One unexpected crossing of the line, and a lifetime of falling willingly into love.
Gentle, headstrong psychologist × refined, restrained tech CEO | Forbidden identities | Fated entanglement | Tense push and pull | Mutual salvation
After a year together, she finally agreed to give herself to her boyfriend.
But when she woke the next morning, the space beside her was empty.
A dangerous man barged into her world without warning.
He was stern and distinguished, calm and self-controlled, yet he kept pressing closer to her.
She retreated, step by step.
“Do you have a problem with me, Miss Wen?”
“No.” She denied it calmly, avoiding his gaze time and time again.
Until one day, he leaned down and trapped her in the narrow space between them, his low voice falling by her ear.
“Why are you avoiding me?”
Her eyes reddened as she pushed him away, her voice trembling.
“I have a boyfriend. Why are you still treating me like this?”
The light in his eyes shattered bit by bit. He fell silent, turned, and walked away.
She thought he would disappear from her world forever.
Until she hit the lowest point of her life and looked up in a sorry state.
The broad street was quiet, the setting sun glowing like molten gold. He stood silently at the edge of the dusk, walking toward her against the light before pulling her into his arms.
At that moment, she finally admitted that she had already fallen hopelessly in love with him.
But when the truth came to light, she learned that he was precisely the person she should never have fallen in love with.
In the opening twenty chapters, the heroine's eyes were either hot and sore or her chest was sore and swollen [face covering] [face covering] [face covering] In the heroine's mind, she had made up her mind to give herself to her boyfriend (the second male lead), then rejected the male lead, and then her heart skipped a beat when she answered the phone call from the male lead, and she kept feeling sorry for the male lead. Under the premise that the second male lead is not at fault, he forcefully gives the female protagonist a psychological activity, "it feels like the distance between the two is getting further and further away." Oh my God, sister, you don't answer phone calls and messages yourself, you're in trouble. What a very unattractive character.
In the opening twenty chapters, the heroine's eyes were either hot and sore or her chest was sore and swollen [face covering] [face covering] [face covering] In the heroine's mind, she had made up her mind to give herself to her boyfriend (the second male lead), then rejected the male lead, and then her heart skipped a beat when she answered the phone call from the male lead, and she kept feeling sorry for the male lead. Under the premise that the second male lead is not at fault, he forcefully gives the female protagonist a psychological activity, "it feels like the distance between the two is getting further and further away." Oh my God, sister, you don't answer phone calls and messages yourself, you're in trouble. What a very unattractive character.