After Transmigrating into a Book Set in the Apocalypse, I Rescued Six People Who Weren’t Supposed to Die

[Apocalypse + transmigrate into a book + personal space + mutant plant abilities + order-manipulation abilities + spirit eyes + stockpiling + strong female lead + multiple male leads + wish-fulfillment + play the pig to eat the tiger]

[Important note: The heroine is decisive and self-interested, but has her limits. She isn’t excessively cold-blooded, and she’s absolutely not a brainless do-gooder!]

Su Jin transmigrates into an apocalypse novel and becomes a disposable character who gets shoved toward the zombies by her best friend the moment she appears.

Fortunately, she comes with a massive personal space, mutant plants that can heal or poison, the ability to manipulate order, and spirit eyes.

With the plot in hand, all she wants is to keep her head down, stock up on supplies, and head north to live in peace.

Who would have thought that along the way she would “casually” save six doomed side characters whose tragic fates had haunted readers? Not only do they refuse to leave, they cling to her shamelessly.

Su Jin: I just happened to save you. Don’t read too much into it.

The six doomed side characters: You saved our lives, so now we belong to you.

And so Su Jin, who only wanted to look after herself, is forced to become a living legend whom no one dares to cross in the apocalypse.

✨A few words from the author:

I’ve never believed that people in an apocalypse can only be either absolutely cold-blooded or brainless do-gooders.

Su Jin always repays a grudge, acts decisively against her enemies, and puts her own survival first.

But she still has kindness in her heart and holds on to her principles. She won’t erase all her humanity just to survive.

This story uses a non-linear narrative, opening with a high-stakes, memorable scene before gradually filling in the transmigration clues and the characters’ past connections.

Everyone is different. Su Jin is a heroine unique to my writing: vivid and full of contradictions, realistic and three-dimensional.