Xuanjing348k Wordscompleted 2.7kReads8.6Score128Shelves

Reader note

"Siheyuan: I am Yan Jiekuang" is unique among the Siheyuan genre with its unique time-travel perspective and relaxed and humorous style. When the modern soul traveled through time and became Yan Jiekuang, the third son of the third uncle's family, faced with the gruel and the stingy father who could make out human figures, a cool story about counterattacking through space and cooking in a courtyard began. The author uses down-to-earth writing to cleverly integrate the life of the times, the golden fingers of the system and the shortcomings of the parents in the courtyard, bringing a highly contrasting reading experience. Time-travel Beginning: From Hungry to Space in Hand. The protagonist Yan Jiekuang's time-travel start is full of "misery" - on his wedding night, when he opened his eyes, he could only eat gruel and pickles for each person. His father, Yan Bugui, was stingy and even charged rent for fishing rods. But this embarrassment was quickly broken by the system. Although the system was "tsundere" untied, it left behind a novice gift package containing 10 acres of black land, ponds and seeds, and directly started the "farming mode". The time flow rate of 1:40 in the space allows the food to be cooked in three days, instantly solving the problem of food and clothing. This contrast from hunger to food freedom is the core charm of Shuangwen. Yan Jiekuang's character design is also very likable. He does not pretend to be a saint, but faces the need for survival. He snatches the beggar's chicken from the "Saint Thief" just after traveling through time. When faced with his stingy father, he dares to say that he "doesn't have enough to eat". He is ruthless when taking advantage of space, but he also knows how to leave food rations for his family. This real "worker" mentality is closer to the reader's psychology than the forced virgin. Group portraits in the courtyard: the fireworks of the conspiracy. The "stinginess" of the third uncle Yan Bugui is vividly portrayed. Locking the fishing rod to collect rent, walking away with peanuts during meetings, and instantly becoming a "speed taker" when his son carries back prey. These details not only show the embarrassment of the times, but also reveal the survival wisdom of the little people. The interaction between Yan Jiekuang and his father can be called a "famous scene" - when Yan Jiekuang proposed hunting, his father immediately changed from an "iron rooster" to a "supporter". The calculation and reconciliation between father and son are full of life-like humor. Classic characters from Siheyuan also appear in turn in the main storyline of Qianfan. Silly Zhu and Xu Damao were fighting over chickens, Qin Huairu was greedy for prey and wanted to take advantage, Jia Zhang was acting like a fool, and the second uncle took advantage of the meeting to show off his authority... These familiar "birds" were reduced to backgrounds one after another in the face of Yan Jiekuang's spatial advantage. When Yan Jiekuang carries the hare and pheasant back to the courtyard, the three uncles close the door at the speed of light, which vividly interprets the survival rule of "everyone who sees it" in the courtyard house, and makes the readers laugh. Plot Highlights: Space Farming and Age Survival Techniques Yan Jiekuang's "space farming" line is the biggest highlight. The land expanded from 10 acres to 20 acres, and the grain output increased from a few kilograms to a steady stream. Not only did he realize his own food freedom, he was also able to sell it on the black market to improve his life. This closed loop of "planting - harvesting - cashing out" satisfies readers' imagination of "getting rich while sitting still". And his operation of using space water to improve his physical condition and secretly hunting for money not only fits the background of the era, but also highlights the practicality of the golden finger. The plot of finding a job shows the protagonist's survival wisdom. He first "painted a cake" to deliver fish to Director Wang of the subdistrict office, and then used a letter of introduction + "management" to successfully join the postman job, integrating modern workplace thinking into the background of the times. The work of the eight members can not only travel between urban and rural areas to sell goods, but also avoid the risk of going to the countryside. It can be called the "optimal solution". When he used the money earned from the black market to buy rice and White Rabbit toffees, the sense of transition from poverty to wealth is the essence of Shuangwen. Relaxing tone: a refreshing novel without any aggression. Different from the depressive style of traditional courtyard houses, this book focuses on a relaxed and non-violent style. When Yan Jiekuang grabbed chicken with stick stems, he "kept half of it so as not to ruin the plot." He cleverly avoided Qin Huairu's taking advantage of him, and even the "fight of wits" with his father was full of family warmth. Even scenes where conflicts are concentrated, such as the general meeting, are made humorous by Yan Jiekuang's "food man" perspective - he watches the show when others quarrel, and he can get some peanuts to eat afterwards. This optimistic attitude makes the story full of fireworks. The author's restoration of chronological details is also very good. From the use of food stamps and the caution in black market transactions to the scenes of families drinking gruel and hungry children, the social scene of 1959 is truly reproduced. When Yan Jiekuang exchanges food stamps for money on the black market and uses "Daqianmen" cigarettes to maintain relationships, readers can not only feel the hardship of the times, but also applaud the character's wit. Sublimation of the theme: The work continues and the counterattack continues. The title of the book, "I am Yan Jiekuang," is not only a declaration of identity, but also a struggle against fate. In the original play, Yan Jiekuang served as the background, and the ending was mostly drifting; in this book, he relies on space to counterattack, not only to provide food and clothing, but also to benefit his family, and may even change the "bird" ecology of the courtyard. This theme of "little people rewrite their destiny with their golden fingers" conveys a positive philosophy of survival - even if you are in trouble, you must rely on your wisdom and hands (and space) to live a wonderful life. When Yan Jiekuang watched the grain harvest in space, sold it at a high price on the black market, and ate rice behind closed doors in the courtyard, what the readers saw was not only a time traveler's enjoyable journey, but also an ordinary person's simplest pursuit of "having enough to eat" in a special era. This down-to-earth feeling makes "Siheyuan: I am Yan Jiekuang" a rare masterpiece for dinner. In general, "Siheyuan: I am Yan Jiekuang" relies on the golden finger of space farming, the witty interpretation of the Siheyuan group portraits, and the wisdom of survival in the era to successfully create a refreshing novel that can easily relieve stress. Whether you like the detailed attention to detail of period writing, or the fast pace of refreshing writing, you can find your own fun in the book. Yan Jiekuang's counterattack on the Siheyuan has just begun. Let us hope that he will use the space to grow more food and work better in the Siheyuan!

172 朕 I'm Here to Rectify the Qinman Siheyuan Author Kung Pao Chicken267k Wordscompleted 921Reads6.1Score—Shelves

Reader note

Welcome to the Siheyuan novel that you will like more and more the more you read it!

173 四 Siheyuan: Be a Gangster That Everyone Loves Xiangshan Xike1.3M Wordsongoing 32.9kReads8.7Score1.7kShelves

Reader note

Welcome to the Siheyuan novel that you will like more and more the more you read it!

174 热 Hot-Blooded******* completed —Reads5.8Score—Shelves

Reader note

Welcome to the Siheyuan novel that you will like more and more the more you read it!

176 四 Siheyuan: Make a Fortune with Silence Fallen Leaves Silently636k Wordscompleted 14.4kReads5.4Score567Shelves

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Siheyuan Novel

177 四 Siheyuan Struggled in Hard Times The Breeze Is Coming Slowly233k Wordscompleted 3.2kReads8.1Score104Shelves

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The first one is by Liu Guangfu

178 四 Siheyuan: After Rebirth, I Will Watch You Commit Suicide Build a Dream407k Wordscompleted 2.3kReads7.0Score—Shelves

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The first one is by Liu Guangfu

179 四 Xu Damao in the Siheyuan Enters the Fantasy World Build a Dream177k Wordscompleted 98Reads5.8Score—Shelves

Reader note

The first one is by Liu Guangfu

180 四 Siheyuan: Time Travel and Become He Yuzhu's Little Sister Build a Dream457k Wordscompleted 1.2kReads6.3Score—Shelves

Reader note

The first one is by Liu Guangfu

185 四 Siheyuan: Yan Jiecheng Is Determined Not to Be Sucked. Spicy Little Devil Fish393k Wordscompleted 1.2kReads5.4Score—Shelves

Reader note

💢①The protagonist takes space and travels to the courtyard of the Qing Dynasty and becomes Yan Jiecheng. In order to avoid being sucked by blood, he refuses Yan Laoji's arrangement and breaks off relations with the Yan family! The plot of the magic change, not whitewashed, a bit different... 💥Follow me, don't be a book reader💥

186 四 Siheyuan: If I Don't Torment the Beasts, I Will Instantly Feel Uncomfortable Zhang Shizhongyu500k Wordscompleted 10.3kReads8.4Score397Shelves

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187 四 Siheyuan: the More Excited You Are, the More Excited I Am Melody of Night2.5M Wordscompleted 27.4kReads7.4Score1.3kShelves

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188 四 Siheyuan: Starting from a Small Person and Rising to the Top Step by Step Wu Anjun425k Wordscompleted 1kReads8.0Score—Shelves

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189 四 Sihe******* completed —Reads5.8Score—Shelves

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190 四 Siheyuan: He Occupied My Room at the Beginning and Told Me to Get Out Zhang Shizhongyu436k Wordscompleted 16.6kReads7.9Score469Shelves

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191 四 Siheyuan: at the Beginning, the Jia Family's Mother and Son Were Sent to Jail. Zhang Shizhongyu445k Wordscompleted 11.6kReads8.5Score336Shelves

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192 四 Siheyuan: Beasts Plotting Against My Treasure Zhang Shizhongyu528k Wordscompleted 5.3kReads7.9Score208Shelves

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193 四 Siheyuan: Enjoy Life with Space Qianjiao Qianshan285k Wordscompleted 4kReads7.9Score153Shelves

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194 四 Siheyuan: Become Qin Huairu's Biological Brother at the Beginning The Spring Breeze Never Sleeps1.1M Wordscompleted 16kReads7.2Score882Shelves

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195 四 Siheyuan: a Pen at the Beginning and an Iron Rice Bowl at the End Ink Circle948k Wordsongoing 5.4kReads7.9Score235Shelves

Reader note

Traveling friend Wang Yu explores the luminous hole on the rock wall of the tiankeng and travels to the world of the Siheyuan. He discovers that the luminous hole is a door of light, which can open to travel to another world. From then on, Wang Yu lives leisurely in the world of the Siheyuan, explores and sells arms in the other world, travels back and forth between the two worlds, practices martial arts and cultivates immortality, and is at ease.

196 四 Siheyuan: Start Working at the Street Office An Ordinary Young Man677k Wordscompleted 18.8kReads7.9Score652Shelves

Reader note

Traveling friend Wang Yu explores the luminous hole on the rock wall of the tiankeng and travels to the world of the Siheyuan. He discovers that the luminous hole is a door of light, which can open to travel to another world. From then on, Wang Yu lives leisurely in the world of the Siheyuan, explores and sells arms in the other world, travels back and forth between the two worlds, practices martial arts and cultivates immortality, and is at ease.

197 四 The Pillars of the Courtyard Are the Masters Tang Monk Sweeps the Pagoda1.4M Wordsongoing 20.1kReads8.2Score1.1kShelves

Reader note

Traveling friend Wang Yu explores the luminous hole on the rock wall of the tiankeng and travels to the world of the Siheyuan. He discovers that the luminous hole is a door of light, which can open to travel to another world. From then on, Wang Yu lives leisurely in the world of the Siheyuan, explores and sells arms in the other world, travels back and forth between the two worlds, practices martial arts and cultivates immortality, and is at ease.

198 开 The Stupid Second Uncle at the Beginning, I Reached the Top of the Military Department Gazi Sword2.6M Wordscompleted 19.1kReads8.3Score746Shelves

Reader note

Traveling friend Wang Yu explores the luminous hole on the rock wall of the tiankeng and travels to the world of the Siheyuan. He discovers that the luminous hole is a door of light, which can open to travel to another world. From then on, Wang Yu lives leisurely in the world of the Siheyuan, explores and sells arms in the other world, travels back and forth between the two worlds, practices martial arts and cultivates immortality, and is at ease.

199 穿 Dressed as Jia Dongxu? My Godmother Has Trouble Raising Children Kiss My Feet775k Wordscompleted 28.6kReads8.6Score1.7kShelves

Reader note

Traveling friend Wang Yu explores the luminous hole on the rock wall of the tiankeng and travels to the world of the Siheyuan. He discovers that the luminous hole is a door of light, which can open to travel to another world. From then on, Wang Yu lives leisurely in the world of the Siheyuan, explores and sells arms in the other world, travels back and forth between the two worlds, practices martial arts and cultivates immortality, and is at ease.

200 四 Siheyuan: After Being Struck by Lightning, I Can Travel Between the Two Worlds Swim Forward2.4M Wordscompleted 17.9kReads8.2Score1kShelves

Reader note

Traveling friend Wang Yu explores the luminous hole on the rock wall of the tiankeng and travels to the world of the Siheyuan. He discovers that the luminous hole is a door of light, which can open to travel to another world. From then on, Wang Yu lives leisurely in the world of the Siheyuan, explores and sells arms in the other world, travels back and forth between the two worlds, practices martial arts and cultivates immortality, and is at ease.

201 四 Siheyuan: I Am He Yuyang, Suppressing the Whole Courtyard Chou Meng Meng1.3M Wordscompleted 18.5kReads8.1Score1kShelves

Reader note

Traveling friend Wang Yu explores the luminous hole on the rock wall of the tiankeng and travels to the world of the Siheyuan. He discovers that the luminous hole is a door of light, which can open to travel to another world. From then on, Wang Yu lives leisurely in the world of the Siheyuan, explores and sells arms in the other world, travels back and forth between the two worlds, practices martial arts and cultivates immortality, and is at ease.