Born into the 1960S: The Lucky Girl Flees with Her Pocket Dimension

In fact, the writing is quite good. The heroine is just an ordinary person who selfishly grabs space in advance and is kind-hearted to save a dying child. However, it is not good to expose the spiritual spring. If the child being rescued is not a good concealer, the heroine will definitely be sliced ​​into pieces. Another point is that both the heroine and the heroine's mother have charming physiques, but on the premise of being heartthrobs, the characters of the supporting characters are also very good. They have a sense of normal humanity. The father who likes Yaozu will rush into the fire to protect his daughter. Parents who fancy their autistic son only hanging around the heroine will be angry. The neighbors who used to be very affectionate would be resentful because the heroine left first without taking her children with her. It's quite human.

The pace is good, the heroine is a little sweet bean, the mother is breaking away from the family, and the plot line of the grandma is more complicated. In those days, women were too much eaten, and one woman could eat more than one.

The female characters are so miserable. Chunhua is a victim of son preference, the daughter of the Shen family was sold for food, and Mrs. Shen also had a rosy victimization past.

Although this is a Mary Sue romance novel, the characters are not that flat. Pearl and Zijin both have their own growth lines. I hope Pearl can finally break through the mystery. To be honest, pearls are really difficult. If you haven't experienced a little bit of love, it will be easier to give up. I got love, but only a small part. It makes people unable to be completely heartbroken. It is a mess and cannot be sorted out.

It's rare to find a novel in Tomato that doesn't treat people as fools. This book is quite good. I like that there is no female rivalry, and no absolute, brainless opposition. Everyone has a rich personality, and it is not OOC. Some novels are written in order to make dumplings and achieve a certain ending. This book is not like that. Everyone's love and hate have a reason. The protagonists are the skeleton, and the stories of the little characters are flesh and blood. I think the author is actually reflecting while writing. Some are bringing everyone in, and some are adapting to the world in the novel. The development of each paragraph is natural. Even if the original outline may not be like this, I think this ending is the best. I like this development. Finally, praise the author. The work is like the author's projection. The author must have done a good job in separating the topics.

If the female protagonist grows up and there is no male protagonist or multiple male protagonists, it will be unbearable. So far, it's okay.

Grandma is so pitiful [cry][cry][cry][cry], big bitter gourd

I'm halfway through watching it, and the characters are really well portrayed, and the women are really well portrayed.

Could there be a series version of this book?

It's good to have multiple male protagonists. Is it multiple male protagonists?