Shen Tao transmigrates into a book, becoming the long-suffering wife in a story set in the era.
The original owner's husband, Han Jing'an, has a beloved woman in his heart: Su Xueping. Even after getting married, the two carried on a secret, ambiguous relationship, and he had long since been emotionally unfaithful, all while claiming they were “guided by love, but restrained by propriety.” He clung to the physical boundary and congratulated himself for it, as if that proved his innocence.
He would rather adopt the five orphaned children of his fallen comrades than touch the original owner. She worked herself to the bone raising them and helped him climb the ranks, only to be accused in the end of having “used underhanded tactics to force him into marriage.” She died a miserable, grieving death.
After Shen Tao arrives, seduced by his good looks, she goes straight ahead and takes down the obsessive husband of the woman he adores.
Su Xueping is reborn.
In her previous life, she spent half her life in a loveless marriage. This time, she makes the first move and gets Han Jing'an before Shen Tao can.
She thinks they'll be blissfully happy together, but instead, she's left in a loveless marriage once again.
What makes her even more furious is that the man who ignored her completely in her past life, and remained unmoved even when she tried to seduce him, marries Shen Tao this time around and can hardly bear to let her out of his sight.
Su Xueping: …Wait, this isn't how the story is supposed to go!
How can such a good book have such a low rating? I've already caught up with it. It's captivating from beginning to end, the characters are vividly portrayed, and the female lead doesn't have any overpowered abilities to fool the reader. It's like a village girl who dropped out of high school can operate a CT scanner, even disassemble and repair it, and the hospital director vouches for her…
It's really good! The male lead is very well-developed—cool, sharp-tongued, insightful, and with a strong sense of boundaries. The female lead is very capable; she handles the issues concerning suffering women well, both in her words and actions! The male and female leads have great chemistry; there's an invisible thread connecting them. It's really good.
The main characters don't even have mouths!
It's super good-looking and directly tied for the title. The story is also good. There's no messy space powers, mind-reading or anything like that. It's good-looking, and it's not like those popular novels where the heroine knows medical skills and cooking. This one is good-looking, she can embroider and make clothes, and she's very smooth-talking and can reply back.
Well written, the plot is original. The female protagonist transmigrates into a strange world and era, without any superpowers, and survives in this world through her own efforts. It's not a super-satisfying story where everything happens overnight, but it's still quite good to see her improve step by step!
The author's writing style is very humorous; I laughed out loud several times. I don't know why the rating is so low. Is it because the male and female leads keep misunderstanding each other? But I don't know why I like reading stories with misunderstandings, where the male and female leads gradually get to know each other, adjust to each other, and then get together.
This book is so well-written, why are there so few comments? 🤦 Everyone, come and see! This book is truly excellent! 👍👍❤️
😂😂😂 I really love the way the characters speak; it's so funny! I was reading it on my way back from dinner tonight, laughing out loud, when I looked up and saw an old man giving me a strange look. 🤦🤦🤦🤦
After searching for half an hour, I finally found a novel that suits my taste. Previous novels included time-travel elements, an inappropriate use of the "naive and foolish college student" trope, the frustrating plot of a female protagonist reborn and then committing suicide, and the fact that most of the negative characters in male-centric stories are female while the positive characters are mostly male. The first three chapters of this novel are at least to my liking; I'll continue reading.
It's good! But there's one problem: the use of "we" is misused. Almost every instance of "we" in the text should actually be "we," excluding the other party in the dialogue.