Dungeons & Dragons: The Evil Dragon Requests Release from Prison

Chapter 1: The reborn dragon has been sealed. Chapter 2-6: Summoning slaves, four strangers, men, women, old and young, came, thinking that the protagonist was cheating, but the brave granddaughter believed it and went to lift part of the seal. Chapter 7-8: Reactions of men, women, old and young after returning, + the protagonist makes relatives to go out and have a look. AI content: 0% ~ 15% People write more, the content is coherent, and the works are excellent, and they will probably be used for training. July 13th, 1.9K reads, 153 updates requested, good work with low traffic.

The creativity and writing are really good, but as some people in the comment area said, the female knight has a big problem. I don't think it's a problem. I think the problem is that she didn't pay the corresponding price for the protagonist's help. She got too many benefits unilaterally. She even Without the light curtain, the author's later female characters handled it better than her, because what follows is a pure exchange of interests. The assassin is an example. The knight must pay a price, otherwise the protagonist's constant help will be a big poisonous point. Unless the author wants to 🐱write, 🍅this will definitely not work.

It looks good, but I feel that the protagonist is too 🐢 in front of Ms. Peace, and there is absolutely nothing he can do to her, and his dependents can be pried casually to talk to outsiders 🤡

It's pretty cool. Then the author wrote an early warning about Turtle Man Balabala on the homepage. To be honest, some scenes are a bit too double-standard. Among the crowd of people that were brought in at the beginning, one man got burned for his crazy words. The attitude of the Holy Light woman was not much worse than him. She even yelled to the protagonist to get lost later. The protagonist was still very good to her. According to the character of the protagonist, she was even a bit too licking. But overall it's good-looking and worth seeing.

Not bad, 👍The setting background and characters remind me of early Japanese-style Western fantasy romance. If you want to read about fighting and killing, then the pace of this book may not be suitable for you🧐 Please, brother, please give me another picture! This slow-burning Japanese-style Western fantasy fairy tale background makes me so excited😢

Between the lines, you can feel how powerful the protagonist is, casual and confident, and also has the feeling of being for profit (this is my earth, why do you...)... The other characters are also fuller, but they are too typical. Of course, there are other outstanding points.

It is a book with a relatively large world view. The concept is very interesting, but the content is not very good. It mainly describes the story of an earth soul traveling into the body of a giant dragon to escape from trouble. However, the protagonist is not interesting and most of the places are mediocre. Only the arrangement of the characters is interesting.

The writing is okay. After reading the current book reviews, it is generally good. The protagonist is quite humorous. I am used to watching fights and killings. The style is also good. It would be best if there is no female protagonist. The protagonist can be alone. The introduction is unspecified, and I am most afraid of being criticized. The other supporting characters are generally set, with the majority of female supporting characters and relatively few male supporting characters.

A very good different world novel, with a fascinating plot arrangement, a group drama, and there are always endless stories to tell. The protagonist is in an invincible enclosure and becomes cute. The main plot is to get rid of the enclosure and become cute. There is intrigue, layers upon layers of veils, which are unsettling. But because of the portrayal of the protagonist, I felt that the protagonist must be able to break through all kinds of magic. This is my expectation and the source of my excitement. There is also the nurturing comfort that comes with having the protagonist run a dungeon and watch him build tall buildings in a mediocre way. There are also many advantages. If it doesn't collapse in the later stage, the five-star will definitely not escape. The current quality of this book, I would give it five stars.

Summary: Western Fantasy Farming The main farming direction is to operate dungeons and panels. The second is to promote world development and develop Rubik's Cube technology. Generally speaking, it is quite satisfactory and more about daily farming. The only obvious problem is that the protagonist has not adapted to his ideology. This problem is more obvious due to subsequent content, but due to the relatively bland plot, this problem does slightly affect the viewing experience. Generally speaking, I think the problem still lies in the handling of dialogue content. (Personal opinion) Generally speaking, I think there is indeed a problem, but it is not a poisonous point for me, not really. But the plot is indeed very bland. To put it bluntly, you have to endure it. The writing is still acceptable, but the plot presented is not satisfactory. To put it bluntly, all problems can ultimately return to the picture presented by the author of the problem. I believe there are writers who can handle this type of plot, which are the problems in most book reviews, but the author of this book is obviously not included or slightly lacking. Now there is a problem with the author's presentation, which leads to the problems mentioned in the book review. I personally think that there is no problem if there are differences in ideas and presentation. Each subject matter has its own audience, but each subject matter will ultimately be affected by the way it is presented. For example, there is a classic plot in which the protagonist acquires some ability, and then encounters someone discussing something but in the wrong direction. I thought this would happen in the beast-controlling novel, where the protagonist's ability is to check the evolutionary route. It happened that the passerby was a certain evolutionary route researcher. The protagonist passed by and heard their discussion and retorted, "Why can't it be so?" At this point, some authors will deal with it like this, "Who are you?" "What nonsense are you talking about?" "You can control beasts, but I understand." What do you think of this handling method? The routine itself is fine, but the author's handling method is crucial. First, let's take a look at the author's arrangement of a plot that has its own problems, and what he wants to express in the follow-up. It does not mean that we readers rely on the content, background, character design, and inference to guess what the author wants to express. Therefore, some people are bound to feel uncomfortable with such content. This is a matter of presentation method. Personal brainstorming or rationalization differs from person to person, so it should not be used as a standard. Since I want to write these, some things must appear. It's okay for the author to shape an ordinary soul into a powerful body, but what about the presentation method? Obviously there are problems with this book, otherwise there wouldn't be so much feedback. I can accept it, but that doesn't mean other readers can accept it. Problems are problems, and controversies are controversies. I personally can accept it if it doesn't exist. If I tolerate it, I'll treat it as if the problem doesn't exist. I even want to influence others to accept your point of view. You can have offensive comments, even book reviews, but does it count as venting your ego by attacking readers for no reason?