You Told Me to Be a Rich Playboy, So I Used the Art of Emperors to Get Ahead in Officialdom

Watch people, not plays: Treat the characters as real-life mentors and figure out their decision-making logic and way of doing things. Look at the situation, not the story: Understand the power structure and interest relationships behind the event, not just the plot itself. Look at the heart, not the skills: Learn their calmness, rationality and three-dimensional thinking when facing complex situations. This is the real core competitiveness.

Looking at the title, I thought it was a systematic time-travel novel, but in fact, it is a rigorous novel that integrates the power struggles of ancient and modern officialdom. The article is well-conceived, including the majestic high-level battles and the tenderness between men and women. The plot has ups and downs, is intricate and fascinating, making people want to watch it and put it down! The author has a high level of literary accomplishment and is familiar with the current situation and rules of officialdom. His depictions of various characters are captivating! Poems, songs, and letters were hand-picked, and the magnificent political stage, frontier officials, and ordinary people in the city, switching between ancient and modern roles can be said to be very easy... In short, this is a rare masterpiece, comparable to "Emperor Yongzheng" by Mr. Yue Erhe!

It's really good. The subject matter is very fresh and the details are well grasped. The writing and plot are fine But I hope we don't follow the same routine of love lines. Since they are all realistic official documents, The person who can truly fight to the end must have shown his humanity to the fullest. I haven't finished reading it yet, but I hope the emotional line won't be the downfall of this article. I have a suggestion for the author. If you want to write, write it truthfully. If you have money and power, you will want more women. If you like the new, you will hate the old. Emotional lines are naturally a failure in this genre. The less, the better. Don't force-fine an affectionate male protagonist just to please readers.

The writing is very good. Except for the protagonist occasionally quoting a few ancient poems, there is no pretense or cheating. It analyzes the intricate interest relationships of various committees and bureaus in depth, and I am absolutely familiar with the operation of the system. To be honest, as an ordinary cadre, I don't know how a lot of things written here work, but the author writes very clearly. Finally, I'm curious, where do you plan to end the story at the end of the story for the protagonist? [Laughing and crying]

I have reached chapter 263 and I feel good about reading it now. The writing is very exciting and the author likes it 👍. So far it's still a single female protagonist, I hope to keep it that way. Such a great official article would be very off-putting if it involves a stud or a harem. What readers see is "official career + not brainless but also fun", not a low-level male protagonist sleeping with various women.

As an old fan, the new book brought me a bright surprise. The writing is really wonderful. It is really awesome to be able to write such a work. I held my breath to read the latest. It has to be said that the subject of officialdom and intrigue is the author's area of ​​expertise. Da Da's writing is rigorous, elegant and thoughtful, and coupled with precise logic application, the book shows a broad institutional vision, solid legal foundation and rich cultural accumulation, which amazed me. As the protagonist in the book said, although today's human civilization and science and technology are developing rapidly, there are many tall buildings on the earth, and even weapons that frequently affect the world structure are created, the logic of the operation of power has not changed through the ages. The protagonist travels back and forth between the past and the present, applying ancient emperors' mental skills and officialdom wisdom to modern power games. Not only does it not appear outdated, but it becomes more profound and broad-minded. Those who are good at chess make moves, and those who are good at strategizing achieve great results. The male protagonist is calm, steady, and resourceful, and his actions are interlocking. Every step he takes is three steps. In just eleven short chapters, the situation has been broken and the clues buried several times. The character design is really well done, coupled with the tight rhythm, the plot has no redundancy. It's been a long time since I've encountered a book of such a wonderful standard. Book lovers who like power and strategy games shouldn't miss it.

The author has profound writing skills, concise and smooth language, full and three-dimensional characters, and delicate description of inner activities. The writing is logically clear and layered, and the plot development is fascinating. Worth reading in depth.

Attribute: Male channel Point of View: Male Protagonist Emotional relationship: single female protagonist 1v1 Type: modern, officialdom, time travel Evaluation: The setting is that the male protagonist is an ordinary person who travels to the Ming Dynasty to become the emperor, and after his death, he travels to a parallel world to become a second-generation official, and then works within the system. To be honest, I haven't read such a pure and refreshing story in a long time. The plot actually has some cliché plots, but in fact, the viewing experience is not bad, I can accept it, the writing is not bad, and it is refreshing.

When the sixty-year-old emperor's soul transforms into a playboy, and uses imperial skills to compete in the urban officialdom, this setting is so exciting! The collision between power and daily life makes people excited every step of the way, and you can't stop at all!

There are also girls who read this kind of book. I read the comments and some people suggested that the male protagonist should have more love lines and the female protagonist should be promiscuous. I didn't like it very much. Many male protagonists in officialdom novels have many women from the beginning to reaching high positions, which makes them speechless. This is the same. As an emperor who had succeeded in seizing a legitimate heir, he might have had three palaces and six courtyards for a long time. In modern society, is it necessary to have three wives and four concubines? Isn't it true that having a beloved person by your side is the best way to avoid being dazzled by the colorful world? Many emotional lines are indeed not suitable for officialdom writing, but I only read a few chapters and felt that the author used emotional lines to assist officialdom, blending into nature, without a sense of separation, and it is very interesting. In addition, I really want to read the past life story of the male protagonist seizing the heir, and I hope the author has the opportunity to write it.