Three Kingdoms: Did Zhuge Liang Know I Transmigrated from the Start?

I accidentally read this fictional work about the Three Kingdoms. When I first read it, I felt it was unique and novel. It is an excellent online work with its own fun and gentle character. The novel breaks away from the traditional plot of the Three Kingdoms and uses extremely novel card skill settings to construct the entire plot. The protagonist travels through the troubled times of the late Han Dynasty with modern thinking. He does not use brute force on the battlefield or rely on historical prophets to crush him. Instead, he relies on various cards in his hand and uses various skills to break the situation. He works step by step to reverse the chaos of the times and finally achieves the unification of the Han Dynasty. Such a game-like narrative logic seems to be easy to escape, and even some plots have a somewhat absurd and bizarre interest that transcends the common sense of history. At first glance, it will make people feel that it breaks the heavy historical tone of the Three Kingdoms. But after reading it through, you will find that the author is not simply piling up excitement and making fun of history. Under the light shell of the card game, there is sincerity and warmth that are extremely rare in troubled times. Everyone knows that the Three Kingdoms were a chaotic time filled with wars, intrigues, and intrigues. It was a cruel era in which heroes competed and their bones were exposed. But this book, in the grand background of the battle between heroes and mountains, describes in detail the sincere friendship between the king and his ministers who know each other and fight side by side. In the ups and downs of the troubled times, it retains a gentle and pure firework and original intention. It reinterprets the romance belonging to the Shu-Han Dynasty: not the cold conclusion of merits and demerits in history books, nor the one-sided judgment of praise and blame from later generations, but the passion and perseverance of a group of people with mountains and rivers in mind, going against the trend and jointly determining the world. This unique and gentle way of writing is the most touching highlight of the whole text, and it also makes the whole story break out of the cliché and have its own unique warmth and character. Admittedly, there is still room for improvement in the work. Some of the plot settings are wild and unconventional, and the narrative rhythm and plot carving are still lacking in detail. If the text can be carefully considered, the plot logic can be standardized, and some absurd settings can be restrained, so that the novel card system can be better integrated with the heaviness of the Three Kingdoms' troubled times, the pattern and texture of the entire work will surely be improved to a higher level. Despite its shortcomings, this is still a masterpiece worth reading attentively. It deconstructs the troubled times with novel ideas and depicts the human heart with gentle pen and ink. In addition to countless serious and heavy Three Kingdoms works, it gives us another kind of gentle romance in troubled times. It also allows us to see that troubled times are not only about killing and strife, but also the true love of the world with sincerity and sincerity.