Upright Knights Don't Get Caught in Villainesses' Love Triangle

I came up with an interesting idea. If a good girl is disgusted and bored with the protagonist, wouldn't she become a bad girl?

The early stage is pretty good to watch, but if you watch the later stage, you will find that everyone is plotting against the protagonist, and everyone regards the protagonist as an extension of the hero. No one thinks about the protagonist's thoughts, no one cares about the protagonist or the generation of their children. Everyone just wants their ideas to be realized in their children. But he didn't consider the children's thoughts. Not to mention that the protagonist is the eldest daughter of Karin and the Yue family. Karin's mother never cared about her and just constantly instilled the existence of her "brother" into Karin. I feel a little sad for Karin just looking at her. The eldest daughter had been very kind since she was a child, but her mother, in order to satisfy her own regrets, transferred her "kindness" to her second daughter. Just to make her fall in love with the protagonist. Basically, they all like the hero rather than the protagonist. The protagonist's mother really loves the protagonist, and she should have given her little kindness to the protagonist (I infer, because the protagonist also has the same necklace as the second daughter).

The heroine's design is distinctive and groundbreaking. But the father's influence is too heavy, weakening the male protagonist's status. It is recommended that the author make adjustments in the future. The characters we see now are all people under the will of their parents. I hope that in the subsequent plots, the protagonists will get rid of the influence of their parents as soon as possible and establish real feelings for each other. My mother is so pitiful, she is willing to give up her kindness for the sake of love.

There are currently 50 chapters, and my senses are okay, like the traditional fantasy narrative style, but the influence of the male protagonist's father is too great in the current plot. The female protagonist is more or less causally connected with the male protagonist's father. The male protagonist is like the protagonist of a stage play. Everyone seems to be looking at him, and they are indeed looking at others through the male protagonist.

Ye Qing is back! It turns out that Japanese-style Western fantasy adventure is still alive! It feels like the author didn't set up the characters for the story to happen. Instead, after setting the characters, we can guess what kind of story will happen. The storyline is clear but not confusing, and the characters are distinct but not cliche. Justice + evil are intertwined because of the curse. Those who love watching harems should not miss it. Stay tuned for more updates! Reminder: Not the emperor's uncle

'Hey, what if the protagonist had another mask that could never be taken off or destroyed, and then gave him a curse so that he would never be able to see his eyes, or cursed him to never have a woman like him, wouldn't that be it? Even if it doesn't work, it's okay to hedge [I understand][I understand][I understand]

The subject matter is very good, I like this genre very much🥰🥰🥰 However, the author's writing style has been improved and it is a bit stiff to read. It would be nice to have more connections between paragraphs and changes in action/emotion. Come on💕💕💕

It looks good, hand-made + high quality but not high-yield. It is inevitable that this kind of subject matter has standards. It is good now. If I write further, I will worry that my big hands will accidentally run out of books.

Great, this subject matter is really rare. The author is very good, very good, very good, very good [please update]

Good looking. Come on, author