Monthly Magazine, First Issue: The Good-for-Nothing Literature Club’s Song of Ideals

(Mild spoiler warning) Let's talk about the conclusion first: a masterpiece of niche light novels Although the data is currently poor and the article is short, it is better than most articles written for narrative purposes. This is not only a good thing that the writing is smooth and rhythmic (but it is indeed a plus point), but the author contains the feelings he wants to export - this is an article with connotation. People cannot describe things that they have never been exposed to. Even if they are the product of fantasy, they are also based on reality. As the author said at the end of one volume, the people and things described in the book are the products of the author's analysis. In this way, the characters have real feelings. Whether it is the protagonist's motivation to become a minister - what he wants to do when he is young and frivolous, his desire to satirize and criticize reality in his personal essays, or the disputes and reconciliations between the restaurant owner and his son. These true feelings can truly resonate with readers in similar situations. The worldview of this article is based on the possession of superpowers. However, in the first volume, the existence of superpowers was insufficient, and they only became the promoter of the plot rather than the core of the conflict. Personally, I think that since it is a worldview based on supernatural powers, it might as well add more relevant content. The second volume currently being updated has significantly improved this. The main driving force for creation is appreciation and understanding. The data in this book is indeed unsatisfactory. It is not easy for the author to keep updating a volume. All I can provide is these few 500 words of humble opinion. I hope more people can discover and appreciate this work. [Praise]

A daily masterpiece that heals and warms the heart. After hurriedly reading dozens of chapters, I suddenly realized that I couldn't even remember the names of the main characters in the book. This is definitely not because the author's characterization is not vivid enough, but because I lost the original intention of reading in my impetuous browsing. Maybe it's because the pace of life is getting increasingly hurried, or maybe it's because my mood is slowly becoming impetuous, but it's been a long time since I calmed down and read the text carefully. I always read ten lines at a time and rush through the pages, blindly pursuing the immediate pleasure of reading. But the reassuring daily life and discussions about literature in the article all reminded me: I had unknowingly lost the patience and calmness that allowed me to wait quietly for words to touch my soul. After calming down and looking back, I suddenly felt that this novel was worth slowing down and re-reading. I am very grateful to the author for giving me a chance to find my original intention. I also sincerely hope that the book lovers in front of the screen can find their inner peace and enjoy a colorful life in the increasingly fast-paced life.

It's so good😋 I haven't read a first-person book for a long time, but the writing of this book is really good, the pace is very comfortable, and the characters are well created, and they are all three-dimensional (of course, except for the old one, the only good character is to give other teachers a little face, but it is still too annoying at the moment, I can't think of how to clean it up) By the way, one thing is that the characters are too sensitive to emotions. It's really not surprising that "we are together" can be understood as "we are together" I also have a question about the setting that I would like to ask the author. The historical scenes are all set in Japan. Why does the protagonist change the subtitles and specifically emphasize that it is "Songli Chinese". Although it is not a big problem, it just feels a bit weird. Oh, by the way, the plot is still a bit simple. It seems that you can see it all at a glance (｡･ω･｡), but a more bland plot is also good. Come on, author!

Wow! What a beautiful book! [Angry] Author I love you

It's a wonderful book, but it doesn't have the same "reversal and explosive" tension as contemporary online articles, so you need to calm down and read it. The loneliness of the male and female protagonists hit our faces when they first appeared, watching them grow together and meet each other's angels. The language style is very Japanese, but I personally feel that the story itself is still an idealized Chinese story, containing the expectations of both the reader and the author. In addition, you can also directly get a glimpse of the author's strong literary skills, which makes you envious and learn knowledge from it. Moreover, the author obviously has certain ambitions, and it can be seen that he wants to thank something special, but sometimes the "degree" is not very good in my personal opinion. The author has made great progress, and I think the second volume is even better. Looking forward to the next volume 3 from the future author. [Laughing]

Great, great, great, great! The writing is very good (although a bit idealistic), maybe because my class teacher is also very rigid and superstitious about rules, and we did not receive the complete school rules. 39 Of the 40 people in the class were criticized by him, and the remaining one was one he didn't see.) So I felt very happy when I watched it, and it felt like I had also experienced a rebellion with everyone in the literary club. Maybe I can't achieve the level of any character in this book, but I'm glad that the author gave me something that I can bring into reality. Chapters 220 and 224 are both divine comebacks, so let's move forward!

I have finished reading the first volume. It is very well written and more upright than the average Japanese novel. In the early stage, the first-person perspective of the male protagonist who left home alone and entered a new environment and the strict hierarchy of the society immediately brought a subtle sense of oppression. The main conflict escalates very smoothly in the middle period. The targets range from the people around the protagonist to the protagonist's group to the whole school. This process is very compact. The climax is clean and neat, indeed like a spring thunder, and the final heart-to-heart talk comes naturally. The knowledge reserve is very good, and the writing style also has the flavor of Japanese literature. It is really well written. I must finish it [Blow kiss]

The plot of this book is on the lighter side and the characters are more three-dimensional. I dare say that it is already very good in this aspect alone. Everyone has their own personality traits, there are no copy-and-paste characters. As for metaphor, I think it can be added without destroying too much rationality. Although the meaning of literature lies in "not knowing", I think its ability to bring enlightenment is part of the meaning. Another highlight of this book is the author's comments in each paragraph. The author chooses to publish paragraph comments to introduce these classic works mentioned in the article. It can be seen that a lot of thought has been put into it. Even if readers have not read it, they can still feel its connotation.

After reading the first volume, you can see the author's thoughts on plot conception and plot design, and what the author wants to express. However, I think the writing style is a bit lacking, the rhythm is a bit too gentle, and there are no ups and downs. For example, the section about resisting the teacher in the article lacks foreshadowing, which is the "suppression" of wanting to advance before suppressing, and lacks emotional foreshadowing. In the middle, the author simply "said" rather than "wrote" the new regulations. Such writing is very bland and lacks power. Then there is the characterization, which is not clear enough. At the beginning, the portrayal of Momoi and Yagyu was pretty good and very distinctive, but later on it was obviously written quickly, neglecting the characters themselves, making the characters flat. However, the author's logic in the article is quite admirable, and everything he writes is logical, which is something that many people cannot do. Finally, let me talk about what the author wants to express. It is very beautiful and very unrealistic (maybe I have become a boring adult), but the author will give you a big boost. I am looking forward to the following plot.

There is a "texture" of prose, a plain, restrained but vivid and delicate writing style, coupled with the author's own solid cultural background (solid is not enough to describe the author's level), and some philosophical speculations, forming a quiet work style that is completely different from traditional online writing, which can be called "clear flow". Let's talk about the "texture of prose" first. Compared with conventional novel writers, the author's style obviously has a calming and spring breeze power. This is the most precious thing in my eyes. Then there is his writing, word choice, and plot design. Compared with other works, especially Shuangwen works, this work itself does not have so many "contradictions" or "explosive points". In the eyes of some people, this "bland" plot design may indeed be a shortcoming. However, this is also the clear texture of this book. He does not use contradictions and victories to create pleasure, but a steady flow, allowing the characters to gradually change, or "grow" in the development of the plot, thereby bringing satisfaction. I won't say much about my literary skills. I don't deserve it. For a person like me who has trouble memorizing poems, I won't say much. I can only say that when you read a place, you will naturally feel this way. To be honest, I really like this kind of philosophical discussion mixed in. Although there is a lot of thought in shaping characters, I think more of it is the author himself using the mouth of the characters to talk about his struggles in reality. Outside the book, we can also see an excellent writer himself through these fragments (Ps: If I remember correctly, the author should have said something like "these main characters all have their own shadows"). Finally, here is a glimpse of the remaining poem: I believe in this world, There are always people with a sensitive heart and gentle blood, Every breath touches the breeze that has not yet risen, Every time I look up, I see through the light rain that has not yet fallen. See through the long night of obsession and bring it to the world A mention of the breeze, a grasp of the light rain, a glimpse of the early morning, Everything is dyed with a thin layer of tenderness, sensitivity, and passion. ——The world is impermanent (actually it's me)