Siheyuan: In 1951, I Flee to Hong Kong with My Sister

Let's put it this way, 1. Silly Zhu has no other skills except basic cooking skills; 2. Silly Zhu didn't have a golden finger, so he calmly stole gold under the eyes of Yi Zhonghai and Jia Zhang; 3. The Shazhu brothers and sisters were good people all the way to Hong Kong. Even after exchanging so much money, no one stole, robbed or cheated... At that time, places like Hong Kong and Macao were even more chaotic than they were in the 1980s and 1990s, with defeated troops, gangsters, and spies from all walks of life. The Si Zhu brothers and sisters were able to safely go to Hong Kong and buy a house in Repulse Bay arrogantly. Are all these character attributes due to luck?

Author: Let me give you a suggestion. While the number of words is small, give the protagonist a space as soon as possible, otherwise no one will read it. The only advantage of this book is that it is not set in a courtyard, and the plot is relatively novel. However, the disadvantage is that there is no space, which is also the biggest drawback of this book. I once advised the author to give the protagonist a space, but the author is too stubborn and refuses to give it. Alas... I can't help but

I'm still chasing after him. To be honest, I'm already in my forties and quite emotional. I no longer pursue the kind of decisive killing and gratification. Now I especially like to watch family reunions and the company of the whole family. Judging from the previous books you posted, this one is probably also an inheritance style, with father and son on different sides. Although the father made mistakes, how many parents are perfect in reality?

He Yuzhu can look good if he has space?

There is no shell of a courtyard house, the content is novel, and there are no cliches.

I just like this kind of people who run away at the beginning. Those who have stayed there for decades, making me want to vomit. They all know what will happen next, so why don't they run away quickly?

Very good, Siheyuan should not suffer there.

It's pretty good. There is no space or system. It all relies on the protagonist's past life experience of watching videos and life experience, plus the opportunities in this life, to create a world of his own.

Reading is almost the same as watching an AI short play, so it might as well be watching a short play.

Looks pretty good