Forced Love: The Dragon Empress’s Captivating Prisoner

When reading this book, all I can say is: the author understands it too well. The heroine's sense of oppression is not created by yelling. The calmer and gentler she is, the scarier she becomes. One moment, she was forcing the male protagonist to bow his head and admit his master, and the next moment, she was hugging him and coaxing him, saying that as long as he behaved, she would love him more than anyone else. I particularly appreciate her desire to be exclusive with the male protagonist: not allowing others to touch her, not allowing him to smile at others, not allowing him to remember his old love, and even trying to take away his name and past. The prettier, colder, and more unyielding the male protagonist is, the crazier she becomes. She wants to lock the most precious white sparrow into a nest and tame it slowly. Those who like forced love, a sense of domination, and a stunningly beautiful male protagonist who feels aggrieved and yet resists will probably like it more and more the more they watch it.

This is the most moving book. The plot of the last resort is written as a fateful entanglement. Xuan Sugui's possessiveness is almost pathological, but after she crushes everything, her paranoia of "wanting him to love her" makes people unable to hate her. The struggle and sinking of the character are particularly real, and the hatred is derived from it. They are dependent on each other, but are reluctant to let go even when they are ready to escape. This kind of psychological pull is too shocking. The empress is not simply sadistic, and the prison pet is not purely victimized. The two bite each other in the abyss and warm each other. It is both painful and enjoyable to read. I highly recommend it to readers who like the ultimate emotional pull.

Don't rush to sentence this pair to death. What the author is digging is not a grave, but a long, long road. Of course, I can't suddenly wipe off the immoral things that Xuan Sugui has done before, and then point at her and say: "Look, she is actually a good woman." She is not. She is an evil dragon, a madman, the kind of madman who takes away the people he likes and thinks the chains are not strong enough. Qi Cheran would not completely forget those bloody debts just because she was beautiful, hugged her occasionally, and gave her medicine. If it is written like this, the author probably lost his mind before he even fell in love with Xuan Sugui. They still have to worry about it later. Even Qi Cheran himself couldn't tell whether he was close because he liked her or was just a dependence left after being hurt for too long. Some are reluctant to give up, and can find a hundred reasons on their lips. Because of Ni Lin, because of dragon blood, because he owes her once, and because the accounts haven't been settled yet, there is absolutely no way he likes her anyway. Yes, absolutely impossible. At least that's what he thought. But everyone can rest assured that there is a chasing husband. Moreover, there is not a single step missing from the evil dragon's pursuit. It wasn't that Qi Cheran had been locked up for a long time and suddenly felt that the cage smelled so good that he accepted his fate and flew back. Xuan Sugui couldn't just say "you'll come back" and just stand there waiting for him to bow his head. She used to only know how to rob, lock, and burn everyone who stood in the way. But if you really want to win someone's heart, you can't rely on dragon flames and chains forever. She wanted to watch the bird whose wings she had broken fly again, to catch up, to pay the price, and to learn to face the most terrifying thing for the evil dragon for the first time - He could really leave her. Qi Cheran will also have his own name, an old friend he can't let go, a blood debt that will never be forgiven, and enough wings to fly anywhere. He can go. It's really possible to go. Only on that day will his turning back be called tame. But before that, Xuan Sugui had to chase him until he was willing to look back at her. Between them, one person has never completely transformed the other person into what he wants. Xuan Su's return will tear Qi Cheran's originally peaceful life apart, and Qi Cheran will in turn force her to understand that leaving a person's body behind does not count as getting him at all. Hatred will not disappear suddenly, and wounds will not be healed lightly. It's just that when the sea of ​​hatred reaches its deepest point, there may not be only hatred. Some feelings are just so wicked. On the one hand, he wants to strangle the other person to death, but on the other hand, he doesn't want to see the other person really die. One never lets go, but has to learn to chase. A person who once had no way to escape finally had to decide whether to look back after owning the entire sky.

This book made me angry and excited. Empress Xuan Sugui is a crazy person. She snatches away the cold and cold young master and locks him up, and destroys all his escape routes. But when you look at the back, you can feel her morbid possessiveness and vague stubbornness, which is actually quite poignant. Man, the male protagonist went from desperately resisting to slowly accepting his fate, and finally realized that he didn't want to escape. This process was very realistic and not fake at all. The abuse is really sad, but the sweetness is also really sweet. I hate it and love it at the same time. Anyway, I felt stuck in my heart for a long time after reading it, so I felt so strong. It's worth watching.

In the early stage, I wrote "Hen Hai Qing Tian" so well that I didn't even know which pair of CPs I was going to hit. Although it was said to be "He", I still don't know how "Hen Hai Qing Tian" will be rounded out in the follow-up. I have to say, it's super well written. [Like][Love]

What I like the most is the look in the heroine's eyes that slowly sinks when she discovers that the hero has her own little thoughts. It's not jealousy or tantrum, it's the feeling of "it seems like I need to teach you again". When I saw this, I sat up straight. Male protagonist, please wish yourself well.

Personally, I will rate the books I like relatively high, although I will leave book reviews only for the books I like ( I'm just talking about some minor flaws in my personal reading. I obviously didn't catch it in the middle period. It was too fast. The mentality of the male protagonist also changed. Maybe it's because I read faster and more superficially. Although it's understandable that the so-called "square" nature is no different from the female protagonist or even worse. In contrast, although the female protagonist is bad, she is sincerely good to the male protagonist. In her heart The heroine is guided by the dual effects of reason and body, but from reading it, I feel that the male protagonist is not sad enough, and the transition from front to back is not natural enough. I think we should make good use of this point in the past life. After all the contradictions are written down, the result is a bit unresolved... Then there is the character of Yuhen. In fact, logically speaking, this character should die. One thing to say is that a character who is initially purely a third-party villain and is cunning and has third-party attributes is difficult to like. Although he has been a plot promoter many times, he has been in conflict with the protagonist so many times. It is not likable in terms of appearance. As for the male protagonist in the next game, I won't comment too much, and I won't necessarily watch the next one. (Lastly, it's about the handling of the mistress. I can understand that this character is difficult to handle, and if you don't handle it carefully, the male protagonist will collapse, and this handling method is also quite convenient. It's just that this foreshadowing is really not enough. Although Black Flame came out, I understood it, but it was really a problem before. There's no foreshadowing, it's a bit blunt, and it feels like the character of the mistress is getting difficult to deal with, and an idea comes to him. There are also some minor issues such as the secondary character and the number of characters that are not a problem, so those who care should pay attention to it. The rest are good points for those who like gb sadistic stories.

After reading so many chapters, I can only say that the teacher's writing style is really contagious. The words bring a strong sense of picture. Whether it is a grand scene or a delicate moment, they are all very well depicted and can accurately capture my emotions. I was completely driven by the words while reading. The chapter that I remember most deeply is the chapter "Step on My Dead Body". It really made my breath rise and fall with the plot. Who knows this kind of immersive reading experience? It's so awesome! ! Can you come and see them all for me😍😍

The heroine doesn't want to get the male protagonist's body at all, she even wants to dig out the last hidden place in the male protagonist's heart. She doesn't accept that "when people are around you, your heart is elsewhere", and she must be the only one left inside and out. Oh my god, this kind of mental invasion is much more exciting than simple imprisonment.

The heroine of I'm Tasty pinched the hero's chin and asked him to look at her words. That sense of control that I can't even look away from, it's so precise that I feel comfortable. The more nervous the male protagonist becomes, the more I want to see the female protagonist get closer.