Detective Conan: The Terminally Ill Villain’s Bomb Game

I have to say that the author's way of writing about self-disgust and self-mother is indeed very wonderful, but at the beginning of reading, I always had this question, that is, what on earth is he going to do? Why is he doing this now? Why did he do this? That is, the character's motivation and the character's trajectory, this is one of the questions. Another problem is that after I read the latest (tied) chapter, I broke away from the previous mood and read the new chapter the next day, but found it difficult to continue reading. This is a question that the author needs to think about. That is, after breaking away from the emotional drive, what should we rely on to enter again. The author's inner emotions must be very rich. However, from the descriptive perspective and characterization of the article, we can find that there is almost no characterization of other characters except the protagonist. Thanks to the form of fan fiction, these characters already have distinct and three-dimensional images in the original work. In this article, he is directly borrowed to live in the world described by the author. I can find from the text that the author or protagonist is overly immersed in his own emotions and subjective world. For this reason, I am actually a little worried about the author's mental state. A system that is too closed will eventually rot, just like stagnant water will rot. Even from a utilitarian point of view, if the story is to be complete, it still needs the protagonist to interact with the outside world. Otherwise, the protagonist will always be immersed in the whirlpool of self-pity without collision, and it will end up being a boring one-man show.

I like it, I love watching it, the male protagonist is miserable, but he has the determination to die [sending my heart]

After only reading a few chapters, I can't stand it. The main character is so miserable [crying]... But I like it [laughing awkwardly]