Hong Kong Cinema crossover from the start, with Japanese anime thrown in and a System to back him up. This time, he won't just rule Hong Kong.
[Young and Dangerous], [The Greed of Man], [Crows], [Shonan Junai Gumi]... and even [Slam Dunk]!
Yokohama, 1990.
Long You opened his eyes and found that he had gone from being a wheelchair-bound failed writer to the adopted son of Long Chengbang, a Hong Kong detective chief inspector. Alone in the world and stranded in a foreign country, he'd also had all his savings stolen by the local yakuza.
The good news: he'd awakened the "Strongest Delinquent System" (patriotic enhancement edition), along with the "More Children, More Blessings Sub-System."
The bad news: the System had only two ultimate missions. Become the strongest delinquent in Japan within two years, and become a womanizer. Failure meant death.
Even more absurdly, this world was about far more than Hong Kong cinema crossovers.
He thought he was dealing with nothing but the gangland feuds of Young and Dangerous, but the Hoshiryu-kai from Like a Dragon lurked in Yokohama's shadows.
He thought Tsujido High, his new school, was just an ordinary place, but the delinquent legends of Shonan Junai Gumi were waiting for him to shake things up.
And when the banners of Suzuran, Hosen, and the Armament Alliance unfurled before him, he finally realized:
This was an ultimate clash spanning Hong Kong films, Japanese anime, and video games.
From the streets of Hong Kong to Japanese schools, from bare fists to ruling the roost with his fists.
A delinquent from Hong Kong would use his fists and his wits to write his own legend on this chaotic land.
You'd better read more about how to write books of the same type. The style you write is from many years ago. It's too wordy, and the little bastards do you think they know how to fight? ? It's all street fighting. Those who know how to fight are basically high-level thugs, and low-level thugs basically rely on their fighting experience. The system forces the protagonist to move. You, the protagonist, are too lazy. You have such high physical strength, strength and speed than others. You keep getting beaten every time you fight. Have you never been in a fight? When your strength is fully crushing the enemy, unless the enemy surrounds you and attacks you at the same time, they will not be able to do you any harm at all. Your numerical value can be crushed, but you are crushing the protagonist, and with such high physical strength, you can fight from morning to night, and others can't touch you at all.
And you should respect the original work when you are looking for these women in it. Also, have you never been in love, conflicted with gangsters, and said my woman? You have portrayed a protagonist who doesn't know what to say. It's quite speechless. And if you write about Japan, let's just say Japan. You write it in conjunction with Hong Kong dramas. The whole mess is not the same as the plot of the map. You have to string it together.
And your favorability, what, a standard value.
The world view is good, the plot is watchable so far, and there are no AI adjectives to fill it in. Disadvantages: The system interferes too much. The protagonist has no development period and has been following the system tasks. Recruitment is too streamlined and does not fit the plot of the club's development. To achieve hegemony, follow the trend of domination: school hegemony, regional hegemony, and city hegemony. Although the world view setting is good, there are so many linear plots that have not yet entered school and it feels like it is going awry.
It's hypocritical. I decided to join the underworld. I still coyly kill an opponent and commit PTSD. The author must be a primary school student. If I learn a new word, I will use it in the novel. I think it is very fashionable, right? There is also the issue of system erasure. In what age are we still erasing it? Is the protagonist the master of the system or a puppet of the system? This is Tomato, and cool writing is the mainstream. People like you who are unhappy will only be eliminated.
If you have a gun, you don't have to fight with a stick to use it, and it's a bit poisonous to fight a newbie with bare hands and little fighting experience against seven armed gangsters.
You'd better read more about how to write books of the same type. The style you write is from many years ago. It's too wordy, and the little bastards do you think they know how to fight? ? It's all street fighting. Those who know how to fight are basically high-level thugs, and low-level thugs basically rely on their fighting experience. The system forces the protagonist to move. You, the protagonist, are too lazy. You have such high physical strength, strength and speed than others. You keep getting beaten every time you fight. Have you never been in a fight? When your strength is fully crushing the enemy, unless the enemy surrounds you and attacks you at the same time, they will not be able to do you any harm at all. Your numerical value can be crushed, but you are crushing the protagonist, and with such high physical strength, you can fight from morning to night, and others can't touch you at all. And you should respect the original work when you are looking for these women in it. Also, have you never been in love, conflicted with gangsters, and said my woman? You have portrayed a protagonist who doesn't know what to say. It's quite speechless. And if you write about Japan, let's just say Japan. You write it in conjunction with Hong Kong dramas. The whole mess is not the same as the plot of the map. You have to string it together. And your favorability, what, a standard value.
The world view is good, the plot is watchable so far, and there are no AI adjectives to fill it in. Disadvantages: The system interferes too much. The protagonist has no development period and has been following the system tasks. Recruitment is too streamlined and does not fit the plot of the club's development. To achieve hegemony, follow the trend of domination: school hegemony, regional hegemony, and city hegemony. Although the world view setting is good, there are so many linear plots that have not yet entered school and it feels like it is going awry.
[Petrochemical][Petrochemical][Petrochemical][Petrochemical][Petrochemical]
It's hypocritical. I decided to join the underworld. I still coyly kill an opponent and commit PTSD. The author must be a primary school student. If I learn a new word, I will use it in the novel. I think it is very fashionable, right? There is also the issue of system erasure. In what age are we still erasing it? Is the protagonist the master of the system or a puppet of the system? This is Tomato, and cool writing is the mainstream. People like you who are unhappy will only be eliminated.
If you have a gun, you don't have to fight with a stick to use it, and it's a bit poisonous to fight a newbie with bare hands and little fighting experience against seven armed gangsters.