When Nan Wan wakes up, she discovers she’s transmigrated into a period novel as the vicious female side character: a vain, selfish troublemaker with nothing but good looks. In the original story, she’s the heroine’s love-struck cannon-fodder little sister, doomed from the start.
To avoid a tragic ending, she can only keep her head down and try to be a good person, stay away from the male and female leads, avoid the plot, and enjoy her own quiet life.
What’s the big deal about being sent to the countryside? She’ll go!
But after just a few turns of the hoe, her palms are red. Nan Wan gives up. Whoever wants to farm can do it!
Fu Wang is sent to the countryside for labor reform because of his family’s sensitive background. There, he unexpectedly meets the childhood betrothed he’s heard about. At first, he looks down on her for being unable to lift a finger, but before long he’s quietly won over.
The novel’s setting is entirely fictional, so please don’t overthink it!!
