Jujutsu Kaisen: The Supreme One of Fire, the Flame Emperor of Shoko's Family

To put it bluntly, it's good-looking. The protagonist's faint sense of death is interesting. The relationship between the heroine and the heroine is not warm, passionate or surprising. It's just bland. It's the feeling that I should be by your side and you should be by my side. Of course, this is what I feel when I see it. I like it very much. I highly recommend it.

From an objective point of view, Mao Dun clearly stated that the core of the novel is to create characters and portray characters. In this novel, the characters of Gojo Satoru, the male protagonist, and Fushiguro Shiji are quite distinct, but in today's fast-paced world, readers of online novels mainly focus on the excitement and plot. But it's still very good for the author to stick with it. However, the use of the male protagonist's spells is too much for the author's imagination. If the reader is also very imaginative, it will be a bit uncomfortable to read, and it feels that the male protagonist's spells are not fully used. Character design can mostly refer to "flat characters", which are very impressive to readers. The following is AI: For example, the image of Li Chungang in "The Fighting Swordsman in the Snow" Let's talk directly about how he was "shaped" (a combination of flat + round, very typical): 1. Appearance and Contrast: First create a "flat label" - Image: A sloppy old man with a broken arm, wearing a torn sheepskin fur, picking his feet and nose, and speaking casually. - First impression: Ordinary, inconspicuous, even a bit wretched - a typical "sweeping monk"-style contrasting start. - Function: First use a flat, fixed external symbol to catch the reader: "This old man is not simple." 2. Strength and legend: use the resume of "god" as the skeleton (flat + heroic) - Genius setting: 16 King Kong, 19 Zhixuan, 24 celestial phenomena, 36 land gods. - Achievements tags: Sword Armor, Green Snake with Two Sleeves, Sword Kai Tianmen, Guangling Sword Breaks Armor Two Thousand Six. - Positioning: Encounter the Sword God once in 500 years, the ceiling of kendo. This layer is a flat "mythical character": strong, proud, and pure, which can be understood at a glance. 3. Emotions and Heart Knots: Pulling "God" into a "round" (core shaping) The largest circularization comes from the line of Lu Pao'er: - He accidentally killed Lupao'er when he was young. From then on, he felt guilty, trapped himself, and was imprisoned for twenty years. - The Trojan horse and cow were broken, he lost one of his arms, and he hid in the Tingchao Pavilion—from being the best in the world to self-exile. - Personality changes: Cynical on the surface, extremely affectionate, stubborn, and lonely on the inside. This makes him no longer a simple "sword god symbol", but a person with trauma, weakness, and pain and regret. 4. Arc of action: from "self-trap" to "relief" (complete growth) - Protecting Xu Fengnian's return to the world: from escaping from the world to joining the world. - Huishan "Sword Comes" and Returns to Land Sword Fairy: Reconcile yourself. - The Battle of Guangling River, the fate of swordsmanship spread across the world: from serving oneself to being a descendant of swordsmanship. - Two dying wishes: "May everyone in the world be a sincere swordsman and know how to wear green snakes on their sleeves; May the world amaze the younger generations, and everyone can open the gate of heaven with a sword. " - Ending: not ascending, dying of old age, and returning to the world. The arc is clear: pride → regret → sinking → rebirth → helping others →

It's okay. The plot is good, but there are two points that are very confusing. One is the development of the organization. Gojo Satoru asked. If I told him not to tell him at the beginning, I can understand that it means that the organization has not developed and needs to be kept secret. Later, if I don't tell him, it will be really confusing. Gojo is not stupid. Even if he knows, he will not leak the secret. Secondly, It's the emotional line with Glass. I can't figure it out. Just like it if you like it. There's nothing I can't say. It's not like I don't have the strength to protect Glass. In today's world of magic, who else but Shi'er can beat the protagonist? Even Shi'er can't guarantee 100% that he can beat him. I don't know what he's hiding or is it because of some reason? I hope the author can think carefully about it

The look and feel is okay, but I feel that the protagonist's ability is not very useful. He can create flames, so why not consider giving Xia Youjie a whole seasoned flame [pinch], a whole barbecue flavored magic ball. You can even give the entire flame (or even the entire religious belief, the higher the loyalty to the protagonist, the more powerful the flame you can use, etc.) And give it to the members of the organization, so that it is worthy of the name of the organization.

I really can't find anything that attracts me. The one who has traveled through time is like the one who is not wearing anything.

It's a great read because there are relatively few chapters and you can finish it in one morning. Summary: The author is too short.

It's good-looking. I don't think there are any poisonous points at the moment. The nature of Wumi Maomao is vividly reflected. The author has a lot of personality, but the content is a bit lacking at the moment.

It's okay, the protagonist can be said to be invincible at the beginning!

It feels like the protagonist is not yet ready to develop his own magic, and... Fushiguro Tsumiki is suspected to have been eaten by the author. [Cover face]

Good looking, love watching, not bad