Transmigrated to Honghuang, Where I Raise Pigs

The prehistoric literature has long been inscribed, and most of it involves traveling across time to worship the Three Pure Ones, seize innate spiritual treasures, fight for the holy throne, and follow the orthodox path of cultivation. This book breaks out of the traditional framework. The core label of the protagonist is "feeding pigs". The golden finger is not the system, but the domestic pig Xiaopang who travels with him. The setting of a fat little boy hunting for treasures and swallowing treasures to become stronger is very memorable. The contrast between "raising pigs and collecting spiritual treasures" has a sense of comedy, which can easily catch the readers' attention. The character design of the protagonist is also very unique: a time-traveling takeaway, a down-to-earth character, and the abandonment of the saintly mentality common in prehistoric literature. If you can't beat him, you'll be flattered and run away. If you're evenly matched, you'll challenge him to death. If you can't beat him, you'll be right. He's not a virgin or a hypocrite. His actions are logically unified and close to the survival thinking of ordinary people. He is different from many prehistoric protagonists who are "full of ideas" and the readers have a strong sense of involvement.