Showbiz: You Asked for a Graduation Project, So Why Did You Make a Tiga Movie?

The writing is very detailed, and the shooting details are also very detailed. Some people write this kind of novels in one stroke, invest money and shoot directly, and then finish shooting in one sentence, and then move on to the next work, even skipping every episode and directly showing the ending. But this is different. Every episode has the audience's feelings. One thing I would like to suggest is that if you can't change the plot, don't change it. After all, you have basically changed the highlights of the play. Some monsters will die in the play. That is inevitable. Only in this way can the effect be better. But if you change it to not killing, changing him back to his original self and sending him away, or leaving his body intact, it will far fall short of the original effect. There is no metaphorical meaning. Dream Run is my personal favorite. He only knows the soul at the end of this episode. It is better to know the soul at the end than to know the soul in the middle. Only in this way can a certain effect be achieved. I don't know the first part and the middle part, it is just a feeling. The ending is definitely like a reversal. There are too many changes. It doesn't have that kind of shock. I personally suggest that you don't change the plot in the future if you can. Just like if Jamila was written, the ending of the play would be Jamila's death and then satirize to achieve a visual and auditory effect, but you might change it to restore Jamila to a human being and criticize society at the end, but there would be no visual impact if Jamila was restored to a human being. , And there is no sense of shock later, "The water that the earth relies on for life has become a weapon to kill you. My hometown is the earth, but humans are no longer my friends." There is no such visual impact. Instead, it is a kind of "Jamila is so miserable, pay tribute to the astronauts." It is simple, easy to understand and popular, so don't change it if you can. I really don't want to change it to this later. There is also a chapter, the chapter about Muzhen Xingren, the girl in the play was hit and disappeared, even the body was gone, only a ring was left. Because of this, Dagu became even more angry, and you did not write details here, leaving people with the feeling that the whole body was left, but there is no such feeling. I read a little more, but there were still too many changes. Eiji Tsuburaya said "GUTS?" Victory Team? "It's not a bad idea to use it as the logo of the Monster Attack Team." It felt like the meaning would be different if someone changed the subject. I felt that Eiji Tsuburaya wouldn't say that, he wouldn't be perfunctory, he would continue to ask questions, why he wanted to make these clothes, whether it would be better if there was a defense team, what the meaning of the logo is, what he thinks of the next drama... And other questions, but he said "Victory Team?" Not bad as a logo for a monster attack team. "This is OOC. The chatting with the actors behind the scenes was okay, but the plot has been changed too much.

As the author said, the male protagonist encountered many real-life problems, but he dealt with them very quickly and did not suffer any problems. It was quite interesting to watch. The only drawback may be that some interesting lines are missing, such as the line that was criticized in the episode of Horii's Ebolon Cells, but the author still works hard

Generally speaking, it is very good. It has its own innovations, but the author sometimes ignores the classic parts of the original version. I hope that the author will not forget the classics while innovating, so as not to lose the connotation of the original version in the end.

It's truly a masterpiece. Aside from the homage, the author's adaptation of the original plot is also very perfect, as well as the protagonist's attitude towards light. Many depths that I didn't see in the original film are also explained in the book one by one. I look forward to updates.

The quality is okay, and it can be seen that it is not a random novel. The plot develops steadily, and the characters are a little thin but it can be seen that they have been well developed. The plot progressed a little too quickly in the early stages, and I finished the first episode right away. I don't know what the specific focus of this article is. The audience's reaction, the description of the series, and the production behind it are almost evenly divided. Slightly bland and not focused enough. But as a copycat novel, it's pretty good and you can read it. (Also: Can the author change the cover? This cover makes people have no desire to read. I browsed the home page several times and did not click in because of this cover. I used to think that it was a routine that was actually a harem under the guise of Ultraman. The cover directly screened out a group of people, but in fact the quality of the book is still good. So I feel it is a pity, maybe the cover can be changed.)

I've read everyone's comments. I saw that everyone said that there were some magical changes to the plot and some poor lines, so the author can explain it. Because the author of the previous episodes did not refer to the original works and wrote them entirely according to the Tiga in his memory, there may be some errors in the plot, and there are also some lines that he forgot to add, such as the lines in the fourth episode of Xincheng. This is the author's problem. The author thinks that he has read Tiga more than a dozen times and should have memorized everything, but he still has problems writing it himself. Some of the later plots, such as the eighth episode, are also modified according to today's social conditions and are more in line with today's society. Since everyone says that the magic modification is not good, the author will try his best to write the next 10 episodes according to the original work, and only make some necessary localization designs. And the Showa copyrighted protagonists will all get back, after all, they have to film Membius. He will use the most satisfying routine within a reasonable scope, and the protagonist will not be disappointed. Welcome readers to come and see my works.

Author, I support you. Although the early themes are a bit cliche, what you wrote about the spirit and core part is really right. You perfectly made up for the emotion I felt in my heart but couldn't express it when I was watching Tiga and Seven. Thank you, author Alas, it smells so strong of AI that I can't stand it anymore

It's okay. It's not a brainless copycat type of story. Although some plots may have some problems and are a bit too idealistic, they don't affect the viewing experience. The writing style and plot are also okay, but the progress is a bit slow. Half of the Diga is not short, because you can't write only one Diga. You must also write other special shots. If you follow this rhythm, it will be a bit slow. There are also things like A B and Penguin Note that are definitely untouchable, but they are also very large, and it is impossible to sit idly by when it comes to profit issues. A B's methods are not that good, and the opposite party is so involved in the protagonist, which involves A B's money and traffic. Even if he will not take action for the protagonist, at least he will not be indifferent. A B has been a lot of guarantors in the past two years.

In terms of the rhythm of online writing, this book is very Dior. It can be said that Tomato is the top of the "special photography" genre. It will be no problem to follow this rhythm to write the Heisei Three Heroes easily. The plot has even received the Showa copyright, and even Membius and Super Eight Theater can be written smoothly. If I write about this kind of subject one day, I will definitely use this book as a model for learning. Now let's talk about personal preferences. The author's starting point for the so-called "localization" adaptation in the plot is good, but it is not necessarily a good change. For example, in Obik's case, is it necessary to change the character who introduces the shadow grandfather to a Taoist? It's not like we don't have monks ourselves (not to mention that we wrote several Taoist chapters in advance, but when the monster tail is revealed later, I guess it was easy to write and he was written as a monk). Secondly, there are also some lines that the author said were written from memory, so they are different from the lines of the original drama, just like the previous episodes. In fact, the lines of the original drama are actually very refined, and some of the author's own lines are really a bit superfluous and pretentious. The adaptation is okay, but most of the blunt "localization" really makes the viewers feel uncomfortable from time to time. I originally wanted to give it three stars, but from the author's perspective, the pace of this book is really good, so I'll give it four stars overall. Why did the second part end in Severn? If I had my way, I would probably recommend Mebius or Gaia. The reason why I recommend Membius first is that since you have taken back the copyright of Showa in the plot, why not just publish Membius, the pinnacle work that pays homage to Showa. Not only is Membius more suitable for the age of the readership, but it can also bring out all the old Showa and Aura and play it again. Wouldn't it be easier to write and enjoy? As for recommending Gaia purely because of quality, in fact, all three heroes are fine, but because I personally prefer that Dyna can be filmed as a work that echoes Tiga in the follow-up rhythm, and it will be better after a certain period of time in the plot, so I put Dyna's priority behind Gaia.

This is a very good new article and a very novel fanfic. You can fatten up and then look at it. But the writing style is a bit immature, and the description is too grand and empty just to sublimate the sensation generated after the filming. The front part is touching, but if you go to the back too many times, you will feel tired. But overall it is good and I hope it will get better and better in the future. Come on, author! It's really embarrassing... I have no choice